Good Boy

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In November 1869 Missouri farmer Charles Burden sued his neighbor, Leonidas Hornsby, for shooting his dog Drum. Hornsby denied it, but neighbors had heard the shot and the dog’s cries of pain on the night in question, and Drum had been found dead of a gunshot the following morning. Furious, Burden sued Hornsby for $50, the maximum amount allowed by law. The two battled back and forth in the courts for a year. Finally, at end of the fourth trial, Burden’s attorney George Graham Vest rose to make this closing argument:

Gentlemen of the jury. The best friend a man has in the world may turn against him and become his enemy. His son or daughter whom he has reared with loving care may prove ungrateful. Those who are nearest and dearest to us, those whom we trust with our happiness and our good name, may become traitors to their faith. The money that a man has he may lose. It flies away from him perhaps when he needs it most. A man’s reputation may be sacrificed in a moment of ill-considered action. The people who are prone to fall on their knees to do us honor when success is with us may be the first to throw the stone of malice when failure settles its cloud upon our heads. The one absolutely unselfish friend that a man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is the dog.

Gentlemen of the jury, a man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground when the wintry winds blow and the snow drives fiercely, if only he can be near his master’s side. He will kiss the hand that has no food to offer, he will lick the wounds and sores that come in encounters with the roughness of the world. He guards the sleep of his pauper master as if he were a prince.

When all other friends desert, he remains. When riches take wings and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. If fortune drives the master forth an outcast in the world, friendless and homeless, the faithful dog asks no higher privilege than that of accompanying him, to guard him against danger, to fight against his enemies. And when the last scene of all comes, and death takes the master in its embrace and his body is laid in the cold ground, no matter if all other friends pursue their way, there by his graveside will the noble dog be found, his head between his paws and his eyes sad but open, in alert watchfulness, faithful and true, even to death.

Burden won, getting $50 and justice for his dog. Hornsby appealed to the state supreme court but lost.

Vest, the attorney, had said he would “win the case or apologize to every dog in Missouri.”

Mountain-Climbing Traditions

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All climbers stop short of the peak of Kangchenjunga, the world’s third highest mountain. Joe Brown and George Band, who in 1955 became the first to climb the 28,169-foot Himalayan peak, stopped short of the summit to honor a promise given to the Maharaja of Sikkim that the top would remain inviolate. Every subsequent expedition has followed this tradition.

At 7,247 feet, Mount Townsend, below, is the second-highest peak in Australia, 63 feet shorter than nearby Mount Kosciuszko. By tradition each person who climbs it carries a rock to leave at the top, so that eventually it might surpass its neighbor.

In 2006 workers discovered a piano near the summit of Britain’s highest mountain, 4,409-foot Ben Nevis in the Scottish Highlands. “Our guys couldn’t believe their eyes,” conservation trust director Nigel Hawkins told The Guardian. “At first they thought it was just the wooden casing but then they saw the whole cast iron frame complete with strings.” Scots woodcutter Kenny Campbell came forward to acknowledge that he’d carried it up the mountain 35 years ago to support a charity. “When I got there,” he said, “I played ‘Scotland the Brave.'”

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Image: Wikimedia Commons

Overtoun Bridge

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Image: Wikipedia

In the last 50 years, scores of dogs have jumped to their deaths from the bridge approaching Scotland’s Overtoun House. All the dogs have jumped between the final two parapets on the right-hand side, and nearly all have jumped on clear, sunny days. The dogs tend to be long-nosed breeds, labradors, collies, and retrievers.

It’s unlikely that the dogs are seeing something, because from their perspective little is visible. Acoustic experts have detected no unusual sounds. But mice and mink live under the bridge, and animal habitat expert David Sands found that the dogs he tested were strongly drawn to mink scents. Mink were introduced to Scotland in the 1920s and would have produced a significant population by the 1950s, when the jumps started occurring. The scents left by their anal glands would be strongest in dry conditions and most accessible to keen-nosed dogs with long snouts.

“When you get down to a dog’s level, the solid granite of the bridge’s 18-inch thick walls obscures their vision and blocks out all sound,” Sands told the Daily Mail. “As a result, the one sense not obscured, that of smell, goes into overdrive.”

Photo ID

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This is the official White House photograph of Bill Clinton. It was taken on Jan. 1, 1993. But Clinton wasn’t inaugurated until Jan. 20. Can this be said, then, to be a photo of President Bill Clinton?

To get an answer to this cosmic question, a reporter called the chairman of the New York University philosophy department, Roy Sorensen. Sorensen said yes.

“Think of it this way,” he said. “A photograph of Clinton does not need to be a photograph of the full spatial extent of his body. Just a representative part of his body will do. The same applies for temporal parts; a photograph of one stage of Clinton is a photograph of Clinton. Even a baby picture of Clinton is a picture of President Clinton.”

(From Sorensen’s A Brief History of the Paradox, 2005.)

Fiction and Feeling

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A puzzle from University of Michigan philosopher Kendall Walton:

“Charles is watching a horror movie about a terrible green slime. He cringes in his seat as the slime oozes slowly but relentlessly over the earth, destroying everything in its path. Soon a greasy head emerges from the undulating mas, and two beady eyes fix on the camera. The slime, picking up speed, oozes on a new course straight toward the viewers. Charles emits a shriek and clutches desperately at his chair. Afterwards, still shaken, he confesses that he was ‘terrified’ of the slime.”

Was he? Walton says no. Charles may have felt intense fear, even shrieking as the slime approached the camera. But he knew that he was not literally in danger. This was not a half-belief or a “gut” feeling — he never considered leaving the theater or calling the police, for instance. Charles wasn’t motivated to avoid the slime physically. Yet he says that what he felt was fear of the slime.

What are we to make of this? “This issue is of fundamental importance,” Walton writes. “It is crucially related to the basic question of why and how fiction is important, why we find it valuable, why we do not dismiss novels, films, and plays as ‘mere fiction’ and hence unworthy of serious attention.” What is the answer?

(Kendall Walton, “Fearing Fictions,” Journal of Philosophy, January 1978.)

Round Trip

A time-travel paradox from Robin Le Poidevin’s Travels in Four Dimensions, 2003:

Tim is spending the summer holiday at his grandfather’s house in rural Sussex. Bored one day, he wanders into his grandfather’s library. On one of the more remote shelves, Tim discovers a dusty book with no title on its spine. Opening it, he sees it is a diary, written in a familiar hand. With a growing sense of wonder he realizes that one of the entries provides detailed instructions on how to build a time machine. Over the next few years, following the instructions to the last detail, Tim builds such a machine. It is finally completed, and he steps on board, and throws the switch. Instantly, he is transported back fifty years. Unfortunately, both the machine and book are destroyed in the process. Tim writes down everything he can remember in a diary. He cannot rebuild the machine, however, because it requires technology that is not yet available. Reconciled to getting back to the twenty-first century by the traditional method of doing nothing and letting time carry one back, he marries and has a daughter. The family move to a rambling mansion in rural Sussex. The diary is left to gather dust in the library. Years later, Tim’s grandson, spending his summer holidays with his grandfather, discovers the diary.

“The identity of Tim will be obvious,” writes Le Poidevin, “and this in itself is rather strange. But the question we are concerned with is this: where did the inforation on how to build a time machine come from? From the diary, of course, which itself was written by Tim. But where did he get the information from? From the very same diary! So the information has appeared from nowhere. At no stage has someone worked out for themselves how to build a time machine and passed on the information. The existence of this information is therefore utterly mysterious.”

Long Distance

The widespread sail of a ship, rendered concave by a gentle breeze, is also a good collector of sound. It happened once on board a ship sailing along the coast of Brazil, far out of sight of land, that the persons walking on deck, when passing a particular spot, always heard very distinctly the sound of bells, varying as in human rejoicings. All on board came to listen, and were convinced, but the phenomenon was most mysterious. Months afterwards it was ascertained, that at the time of observation the bells of the city of St. Salvador, on the Brazilian coast, had been ringing on the occasion of a festival — their sound, therefore, favoured by a gentle wind, had travelled over perhaps 100 miles of smooth water, and had been brought to a focus by the sail in the particular situation on the deck where it was listened to.

— Neil Arnott, Elements of Physics, 1829

Free Range

Description of the facts underlying an 1828 action against John Ramage, a Liverpool man accused of “omitting to take proper care of a cow”:

The circumstances of the case were of a somewhat singular nature. It appeared, from the evidence, that, about six o’clock in the evening of the 8th of July last, a cow was found wandering in Tithebarn-street in a very disorderly manner, to the terror of the lieges, several of whom it had thrown down, and, for this conduct, it had been seized and dragged to the pound kept by the defendant. Here the restive animal determined on making her escape, and, ascending a flight of six stone steps, she proceeded along a passage, and, breaking open a door, found herself in a room where Mrs. Ramage and her family were taking tea. The company ran screaming from the room, leaving her to the uninterrupted enjoyment of the bohea, and buttered toast. The cow immediately commenced operations on the good things before her, but from natural awkwardness, overthrew table and tea-service, and, after doing some other mischief, bolted through a door opposite the one at which she had entered the room, and down five steps into a yard, where egress was stopped; and, before she could retrace her steps, Mr. Ramage and his assistants took her into custody, and conveyed her to her original place of durance.

The next morning, Mr. Ramage, on visiting the yard, found that his prisoner had again escaped, and he immediately made a search for her. She had climbed a heap of stones, lying in one corner of the yard, to a wall about twelve feet from the ground, along which she had walked (though the wall was but one brick and a half thick) a distance of sixteen feet, and climbed somewhat higher to the top of a shed; this she had walked over, and again elevated herself by gaining the top of a building used as a filecutter’s shop. Not being sufficiently acquainted with that part, she at once pushed one of her feet through the sky-light, to the inexpressible horror of Mr. Rockett, the file-cutter, who was at work below. Having extricated her foot, she again ascended, and walked along the roof of a warehouse, the height of an ordinary three-story house. This roof proved to be too weak to support the weight of the animal, and she fell through upon a pile of bags of cotton, and rolled to the floor, where her journeyings ended, for she was found in this room, lying on her side, very materially injured. … After some deliberation, the jury returned a verdict for the plaintiff, damages 2l. 2s., subject to a point reserved for decision as to the jurisdiction of the court to try the cause.

Liverpool Courier, reprinted in Annual Register, October 1828

Operation Fantasia

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In 1943, seeking to use psychological warfare to prevail in its efforts against the Japanese, the U.S. Office of Strategic Services hit on a strange plan. Noting that Shintoists might view the image of an illuminated fox as a harbinger of bad times, the agency’s experts suggested that “under extremely trying conditions” the Japanese “would be adversely affected by what they might consider an evil omen” and succumb to “fear, terror, and despair.”

How does one make a glowing fox? Planners started by experimenting with fox-shaped balloons covered in luminous paint and dangled by fishing line, but by the end of 1944 they’d shelved that idea and begun spraying live foxes with luminous paint, hoping to release them across the “entire field of combat,” calling this America’s “most potent” psychological tool against the Japanese.

The operation would begin by distributing pamphlets warning of impending evil and patterned after those of Japanese soothsayers. These would be airdropped and also spread by field operatives who would blow special reed whistles to simulate a fox-like “cry of the damned” and use powders and pastes to spread “fox odors.” The OSS also enlisted Japanese collaborators to “simulate persons possessed of the Fox spirit.”

To test the plan, the agency actually released 30 foxes in Central Park that “were painted with a radiant chemical which glowed in the dark.” As a result, according to one report, “Horrified citizens, shocked by the sudden sight of the leaping ghostlike animals, fled from the dark recesses of the park with the ‘screaming jeemies.'”

Heartened at this result, the planners set about procuring as many foxes as possible from China and Australia in anticipation of an Allied invasion of Japan. Only the war’s sudden conclusion, with the dropping of the atomic bomb, stopped the operation from going forward.

“Still, the development of their idea demonstrates how Americans during the war perceived the psychology of their Asian foe in a far different way than they saw their enemies in Europe,” writes Robert Kodosky in Psychological Operations American Style (2007). “Based on their notions of Japan’s primitive state, Americans produced plans like ‘Operation Fantasia’ for use against Japanese that stood as much more absurd than any European campaign they proved willing to consider.”

(Thanks, Meaghan.)

King of the Jungle

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Image: Wikimedia Commons

The mayor of Talkeetna, Alaska, is a cat named Stubbs.

Local merchant Lauri Stec discovered him in her parking lot in 1997 and dubbed him Stubbs because he lacked a tail; he was named honorary mayor of the 900-resident town shortly afterward, and Stec’s general store is now his mayoral office.

“All throughout the day I have to take care of the mayor,” Stec’s employee Skye Farrar told CNN. “He’s very demanding. He meowed and meowed and meowed and demanded to be picked up and put on the counter. And he demanded to be taken away from the tourists. Then he had his long afternoon nap.”

He may require special treatment, but his constituents have been largely pleased with his 17-year reign. “He doesn’t raise our taxes,” Stec said. “We have no sales tax. He doesn’t interfere with business. He’s honest.”