It’s been established that a volume of fluid can be suspended stably above a layer of air by vibrating the whole system vertically. Now researchers in Paris have shown that lightweight objects can “float” on the underside of this suspended slab of liquid — thus inverting an entire seaside scene.
A YouTube commenter writes, “We’ve been sailing like that for years in Australia.”
I am nearly driven wild with the Dorcas accounts, and by Mrs. Wakefield’s orders they are to be done now. I do hate sums. There is no greater mistake than to call arithmetic an exact science. There are Permutations and Aberrations discernible to minds entirely noble like mine; subtle variations which ordinary accountants fail to discover; hidden laws of Number which it requires a mind like mine to perceive. For instance, if you add a sum from the bottom up, and then again from the top down, the result is always different. Again if you multiply a number by another number before you have had your tea, and then again after, the product will be different. It is also remarkable that the Post-tea product is more likely to agree with other people’s calculations than the Pre-tea result.
Try the experiment, and if you do not find it as I say, you are a mere sciolist, a poor mechanical thinker, and not gifted as I am, with subtle perceptions.
In 1865, while conducting the “Answers to Correspondents” column in The Californian, Mark Twain received this inquiry:
If it would take a cannon ball 3 1/3 seconds to travel four miles, and 3 3/8 seconds to travel the next four, and 3 5/8 to travel the next four, and if its rate of progress continued to diminish in the same ratio, how long would it take it to go fifteen hundred millions of miles?
I don’t know.
In a 1906 address to the New York Association for Promoting the Interests of the Blind, he said, “I never could do anything with figures, never had any talent for mathematics, never accomplished anything in my efforts at that rugged study, and today the only mathematics I know is multiplication, and the minute I get away up in that, as soon as I reach nine times seven … [Mr. Clemens lapsed into deep thought for a moment.] I’ve got it now. It’s eighty-four.”
In his 1886 book The Present Age and Inner Life, “Poughkeepsie Seer” Andrew Jackson Davis gives a surprisingly concrete explanation of table-turning at a seance:
We are negative to our guardian spirits; they are positive to us; and the whole mystery is illustrated by the workings of the common magnetic telegraph. The principles involved are identical. The spirits (improperly so called) sustaining a positive relation to us, are enabled through mediums, as electric conductors, to attract and move articles of furniture, vibrate the wires of a musical instrument, and, by discharging, through the potencies of their wills, currents of magnetism, they can and do produce rappings, on principles strictly analogous to the magnetic telegraph, and may move tables or tip them, to signify certain letters of the alphabet.
In her 1972 study of the spiritualist movement, Georgess McHargue writes that Davis’ scientific passages are so packed with “gobbledegook as to put it in the class with the most imaginative vintage science fantasy.”
Designed by architects in Amsterdam and Beijing, the Lucky Knot Bridge in Changsha, China, combines three bridges in one. Inspired by both the Möbius strip and the Chinese knotting art, the 185-meter pedestrian bridge spans Dragon King Harbor River, connecting multiple levels at varying heights (the river banks, the road, and a park at a higher level) while permitting pedestrians to pass from one route to another using “moon gates.”
“Bridges … have a highly metaphorical quality,” Michel Schreinemachers, a partner at Next Architects, told Wired. “They connect not only in a physical sense, but also people, places, needs, and experiences.”
When you’re driving and see an upcoming traffic light turn yellow, you face an urgent choice: stop quickly or try to run through the intersection before the light turns red. In 1962, Stanford aeronautics professor Howard Seifert worked out that you can choose either alternative if
where your car’s initial speed is v0 ft/sec, its maximum acceleration is a+ ft/sec2, its maximum deceleration is a– ft/sec2, the duration of the yellow light is T seconds, and the intersection is s feet wide and d0 feet away.
“[I]f the left or right inequality is reversed, you will not be able to run through or to stop, respectively,” he concluded. “It can be shown that there are situations where neither alternative will work and hazard and law violation are inevitable, as some palpitating drivers will testify.”
(Howard S. Seifert, “The Stop-Light Dilemma,” American Journal of Physics 30:3 , 216-218.)
Julian Voss-Andreae studied physics at the University of Vienna before pursuing an art degree in the United States. His sculpture Quantum Man consists of 115 vertical steel sheets spaced by 1,000 short steel rods. The resulting figure looks solid when viewed from the front but almost disappears when viewed from the side, as light passes between the sheets.
“My interest is really nature,” he says. “One way to explore it is through science. Another is through intuitive sense and a search for metaphors.”
In their early studies of time and motion, engineers Frank Bunker Gilbreth and Lillian Moller Gilbreth divided all motions of the hand into 17 varieties:
Magnificently, they called these therbligs, which is roughly Gilbreth spelled backward. “Transport empty” refers to receiving an item with an empty hand, “transport loaded” means moving an object with the hand, and so on. With careful study, a worker’s movements might be optimized to maximize speed and efficiency. (It was the Gilbreths, for example, who suggested that surgeons employ “caddies” to pass their instruments to them.)
This scheme makes an appearance in fiction: In their 1948 novel Cheaper by the Dozen, Frank and Lillian’s children Frank Jr. and Ernestine describe what it’s like to grow up in the home of an efficiency expert:
Suppose a man goes into a bathroom and shave. We’ll assume that his face is all lathered and that he is ready to pick up his razor. He knows where the razor is, but first he must locate it with his eye. That is ‘search’, the first Therblig. His eye finds it and comes to rest — that’s ‘find’, the second Therblig. Third comes ‘select’, the process of sliding the razor prior to the fourth Therblig, ‘grasp’. Fifth is ‘transport loaded’, bringing the razor up to his face, and sixth is ‘position’, getting the razor set on his face.
“There are eleven other Therbligs — the last one is ‘think’!”