Learning

“Good tests kill flawed theories; we remain alive to guess again.” — Karl Popper

“There are two possible outcomes: if the result confirms the hypothesis, then you’ve made a measurement. If the result is contrary to the hypothesis, then you’ve made a discovery.” — Enrico Fermi

“This particular thesis was addressed to me a quarter of a century ago by John Campbell, who … told me that all theories are proven wrong in time. … My answer to him was, ‘John, when people thought the Earth was flat, they were wrong. When people thought the Earth was [perfectly] spherical, they were wrong. But if you think that thinking the Earth is spherical is just as wrong as thinking the Earth is flat, then your view is wronger than both of them put together.’ The basic trouble, you see, is that people think that ‘right’ and ‘wrong’ are absolute; that everything that isn’t perfectly and completely right is totally and equally wrong. However, I don’t think that’s so. It seems to me that right and wrong are fuzzy concepts.” — Isaac Asimov, The Relativity of Wrong, 1988

The Arc of Narrative

In 2020, three researchers from UT Austin and Lancaster University examined 40,000 fictional narratives and discovered a consistent linguistic pattern. Articles and prepositions such as a and the are common at the start of a story, where they set the stage by providing information about people, places, and things. As the plot progresses, auxiliary verbs, adverbs, and pronouns become more common — words that are action-oriented and social. Near the end, “cognitive tension words” such as think, realize, and because become more common, words that reflect people trying to make sense of their world.

These patterns are consistent across novels, short stories, and amateur (“off-the-cuff”) stories. “If we want to connect with an audience, we have to appreciate what information they need, but don’t yet have,” said lead author Ryan Boyd. “At the most fundamental level, humans need a flood of ‘logic language’ at the beginning of a story to make sense of it, followed by a rising stream of ‘action’ information to convey the actual plot of the story.”

At this website you can view the graphs produced by various example narratives and even analyze your own.

(Ryan L. Boyd, Kate G. Blackburn, and James W. Pennebaker, “The Narrative Arc: Revealing Core Narrative Structures Through Text Analysis,” Science Advances 6:32 [2020], eaba2196.) (Thanks, Sharon.)

Plato’s Number

By Wikimedia user Cmglee, a visual proof that 33 + 43 + 53 = 63:

https://commons.wikimedia.org/wiki/File:Plato_number.svg
Image: Wikimedia Commons

This value, 216, is sometimes called Plato’s number because it seems to correspond to this enigmatic passage in the Republic:

Now for divine begettings there is a period comprehended by a perfect number, and for mortal by the first in which augmentations dominating and dominated when they have attained to three distances and four limits of the assimilating and the dissimilating, the waxing and the waning, render all things conversable and commensurable with one another, whereof a basal four-thirds wedded to the pempad yields two harmonies at the third augmentation, the one the product of equal factors taken one hundred times, the other of equal length one way but oblong,-one dimension of a hundred numbers determined by the rational diameters of the pempad lacking one in each case, or of the irrational lacking two; the other dimension of a hundred cubes of the triad. And this entire geometrical number is determinative of this thing, of better and inferior births.

Unfortunately, Plato’s meaning is far from certain. Other values that have been proposed (with various rationales) include 1,728, 3,600, 5,040, 8,128, 17,500, 760,000, and 12,960,000. Cicero politely described the question as “obscure”; it remains open.

In the Stars

https://pixabay.com/en/natural-starry-sky-night-view-2065714/

In the December 2024 issue of Recreational Mathematics Magazine, Illinois State University mathematician Sunil Chebolu demonstrates that the digits of π can be generated using the positions of stars.

The probability P(x, y) that two randomly chosen positive integers, x and y, are relatively prime is 6/π2. The stars in the night sky appear to be distributed randomly on the celestial sphere, and this suggests a novel experiment: Use the pairwise angular distances between stars to simulate a large random sample of numbers, then pick random pairs and determine the proportion of relatively prime pairs. Equating that with the theoretical probability above should generate an approximation of π.

In Nature in 1995, University of Aston mathematician Robert Matthews used the positions of 100 stars to compute π to within 0.5% of its correct value (3.12772). By expanding the sample to 1,000 stars, Chebolu got an average estimate of 3.141540567, an error of less than 0.002%.

“The above method can also be viewed as a statistical hypothesis test,” Chebolu notes. “Since the error in the estimate for π obtained using this method is pretty low, one may also argue that it supports the hypothesis that the bright stars are randomly distributed on the celestial sphere.”

(Sunil K. Chebolu, “Baking Star π,” Recreational Mathematics Magazine 11:19 [December 2024], 67-70.)

Close to Home

https://archive.org/details/B-001-001-755/page/n5/mode/2up?view=theater

In 1940, George Gamow published Mr Tompkins in Wonderland, in which a bank clerk attends a lecture on relativity and then finds that Einstein’s principles have become apparent in the ordinary street scenes before him:

A single cyclist was coming slowly down the street and, as he approached, Mr Tompkins’s eyes opened wide with astonishment. For the bicycle and the young man on it were unbelievably shortened in the direction of the motion, as if seen through a cylindrical lens. The clock on the tower struck five, and the cyclist, evidently in a hurry, stepped harder on the pedals. Mr Tompkins did not notice that he gained much in speed, but, as the result of his effort, he shortened still more and went down the street looking exactly like a picture cut out of cardboard.

In later adventures Tompkins explores cosmology and quantum physics, again in an exaggerated world in which extreme effects become observable. Gamow called this a “fantastic but scientifically correct dream.”

Around the World

Paris newspapers once carried an ad offering a cheap and pleasant way of travelling for the price of 25 centimes. Several simpletons mailed this sum. Each received a letter of the following content:

‘Sir, rest at peace in bed and remember that the earth turns. At the 49th parallel — that of Paris — you travel more than 25,000 km a day. Should you want a nice view, draw your curtain aside and admire the starry sky.’

The man who sent these letters was found and tried for fraud. The story goes that after quietly listening to the verdict and paying the fine demanded, the culprit struck a theatrical pose and solemnly declared, repeating Galileo’s famous words: ‘It turns.’

— Yakov Perelman, Physics for Entertainment, 1913

Wittenbauer’s Parallelogram

https://commons.wikimedia.org/wiki/File:Wittenbauer%27s_parallelogram1.svg
Image: Wikimedia Commons

Draw an arbitrary quadrilateral and divide each of its sides into three equal parts. Draw a line through adjacent points of trisection on either side of each vertex and you’ll have a parallelogram.

Discovered by Austrian engineer Ferdinand Wittenbauer.

07/03/2025 UPDATE: Reader Ross Ogilvie writes, “I realized that there is nothing special about dividing the sides into thirds. The construction still works so long as the two points adjacent to a vertex divide their respective sides in the same ratio. This ensures that the line connecting the adjacent points are parallel to a diagonal of the quadrilateral. In Wittenbauer’s construction, they divide the sides 1:2. The case of 1:1, so all the points are midpoints, is Varignon’s theorem. It’s even possible that different vertices have different ratios. I drew up a little demo if you would like to play around and see for yourself. Move the sliders a,b,c,d to change the ratios.”