A Pirate’s Credo

Cruising off Rhode Island in 1717, pirate Samuel Bellamy plundered a Boston sloop and granted his crew’s wish to sink her. Before putting the captain ashore, Bellamy told him:

I am sorry they won’t let you have your sloop again, for I scorn to do any one a mischief, when it is not to my advantage; damn the sloop, we must sink her, and she might be of use to you. Though you are a sneaking puppy, and so are all those who will submit to be governed by laws which rich men have made for their own security; for the cowardly whelps have not the courage otherwise to defend what they get by knavery; but damn ye altogether: damn them for a pack of crafty rascals, and you, who serve them, for a parcel of hen-hearted numbskulls. They vilify us, the scoundrels do, when there is only this difference, they rob the poor under the cover of law, forsooth, and we plunder the rich under the protection of our own courage. Had you not better make then one of us, than sneak after these villains for employment?

The captain replied that his conscience forbade him to break the laws of God or man. Bellamy returned, “You are a devilish conscience rascal! I am a free prince, and I have as much authority to make war on the whole world as he who has a hundred sail of ships at sea and an army of 100,000 men in the field; and this my conscience tells me! But there is no arguing with such snivelling puppies, who allow superiors to kick them about deck at pleasure.”

(From Charles Johnson, A General History of the Robberies and Murders of the Most Notorious Pyrates, 1724.)

Two Dire Punishments

https://commons.wikimedia.org/wiki/File:Ertr%C3%A4nken_im_Fass_oder_Sack_1560.jpg

Under Roman law, subjects found guilty of patricide were subjected to poena cullei, the “penalty of the sack” — they were sewn into a leather sack with a snake, a cock, a monkey, and a dog and thrown into water.

In his Life of Artaxerxes, Plutarch describes an ancient Persian method of execution known as scaphism in which vermin devour a victim trapped between mated boats:

Taking two boats framed exactly to fit and answer each other, they lie down in one of them the malefactor that suffers, upon his back; then, covering it with the other, and so setting them together that the head, hands, and feet of him are left outside, and the rest of his body lies shut up within, then forcing him to ingest a mixture of milk and honey before pouring all over his face and body. They then keep his face continually turned towards the sun; and it becomes completely covered up and hidden by the multitude of flies that settle on it. And as within the boats he does what those that eat and drink must needs do, creeping things and vermin spring out of the corruption and rottenness of the excrement, and these entering into the bowels of him, his body is consumed.

Happily Plutarch seems to have based his account on a report by the Greek historian Ctesias, whose reliability has been questioned, so perhaps this never happened.

To Whom It May Concern

After his Connecticut home was burgled in September 1908, Mark Twain posted a sign on the front door:

NOTICE

To the Next Burglar

There is nothing but plated ware in this house now and henceforth.

You will find it in that brass thing in the dining-room over in the corner by the basket of kittens.

If you want the basket put the kittens in the brass thing.

Do not make a noise — it disturbs the family.

You will find rubbers in the front hall by that thing which has the umbrellas in it, chiffonier, I think they call it, or pergola, or something like that.

Please close the door when you go away!

Very truly yours,

S.L. Clemens

Moonlighting

https://commons.wikimedia.org/wiki/File:William_Brodie_-_Scottish_Cabinet_Maker.png

In 1788, when two thieves were arrested for robbing an Edinburgh excise office, they identified a surprising accomplice — William Brodie, a respected city councilor and president of a local trade guild.

Brodie had been leading a double life, using his day job as a cabinetmaker and locksmith to learn about residents’ security practices and to make copies of their keys, then becoming a housebreaker by night, robbing the same customers.

It appears he’d kept this up for 20 years. He was using the proceeds of the burglaries to fund a gambling career and to support five children he’d had by two different mistresses.

After the discovery he fled, but the authorities caught up to him in Amsterdam as he prepared to leave for America.

He was hanged before a crowd of 40,000 people, and his double identity helped inspire Robert Louis Stevenson to write Strange Case of Dr Jekyll and Mr Hyde.

A Typographical Banknote

https://spink.com/lot/19031002340

In 1819, as the Bank of England struggled against counterfeiters, T.C. Hansard proposed a note that combined such a variety of typefaces that a lone forger couldn’t hope to duplicate it — the faces descended all the way to Diamond, the smallest available, and the bottom of each note would be filled with 140 lines of fine print containing hidden “private marks,” such as individual letters printed in italic or small capitals.

To create even the authentic version would have required a team of 20 people, from punchcutters to engine makers, to fulfill the typographical and other design flourishes. Hansard estimated that producing the first note would have cost as much as £2,000 and taken up to a year, “but after that the production will be so rapid, that with the labour of four Men only, without the assistance of any Steam Machinery, 40,000 Notes may be produced in a Day of the finest Workmanship, at the Expense, including Paper, of Half a Farthing each Note.”

In the end the proposal wasn’t adopted — small notes were withdrawn from circulation in 1821, and the search was dropped.

(Virginia Hewitt, “Beware of Imitations: The Campaign for a New Bank of England Note, 1797-1821,” Numismatic Chronicle 158 [1998], 197-222.)

Shop Talk

https://archive.org/details/sim_strand-magazine_january-june-1895_9/page/50/mode/2up

An odd little item from the New Zealand Police Gazette, Sept. 20, 1893:

Christchurch. — William Strange and Co. report that between the 2nd and 4th instant their premises were broken into, and a determined but unsuccessful attempt made to break open the safe, the words ‘No time and little room; bad luck’ being written thereon with a piece of candle by the offenders. Nothing stolen.

The Strand reported that the photograph was “taken by a burglar, and subsequently sent to the makers of the safe that resisted his efforts.”

Sweet Dreams

https://archive.org/details/sim_strand-magazine_july-december-1894_8/page/306/mode/2up?view=theater

In an 1894 feature on peculiar furniture, the Strand describes a “suffocating bedstead” used to dispatch unwitting inn guests in the days of coach travel:

Nothing whatever of a suspicious character revealed itself to the eye of the wayfarer, yet when the scoundrel who meditated crime had satisfied himself that the man slept, he would quickly lower an interior portion of the canopy of the bedstead, firmly imprisoning him in an air-tight cavity until suffocation ensued. Struggling and shouting would be useless under such circumstances, as the weight of the box would be tremendous.

This recalls Wilkie Collins’ 1852 story “A Terribly Strange Bed,” in which a visitor at a Paris gambling house realizes the canopy over his bed is moving:

It descended — the whole canopy, with the fringe round it, came down — down — close down; so close that there was not room now to squeeze my finger between the bed-top and the bed. I felt at the sides, and discovered that what had appeared to me from beneath to be the ordinary light canopy of a four-post bed was in reality a thick, broad mattress, the substance of which was concealed by the valance and its fringe. I looked up and saw the four posts rising hideously bare. In the middle of the bed-top was a huge wooden screw that had evidently worked it down through a hole in the ceiling, just as ordinary presses are worked down on the substance selected for compression.

In his preface to the collection in which that story appears, Collins claims that it’s “entirely of my own imagining, constructing, and writing” but credits painter W.S. Herrick for “the curious and interesting facts” on which it’s based. The Strand article, published 40 years later, doesn’t mention Collins, but perhaps the idea had entered English folklore by that point. Or maybe it’s true!

Paperwork

Doubtless time travel will raise a host of legal difficulties, e.g., should a time traveler who punches his younger self (or vice versa) be charged with assault? Should the time traveler who murders someone and then flees into the past for sanctuary be tried in the past for his crime committed in the future? If he marries in the past can he be tried for bigamy even though his other wife will not be born for almost 5000 years? Etc., etc. I leave such questions for lawyers and writers of ethics textbooks to solve.

— Larry Dwyer, “Time Travel and Some Alleged Logical Asymmetries Between Past and Future,” Canadian Journal of Philosophy 8:1 (March 1978), 15-38

Not Guilty

https://commons.wikimedia.org/wiki/File:Fairy_King_and_Queen_1910.jpg

The Swedish courts took up a perplexing case in 1656: Småland maid Karin Svensdotter claimed to have had a sexual relationship with the King of the Fairies. She said she’d met a beautiful man in golden clothes who called himself Älvakungen and courted her with gifts. She’d borne him seven children, which he’d taken away to the land of the fairies. She said she’d given birth during recurring fits, from which she was known to suffer, and her employer testified that he’d heard her searching for her children in the forest.

In the 17th century the church acknowledged the existence of mythical creatures, and consorting with nature spirits such as Älvakungen would have constituted bestiality, for which a human might face a death sentence. After some consideration, though, it was determined that Svensdotter had been driven mad by Satan’s magic. The congregation was ordered to pray for her, relatives gave her a silver cross, and Älvakungen never troubled her again.

Private Collection

https://en.wikipedia.org/wiki/File:Woman-Ochre.jpg

In November 1985, a couple walked into an art museum in Tucson, Arizona. While the woman chatted with a security guard, the man disappeared briefly upstairs, and then the pair departed. Then the guard discovered that Willem de Kooning’s painting Woman-Ochre was missing — it had been cut out of its canvas.

More than 30 years later, in 2017, retired New York speech pathologist Rita Alter passed away in the little town of Cliff, N.M., five years after her husband, Jerry, a former schoolteacher. In their bedroom was the missing de Kooning, in a position that was visible only when the door was closed. The painting appeared to have been reframed only once in the 31 years it had been missing, suggesting that it had had only one owner in that time.

Had the Alters stolen the painting? They were admirers of de Kooning and had been in Tucson the day before the theft. But such a crime seems vastly out of character for the retiring couple. “[They wouldn’t] risk something as wild and crazy as grand larceny — risk the possibility of winding up in prison, for God’s sake — they wouldn’t do that,” Rita’s sister told the New York Times.

Had the pair then bought the painting from a third party? That seems impossible too — it was worth an estimated $160 million. Perhaps the painting’s authenticity had been forgotten by the time of the transaction, so that both buyer and seller thought it was a copy? How could that have come about?

Jerry Alter once published a story in which a woman and her granddaughter steal an emerald from a museum and keep it on private display, “where two pairs of eyes, exclusively, are there to see.” Is that a coincidence? A veiled admission?

We may never know. The FBI’s case remains open.

(Thanks, Daniel.)