Literary Complaints

Charles Dickens to London clockmaker John Bennett:

My Dear Sir — Since my hall clock was sent to your establishment to be cleaned it has gone (as indeed it always has) perfectly well, but has struck the hours with great reluctance; and, after enduring internal agonies of a most distressing nature, it has now ceased striking altogether. Though a happy release for the clock, this is not convenient to the household. If you can send down any confidential person with whom the clock can confer, I think it may have something on its works that it would be glad to make a clean breast of.

W.S. Gilbert to the Times:

Sir, — Allow me to corroborate Dean Gregory’s statement as to the degeneration that has overtaken a company [the London and Northwestern Railway] which, until recently, was justly regarded as a pattern to all other lines in the matter of punctuality and rapidity of despatch. … In the face of Saturday the officials of the company stand helpless and appalled. This day, which recurs at stated and well-ascertained intervals, is treated as a phenomenon entirely outside the ordinary operations of nature, and, as a consequence, no attempt whatever is made to grapple with its inherent difficulties. To the question, ‘What has caused the train to be so late?’ the officials reply, ‘It is Saturday’ — as who should say, ‘It is an earthquake.’

Mark Twain to a gas and electric lighting company in Hartford, Conn.:

Gentlemen, — There are but two places in our whole street where lights could be of any value, by any accident, and you have measured and appointed your intervals so ingeniously as to leave each of those places in the centre of a couple of hundred yards of solid darkness. When I noticed that you were setting one of your lights in such a way that I could almost see how to get into my gate at night, I suspected that it was a piece of carelessness on the part of the workmen, and would be corrected as soon as you should go around inspecting and find it out. My judgment was right; it is always right, when you are concerned. For fifteen years, in spite of my prayers and tears, you persistently kept a gas lamp exactly half way between my gates, so that I couldn’t find either of them after dark; and then furnished such execrable gas that I had to hang a danger signal on the lamp post to keep teams from running into it, nights. Now I suppose your present idea is, to leave us a little more in the dark.

Don’t mind us — out our way; we possess but one vote apiece, and no rights which you are in any way bound to respect. Please take your electric light and go to — but never mind, it is not for me to suggest; you will probably find the way; and any way you can reasonably count on divine assistance if you lose your bearings.

S.L. Clemens.

Pen Pals

franklin pierce adams

“Guess whose birthday it is today?” Franklin Pierce Adams asked Beatrice Kaufman.

“Yours?” she guessed.

“No, but you’re getting warm,” he said. “It’s Shakespeare’s!”

Visitors

From “Love and Freindship,” a story by the 14-year-old Jane Austen:

One evening in December, as my father, my mother, and myself were arranged in social converse round our fireside, we were on a sudden greatly astonished by hearing a violent knocking on the outward door of our rustic cot.

My father started — ‘What noise is that?’ said he. ‘It sounds like a loud rapping at the door,’ replied my mother. ‘It does indeed,’ cried I. ‘I am of your opinion,’ said my father, ‘it certainly does appear to proceed from some uncommon violence exerted against our unoffending door.’ ‘Yes,’ exclaimed I, ‘I cannot help thinking it must be somebody who knocks for admittance.’

‘That is another point,’ replied he. ‘We must not pretend to determine on what motive the person may knock — though that someone does rap at the door, I am partly convinced.’

Here, a second tremendous rap interrupted my father in his speech and somewhat alarmed my mother and me.

‘Had we better not go and see who it is?’ said she. ‘The servants are out.’ ‘I think we had,’ replied I. ‘Certainly,’ added my father, ‘by all means.’ ‘Shall we go now?’ said my mother, ‘The sooner the better,’ answered he. ‘Oh! let no time be lost,’ cried I.

A third more violent rap than ever again assaulted our ears. ‘I am certain there is somebody knocking at the door,’ said my mother. ‘I think there must,’ replied my father. ‘I fancy the servants are returned,’ said I. ‘I think I hear Mary going to the door.’ ‘I’m glad of it, cried my father, ‘for I long to know who it is.’

I was right in my conjecture; for Mary instantly entering the room informed us that a young gentleman and his servant were at the door, who had lost their way, were very cold and begged leave to warm themselves by our fire. …

Stage Whispers

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Fanny Kemble’s 1833 American tour was not a uniform success — her journal gives this account of one eventful scene in Baltimore:

ROMEO: Tear not our heart strings thus! They crack! They break! — Juliet! Juliet! (dies)

JULIET: (to corpse) Am I smothering you?

CORPSE: (to Juliet) Not at all. Could you be so kind, do you think, as to put my wig on again for me? It has fallen off.

JULIET: (to corpse) I’m afraid I can’t, but I’ll throw my muslin veil over it. You’ve broken the phial, haven’t you? (corpse nods)

JULIET: Where’s your dagger?

CORPSE: ‘Pon my soul, I don’t know.

“The play went off pretty well, except they broke one man’s collar-bone, and nearly dislocated a woman’s shoulder by flinging the scenery about.”

Epic Fantasy

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From a letter from J.R.R. Tolkien to his publishers, February 1950:

My work has escaped my control, and I have produced a monster; an immensely long, complex, rather bitter, and rather terrifying romance, quite unfit for children (if fit for anybody); and it is not really a sequel to The Hobbit, but to The Silmarillion. Ridiculous and tiresome as you may think me, I want to publish them both — The Silmarillion and The Lord of the Rings. That is what I should like. Or I will let it all be. I cannot contemplate any drastic rewriting or compression. But I shall not have any just grievance (nor shall I be dreadfully surprised) if you decline so obviously unprofitable a proposition.

At 150 million copies, The Lord of the Rings is now the third best-selling novel of all time.

Art Direction

E. Gertrude Thomson

In 1879, illustrator Emily Gertrude Thomson appointed to meet Lewis Carroll at the South Kensington Museum. She had arrived at the rendezvous before she realized that neither of them knew what the other looked like.

“The room was fairly full of all sorts and conditions, as usual,” she wrote later, “and I glanced at each masculine figure in turn, only to reject it as a possibility of the one I sought.”

As the clock struck, she heard high voices and children’s laughter ringing down the corridor, and a tall, slim gentleman entered holding two little girls by the hand. “He stood for a moment, head erect, glancing swiftly over the room, then, bending down, whispered something to one of the children; she, after a moment’s pause, pointed straight at me.”

He dropped their hands, came forward with a smile, and said, “I am Mr. Dodgson; I was to meet you, I think?” She smiled and asked how he had recognized her.

“My little friend found you,” he said. “I told her I had come to meet a young lady who knew fairies, and she fixed on you at once.”

More Amusing Indexes

From Oliver Wendell Holmes’ The Poet at the Breakfast-Table, 1872:

Act to make the poor rich by making the rich poorer, 3
Ankle, wonderful effects of breaking a bone in the, 114
Batrachian reservoir (frog-pond in vulgar speech), the palladium of our city, 369
Biography, penalties of being its subject, 191 et seq.
Common virtues of humanity not to be confiscated to the use of any one creed, 360
House-flies mysterious creatures, 288
Ideas often improve by transplantation, 171
Intellects, one story, two story, three story, 50
Jests distress some people, 289
Justice, an algebraic x, 317
Life a fatal complaint, and contagious, 395
Limitations, human, not to be transferred to the Infinite, 319
Millionaires cannot be exterminated, 5
Non-clerical minds, hopeful for the future of the race, 302
Old people almost wish to lose their blessings for the pleasure of remembering them, 385
Poem, is it hard work to write one?, 111
Power, we have no respect for as such, 317
Private property in thought hard to get and keep, 356
Ribbon in button-hole pleases the author, 322
Rigorists, mellowing, better than tightening liberals, 19
Tattooing with the belief of our tribe while we are in our cradles, 384
Traditionalists eliminate cause and effect from the domain of morals, 265

And from Robert Burton’s Anatomy of Melancholy, 1621:

Atheists described, 705
Baseness of birth no disparagement, 509
Beer censured, 145
Black eyes best, 519
Blow on the head cause of melancholy, 247
Confidence in his physician half a cure, 392
Crocodiles jealous, 629
Eunuchs why kept, and where, 642
Fishes in love, 493
Great men most part dishonest, 636
Guts described, 96
Hell where, 318
How oft ’tis fit to eat in a day, 307
Ignorance the mother of devotion, 678
Man the greatest enemy to man, 84
Old folks apt to be jealous, 632
Poets why poor, 203
Salads censured, 145
Step-mother, her mischiefs, 241
Venison a melancholy meat, 142
Why good men are often rejected, 415
Why fools beget wise children, wise men fools, 139, 140

The New York Times Book Review called Burton’s index “a readerly pleasure in itself.”

See Memorable Indexes.

Self Seeking

Letter from Winston Churchill to American author Winston Churchill, June 1899:

Mr. Winston Churchill presents his compliments to Mr. Winston Churchill, and begs to draw his attention to a matter which concerns them both. He has learnt from the Press notices that Mr. Winston Churchill proposes to bring out another novel, entitled Richard Carvel, which is certain to have a considerable sale both in England and America. Mr. Winston Churchill is also the author of a novel now being published in serial form in Macmillan’s Magazine, and for which he anticipates some sale both in England and America. He also proposes to publish on the 1st of October another military chronicle on the Soudan War. He has no doubt that Mr. Winston Churchill will recognise from this letter — if indeed by no other means — that there is grave danger of his works being mistaken for those of Mr. Winston Churchill. He feels sure that Mr. Winston Churchill desires this as little as he does himself. In future to avoid mistakes as far as possible, Mr. Winston Churchill has decided to sign all published articles, stories, or other works, ‘Winston Spencer Churchill,’ and not ‘Winston Churchill’ as formerly. He trusts that this arrangement will commend itself to Mr. Winston Churchill, and he ventures to suggest, with a view to preventing further confusion which may arise out of this extraordinary coincidence, that both Mr. Winston Churchill and Mr. Winston Churchill should insert a short note in their respective publications explaining to the public which are the works of Mr. Winston Churchill and which those of Mr. Winston Churchill. The text of this note might form a subject for future discussion if Mr. Winston Churchill agrees with Mr. Winston Churchill’s proposition. He takes this occasion of complimenting Mr. Winston Churchill upon the style and success of his works, which are always brought to his notice whether in magazine or book form, and he trusts that Mr. Winston Churchill has derived equal pleasure from any work of his that may have attracted his attention.

In 1959 Bertrand Russell and Lord Russell of Liverpool wrote a joint letter to the Times:

“Sir: In order to discourage confusions which have been constantly occurring, we beg herewith to state that neither of us is the other.”

A Modest Proposal

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In 1936, after his first wife had left him, Evelyn Waugh sent a letter to her cousin Laura Herbert, asking whether “you could bear the idea of marrying me.”

“I can’t advise you in my favour because I think it would be beastly for you,” he wrote, “but think how nice it would be for me. I am restless & moody and misanthropic & lazy & have no money except what I earn and if I got ill you would starve. In fact it’s a lousy proposition. On the other hand I think I could do a Grant and reform & become quite strict about not getting drunk and I am pretty sure I should be faithful. Also there is always a fair chance that there will be another bigger economic crash in which case if you had married a nobleman with a great house you might find yourself starving, while I am very clever and could probably earn a living of some sort somewhere.”

He added, “All these are very small advantages compared with the awfulness of my character. I have always tried to be nice to you and you may have got it into your head that I am nice really, but that is all rot. It is only to you & for you. I am jealous & impatient — but there is no point in going into a whole list of my vices. You are a critical girl and I’ve no doubt that you know them all and a great many I don’t know myself.”

They were wed the following spring.

Figurehead

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French science fiction writer Albert Robida has been lost in the shadow of Jules Verne, but in the 1880s he was widely popular for a trilogy of illustrated novels imagining life in the 20th century. He predicted social upheavals around the time of our two world wars and foresaw transatlantic air travel, home shopping, video telephones, and a feminist revolution. But his greatest innovation was one we haven’t reached yet — a president made of wood:

And he is really well made. See the hand that’s holding the pen? It is secured in position. You can try pushing and pulling it all you want, it won’t budge! There is a secret lock. Absolute security! The mechanism is extremely complex; there are three locks and three keys. The prime minister has one, the president of the chamber has another one, and the president of the senate has the third. A minimum of two keys is requested to activate the mechanism. In case of conflict between the prime minister and the president of the chamber, the president of the senate is summoned with his key. He stands with one side or the other and introduces his key into one of the locks. The mechanism is activated, and the automatic president signs away!

“He shall reign, but not govern,” explains a citizen. “The power will remain in the hands of the nation’s representatives. … The monarchists’ main objection to democracy has always been its inherent instability. With this wooden president, democracy equals stability!”