Briefly Noted

Ira D. Sankey’s 1873 music collection Sacred Songs and Solos contains the hymn “There is a land mine eyes have seen.” The index lists this as:

‘There is a land mine’

In the Sunday Times, March 15, 1964, F.N. Scaife recalls seeing a similarly odd entry in an old hymn book. The first lines of the hymn were:

O Lord, what boots it to recall
The hours of anguish spent

This was indexed as:

‘O Lord, what boots’

Boss Issues

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For his James Bond Dossier (1965), Kingsley Amis went through the 12 Ian Fleming books in which the character M appears and found that they give “a depressingly unvaried picture of what he’s like to be with, or anyway work for.” M’s demeanor or voice is described as:

  • abrupt, angry (3 times)
  • brutal, cold (7 times)
  • curt, dry (5 times)
  • frosty (2 times)
  • gruff (7 times)
  • hard (3 times)
  • impatient (7 times)
  • irritable (2 times)
  • moody, severe, sharp (2 times)
  • short (4 times)
  • sour (2 times)

Amis says this “divides out as an irascibility index of just under 4.6 per book.”

The character seems to be a composite of several people whom Fleming had known, but he appears to be modeled most closely on Rear Admiral John Godfrey (above), Fleming’s superior at the Naval Intelligence Division during World War II. After Fleming’s death, Godfrey complained, “He turned me into that unsavoury character, M.”

In a Word

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hallucar
adj. pertaining to the big toe

In 1856, 10-year-old Ellen Terry was just about to give Puck’s final speech in A Midsummer Night’s Dream when a stagehand closed a trapdoor on her foot, breaking her toe. She screamed, but manager Ellen Kean offered to double her salary if she finished the play. So, supported by Kean on one side and her sister Kate on the other, she delivered the following soliloquy:

If we shadows have offended (Oh, Katie, Katie!)
Think but this, and all is mended, (Oh, my toe!)
That you have but slumbered here,
While these visions did appear. (I can’t, I can’t!)
And this weak and idle theme,
No more yielding but a dream, (Oh, dear! oh, dear!)
Gentles, do not reprehend; (A big sob)
If you pardon, we will mend. (Oh, Mrs. Kean!)

“How I got through it, I don’t know!” she wrote in her 1908 memoir. “But my salary was doubled — it had been fifteen shillings, and it was raised to thirty — and Mr. Skey, President of Bartholomew’s Hospital, who chanced to be in a stall that very evening, came round behind the scenes and put my toe right. He remained my friend for life.”

Practical Math

Sample questions from L. Johnson’s 1864 textbook Elementary Arithmetic Designed for Beginners, used in North Carolina during the Civil War:

  1. A Confederate soldier captured 8 Yankees each day for 9 successive days; how many did he capture in all?
  2. If one Confederate soldier kill 90 Yankees how many Yankees can 10 Confederate soldiers kill?
  3. If one Confederate soldier can whip 7 Yankees, how many soldiers can whip 49 Yankees?

Students were also asked to imagine rolling cannonballs out of their bedrooms and dividing Confederate soldiers into squads and companies. Let’s hope they didn’t take field trips.

As You Wish

In 1951 G.V. Carey published a 15-page booklet called “Making an Index,” intended to guide new authors in preparing indexes for their books. When it was published, a friendly reviewer in the Times Literary Supplement suggested jokingly that the booklet might have benefited from an index of its own, in which Carey could have given “a full-dress demonstration of his principles.”

So, charmingly, Carey made one: In the second edition he added a 3-page index to his 15-page book, writing, “The reviewer, though he may have had his tongue in his cheek, has put the author on his mettle and tempted him, at the opportunity afforded by a new impression, to take up the challenge.” Admittedly, this required some stretching, particularly as he wanted to include every letter of the alphabet. Some sample entries:

Anybody, mere page-numbers not of the slightest use to, 7
Bibliographer, seventeenth-century, 3
Cherry, twice bitten, once shy. See Cross-references
Common sense, use your, 9, 15, and pass.
Earl of Beaconsfield, 11
Eye in, getting your, 5
Fiction, non-, 3
Haystack, looking for needle in, 4
Jehu (son of Nimshi), 12-13
John, St, 10
Life of Abraham Lincoln, 6
Lincoln, Abraham, Life of, 6
Omniscient, indexers not always, 4
Perfection, counsel of, 3
Sense, common. See Common sense
Suez Crisis, 14
What not to do. See Anybody, Earl of Beaconsfield, von Kluck, etc., etc.
York, New, missing, 10
Yourself in the users’ place, put, 6-7, 12
Zealand, New, 10

One thicket of cross-references never finds its way back to the text:

Chase, wild goose, See Von Kluck
Goose chase, wild. See Kluck, von
Kluck, von. See Von Kluck
Von Kluck. See Kluck, von
Wild goose chase. See Kluck, von

And evidently he hates the word alphabetisation:

Order, alphabetical. See Horrid word
Horrid word. See Alphabetisation
Alphabetisation, 9-10

But “It remains only to affirm that the author has made a serious attempt to demonstrate, even in this not very serious index, some at least of the principles set forth in the preceding pages.”

The Demon-Haunted World

Index entries from The Golden Bough, Sir James Frazer’s history of myth and religion:

Africa, North, charms to render bridegroom impotent in
Africa, South, disposal of cut hair and nails in; magic use of spittle in; story of the external soul in
Anointing stones, in order to avert bullets from absent warriors; in a rain-charm
Apple-tree, barren women roll under, to obtain offspring; straw man placed on oldest; torches thrown at; as life-index of boys
Bag, souls of persons deposited in a
Beating a man’s garments instead of the man; frogs, as a rain-charm
Birds, cause headache through clipped hair; absent warriors called
Charms, to prevent the sun from going down
Chastity observed for sake of absent persons; as a virtue not understood by savages
Clothes, magic sympathy between a person and his
Conception in women caused by trees
Continence, required during search for sacred cactus
Departmental kings of nature
Dogs crowned
East Indies, pregnant women forbdden to tie knots
Fairies, averse to iron
Fish, magical image to procure
Foreskins used in rainmaking
Gout, transferred to trees
Hyaenas, supposed power over men’s shadow
Impregnation of women by the sun
Jar, the evil of a whole year shut up in
Lemon, external souls of ogres in
Magnets thought to keep brothers at unity
Toothache, transferred to enemies
Twins, water poured on graves of
Whale’s ghost, fear of injuring

Augustus De Morgan wrote, “My opinion of mankind is founded upon the mournful fact that, so far as I can see, they find within themselves the means of believing in a thousand times as much as there is to believe in, judging by experience.”

Making Fun

Minutes from a New Yorker editorial meeting to consider the week’s cartoon submissions, Feb. 5, 1935:

PRICE, Gar.: Man and two small boys in picture gallery; man has stopped before nude painting. One of the small boys is saying to the other, ‘There’s something about it gets the old man every time.’

Not right type of people; should be smart people.

SHERMUND: Scene in beauty parlor; masseuse is massaging the back of a woman’s neck and saying, ‘You’re one of the lucky few who have a normal skin, Madame.’

Make better drawing; this too unpleasant.

DUNN: Couple looking at grandmother in next room mixing herself a whiskey and soda. ‘Just because it’s Mother’s Day she thinks the lid is off.’

Better whiskey bottle.

The Tuesday afternoon cartoon meeting had been a fixture in the editorial routine since the magazine’s inception. Editor Harold Ross would point out each drawing’s weaknesses with knitting needles while art department administrator Daise Terry took notes. The resulting feedback ranged from hopelessly vague (“Make funnier”) to absurdly specific (“Mr. Ross is troubled by the fact that a man wouldn’t use a sledge hammer in the house, and thinks the scene had better be in the back yard with the doll placed on a large stone”).

Among the cartoonists whom this infuriated was James Thurber, who wrote to Terry in resubmitting a rejected drawing in 1937, “If this drawing is not funny, and is not a swell drawing, I shall engage to eat it, and with it all of Price’s fantasies that just miss, all of Taylor’s S. Klein women, and all eleven versions of every drawing Day does of two men in a restaurant. I will also eat every drawing of a man and a woman on a raft, every drawing of a man and a native woman on a desert island, and every drawing of two thin women in big-backed chairs. … I will also eat every drawing of a small animal talking to its parents, and every drawing of two large animals talking about their young.” Terry’s response is not recorded.

(From Ben Yagoda, About Town, 2000.)

Twice Indeed

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In Ian Fleming’s novel You Only Live Twice, a head injury gives James Bond amnesia, and the world briefly thinks him dead. An obituary appears in the London Times:

To serve the confidential nature of his work, he was accorded the rank of lieutenant in the Special Branch of the RNVR, and it is a measure of the satisfaction his services gave to his superiors that he ended the war with the rank of commander.

In For Your Eyes Only: Ian Fleming and James Bond, Ben MacIntyre notes that this wording contains a “knowing glimmer of self-congratulation”: Fleming himself had been commissioned into the Royal Naval Volunteer Reserve in July 1939 as a lieutenant and was promoted to commander a few months later.

Namesakes

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Image: Wikimedia Commons

Sigourney Weaver was born Susan Weaver. She named herself Sigourney at 14, after a character mentioned briefly by Jordan Baker in The Great Gatsby:

She came over to me and whispered, ‘I’ve just heard the most surprising thing. Look, please come and see me. I’m staying at my aunt’s … Mrs. Sigourney Howard … phone book …’ She was hurrying away as she spoke, to join her friends who were waiting to drive her home.

“I was so tall,” Weaver told Time in 1986, “and Susan was such a short name. To my ear Sigourney was a stage name — long and curvy, with a musical ring.”

She couldn’t have known it at the time, but it appears that Fitzgerald intended Sigourney to be a man’s name: He had borrowed it from his friend Father Sigourney Fay, to whom This Side of Paradise is also dedicated.

“Jordan, it is clear, is here adopting the formal ‘English’ style of addressing her aunt by her husband’s name(s),” writes John Sutherland in Curiosities of Literature. “This was not just etiquette in the best circles; it was standard procedure in phone books of the 1920s. The husband paid the bills, and his was the name listed.”

Comment

Whoever prepared the index for Desmond Ryan’s 1967 book The Fenian Chief: A Biography of James Stephens had a mordant sense of humor — it contains this entry:

O'Brien, An:
  never turns his back on an enemy, 32
  would never retreat from fields in which ancestors were kings, 33
  does, 34