Puffery

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From a letter of Charles Darwin to Charles Lyell, April 1860:

I must say one more word about our quasi-theological controversy about natural selection, and let me have your opinion when we meet in London. Do you consider that the successive variations in the size of the crop of the Pouter Pigeon, which man has accumulated to please his caprice, have been due to ‘the creative and sustaining powers of Brahma?’ In the sense that an omnipotent and omniscient Deity must order and know everything, this must be admitted; yet, in honest truth, I can hardly admit it. It seems preposterous that a maker of a universe should care about the crop of a pigeon solely to please man’s silly fancies. But if you agree with me in thinking such an interposition of the Deity uncalled for, I can see no reason whatever for believing in such interpositions in the case of natural beings, in which strange and admirable peculiarities have been naturally selected for the creature’s own benefit. Imagine a Pouter in a state of nature wading into the water and then, being buoyed up by its inflated crop, sailing about in search of food. What admiration this would have excited — adaptation to the laws of hydrostatic pressure, &c &c For the life of me I cannot see any difficulty in natural selection producing the most exquisite structure, if such structure can be arrived at by gradation, and I know from experience how hard it is to name any structure towards which at least some gradations are not known.

Ever yours,

C. Darwin.

Podcast Episode 203: Notes and Queries

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Image: Wikimedia Commons

In this week’s episode of the Futility Closet podcast we’ll explore some more curiosities and unanswered questions from Greg’s research, including a misplaced elephant, a momentous biscuit failure, a peripatetic ax murderer, and the importance of the 9 of diamonds.

We’ll also revisit Michael Malloy’s resilience and puzzle over an uncommonly casual prison break.

See full show notes …

Rewrites

king kong

Edgar Wallace died after completing a rough draft of King Kong, and James Ashmore Creelman’s script was slow and dialogue-heavy. So Merian C. Cooper gave the job to Ruth Rose, the wife of his co-producer. Rose had never composed a script before, but she knew how to write tightly — the opening line of dialogue, “Hey! Is this the moving picture ship?”, replaces several pages of exposition with seven words. After Kong is subdued on Skull Island, she accomplishes his transfer to New York with a simple speech by filmmaker Carl Denham:

Send to the ship for anchor chains and tools. Build a raft and float him to the ship. We’ll give him more than chains. He’s always been king of his world, but we’ll teach him fear. Why, the whole world will pay to see this! We’re millionaires, boys — I’ll share it with all of you! In a few months it’ll be up in lights: ‘Kong, the Eighth Wonder of the World!’

Ernest B. Schoedsack said his wife’s script was easy to shoot because “the characters are believable — I didn’t have to ask them to do anything impossible or ridiculous.” And Cooper added, “Ruth used just the kind of romantic dialogue I wanted. It was perfect.”

An Early Visit

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Image: Wikimedia Commons
https://commons.wikimedia.org/wiki/File:Watercolour_of_one_of_the_Cyprus_mutineers_(1830).jpg
Image: Wikimedia Commons

In 1829 a group of convicts seized the English brig Cyprus off Tasmania and sailed her to Canton. When captured, the convicts’ leader, William Swallow, claimed that they had visited Japan along the way. This was widely dismissed, as Japan had a strictly isolationist foreign policy at that time.

But just last year amateur historian Nick Russell discovered Japanese records of a visiting “barbarian” ship in 1830 that flew a British flag. Local samurai had visited the ship and recorded what they saw, including watercolors. The visitors had “long pointed noses” and asked in sign language for water and firewood. The young skipper put tobacco in “a suspicious looking object, sucked and then breathed out smoke.” The men “exchanged words amongst themselves like birds twittering,” and the ship’s dog “did not look like food. It looked like a pet.”

Another samurai listed gifts that the crew offered to the Japanese, including an object that’s now believed to have been a boomerang.

Takashi Tokuno, chief curator at the archive of Tokushima Prefecture, said there is a “high probability” that the barbarian ship is the Cyprus; Warwick Hirst, former curator of manuscripts at the State Library of New South Wales, said, “I have no doubt that the Japanese account describes the visit of the Cyprus.”

The Japanese turned away the mutineers, who eventually scuttled the Cyprus near Canton and worked their way back to England, where they found that word of their deed had preceded them. Swallow died in prison, and the rest became the last men hanged for piracy in Britain.

Circles

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Image: Wikimedia Commons

“Is the old maxim true about there being an exception to every rule? Well, no doubt we can all think of rules that appear to have no exceptions, but since appearances can be deceiving, maybe the old maxim is true. On the other hand, the maxim is itself a rule, so if we assume that it’s true, it has an exception, which would be tantamount to saying that there is some rule that has no exception. So if the maxim is true, it’s false. That makes it false. Thus we know at least one rule that definitely has an exception, viz., ‘There’s an exception to every rule,’ and, although we haven’t identified it, we know that there is at least one rule that has no exceptions.”

— David L. Silverman, Word Ways, February 1972

Raymond Smullyan used to send emails to friends that read, “Please ignore this message.”

“I don’t like writers who are making sweeping statements all the time. Of course, you might argue that what I’m saying is a sweeping statement, no?” — Jorge Luis Borges, quoted in Floyd Merrell, Unthinking Thinking, 1991

Podcast Episode 199: The Mystery of the Carroll A. Deering

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In 1921 a schooner ran aground on the treacherous shoals off Cape Hatteras, North Carolina. When rescuers climbed aboard, they found signs of a strange drama in the ship’s last moments — and no trace of the 11-man crew. In this week’s episode of the Futility Closet podcast we’ll examine the curious case of the Carroll A. Deering, which has been called “one of the enduring mysteries of maritime history.”

We’ll also experiment with yellow fever and puzzle over a disputed time of death.

See full show notes …

Podcast Episode 198: The Man Who Wouldn’t Die

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In 1932 a quartet of Bronx gangsters set out to murder a friend of theirs in order to collect his life insurance. But Michael Malloy proved to be almost comically difficult to kill. In this week’s episode of the Futility Closet podcast we’ll review what one observer called “the most clumsily executed insurance scam in New York City history.”

We’ll also burrow into hoarding and puzzle over the value of silence.

See full show notes …

Priorities

https://commons.wikimedia.org/wiki/File:Philip_Henry_Gosse_%26_Edmund_Gosse_(1857).jpg

On Sept. 21, 1849, naturalist and explorer Philip Henry Gosse wrote in his diary:

E. delivered of a son. Received green swallow from Jamaica.

The son grew up to be poet, author, and critic Edmund Gosse, who wrote:

“This entry has caused amusement, as showing that he was as much interested in the bird as in the boy. But this does not follow; what the wording exemplifies is my Father’s extreme punctilio.

“The green swallow arrived later in the day than the son, and the earlier visitor was therefore recorded first; my Father was scrupulous in every species of arrangement.”

Good Boy

The esoteric programming language DOGO “heralds a new era of computer-literate pets.” Commands include:

SIT — If the value of the current memory cell is 0, jump to STAY.
STAY — If the value of the current memory cell is not 0, jump to SIT.
ROLL-OVER — Select the next operation in the operation list.
HEEL — Execute the currently selected operation.

This program prints the words HELLO WORLD:

roll-over roll-over heel roll-over roll-over roll-over roll-over heel heel heel 
heel heel heel heel heel heel sit roll-over roll-over roll-over heel roll-over 
roll-over roll-over heel heel heel heel heel heel heel heel roll-over roll-over 
heel roll-over roll-over roll-over roll-over roll-over heel roll-over roll-over 
roll-over roll-over roll-over stay roll-over roll-over roll-over heel roll-over 
roll-over heel roll-over roll-over roll-over heel roll-over roll-over roll-over 
roll-over heel heel heel heel heel heel heel sit roll-over roll-over roll-over 
heel roll-over roll-over roll-over heel heel heel heel roll-over roll-over heel 
roll-over roll-over roll-over roll-over roll-over heel roll-over roll-over 
roll-over roll-over roll-over stay roll-over roll-over roll-over heel roll-over  
roll-over roll-over heel roll-over roll-over roll-over roll-over roll-over heel 
roll-over heel heel heel heel heel heel heel roll-over roll-over roll-over 
roll-over roll-over heel heel roll-over heel heel heel roll-over roll-over 
roll-over roll-over roll-over heel roll-over roll-over roll-over heel heel heel 
roll-over roll-over roll-over roll-over heel heel heel heel heel heel heel heel 
sit roll-over roll-over roll-over heel roll-over roll-over roll-over heel heel 
heel heel roll-over roll-over heel roll-over roll-over roll-over roll-over 
roll-over heel roll-over roll-over roll-over roll-over roll-over stay roll-over 
roll-over roll-over heel roll-over roll-over heel roll-over roll-over roll-over 
heel heel heel roll-over roll-over roll-over roll-over heel heel heel heel heel 
heel heel heel heel heel sit roll-over roll-over roll-over heel roll-over 
roll-over roll-over heel heel heel heel heel heel heel heel heel roll-over 
roll-over heel roll-over roll-over roll-over roll-over roll-over heel roll-over 
roll-over roll-over roll-over roll-over stay roll-over roll-over roll-over heel 
roll-over roll-over roll-over roll-over heel heel heel roll-over roll-over 
roll-over roll-over heel roll-over roll-over roll-over roll-over heel heel heel 
heel roll-over roll-over heel roll-over heel heel heel roll-over roll-over 
roll-over roll-over roll-over heel roll-over roll-over heel heel heel heel heel 
heel roll-over roll-over roll-over roll-over heel roll-over roll-over heel heel 
heel heel heel heel heel heel roll-over roll-over roll-over roll-over heel 
roll-over roll-over roll-over heel heel roll-over roll-over roll-over roll-over 
heel roll-over roll-over roll-over roll-over roll-over heel

Here’s a similar program in Blub, which is designed to be readable by fish:

blub. blub? blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub! blub?
blub? blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub? blub! blub!
blub? blub! blub? blub. blub! blub. blub. blub? blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub.
blub! blub? blub? blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub? blub! blub! blub? blub! blub? blub. blub. blub.
blub! blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub! blub. blub! blub. blub. blub.
blub. blub. blub. blub. blub! blub. blub. blub? blub. blub? blub. blub? blub. blub. blub. blub. blub. blub. blub. blub. blub. blub.
blub. blub. blub. blub. blub. blub. blub! blub? blub? blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub? blub! blub!
blub? blub! blub? blub. blub! blub. blub. blub? blub. blub? blub. blub? blub. blub. blub. blub. blub. blub. blub. blub. blub. blub.
blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub! blub? blub? blub. blub. blub. blub. blub. blub. blub. blub. blub.
blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub. blub? blub! blub! blub? blub! blub? blub. blub! blub! blub! blub!
blub! blub! blub! blub. blub? blub. blub? blub. blub? blub. blub? blub. blub! blub. blub. blub. blub. blub. blub. blub. blub! blub.
blub! blub! blub! blub! blub! blub! blub! blub! blub! blub! blub! blub! blub! blub. blub! blub! blub! blub! blub! blub! blub! blub!
blub! blub! blub! blub! blub! blub! blub! blub! blub! blub. blub. blub? blub. blub? blub. blub. blub! blub.

See User Friendly.