Table Talk

https://commons.wikimedia.org/wiki/File:UCBerkeleyCampus.jpg
Image: Wikimedia Commons

When chemists at the University of California at Berkeley discovered elements 97 and 98, they named them berkelium and californium. The New Yorker suggested that the school showed “a surprising lack of public-relations foresight”: “Now it has lost forever the chance of immortalizing itself in the atomic tables with some such sequence as universitium (97), ofium (98), californium (99), berkelium (100).”

The discoverers sent back a reply: “By using these names first, we have forestalled the appalling possibility that after naming 97 and 98 ‘universitium’ and ‘ofium’, some New Yorker might follow with the discovery of 99 and 100 and apply the names ‘newium’ and ‘yorkium’.”

The magazine answered, “We are already at work in our office laboratories on ‘newium’ and ‘yorkium’. So far we just have the names.”

Podcast Episode 158: The Mistress of Murder Farm

belle gunness

Belle Gunness was one of America’s most prolific female serial killers, luring lonely men to her Indiana farm with promises of marriage, only to rob and kill them. In this week’s episode of the Futility Closet podcast we’ll tell the story of The LaPorte Black Widow and learn about some of her unfortunate victims.

We’ll also break back into Buckingham Palace and puzzle over a bet with the devil.

See full show notes …

Podcast Episode 156: The Most Dedicated Soldier

https://commons.wikimedia.org/wiki/File:President_Marcos_and_Hiroo_Onoda.jpg

When American forces overran the Philippine island of Lubang in 1945, Japanese intelligence officer Hiroo Onoda withdrew into the mountains to wait for reinforcements. He was still waiting 29 years later. In this week’s episode of the Futility Closet podcast we’ll meet the dedicated soldier who fought World War II until 1974.

We’ll also dig up a murderer and puzzle over an offensive compliment.

See full show notes …

A Gift for Words

https://en.wikipedia.org/wiki/File:Kenneth_Locke_Hale_(1934%E2%80%932001).jpg

Linguist Ken Hale had a preternatural ability to learn new languages. “It was as if the linguistic faculty which normally shuts off in human beings at the age of 12 just never shut off in him,” said his MIT colleague Samuel Jay Keyser.

“It’s more like a musical talent than anything else,” Hale told The New York Times in 1997. “When I found out I could speak Navajo at the age of 12, I used to go out every day and sit on a rock and talk Navajo to myself.” Acquiring new languages became a lifelong obsession:

In Spain he learnt Basque; in Ireland he spoke Gaelic so convincingly that an immigration officer asked if he knew English. He apologised to the Dutch for taking a whole week to master their somewhat complex language. He picked up the rudiments of Japanese after watching a Japanese film with subtitles.

He estimated that he could learn the essentials of a new language in 10 or 15 minutes, well enough to make himself understood, if he could talk to a native speaker (he said he could never learn a language in a classroom). He would start with parts of the body, he said, then animals and common objects. Once he’d learned the nouns he could start to make sentences and master sounds, writing everything down.

He devoted much of his time to studying vanishing languages around the world. He labored to revitalize the language of the Wampanoag in New England and visited Nicaragua to train linguists in four indigenous languages. In 2001 his son Ezra delivered his eulogy in Warlpiri, an Australian aboriginal language that his father had raised his sons to speak. “The problem,” Ken once told Philip Khoury, “is that many of the languages I’ve learned are extinct, or close to extinction, and I have no one to speak them with.”

“Ken viewed languages as if they were works of art,” recalled another MIT colleague, Samuel Jay Keyser. “Every person who spoke a language was a curator of a masterpiece.”

Podcast Episode 154: Spared by a Volcano

https://commons.wikimedia.org/wiki/File:Cyparis.jpg

The worst volcanic disaster of the 20th century struck Martinique in 1902, killing 30,000 people in the scenic town of Saint-Pierre. But rescuers found one man alive — a 27-year-old laborer in a dungeon-like jail cell. In this week’s episode of the Futility Closet podcast we’ll meet Ludger Sylbaris, who P.T. Barnum called “The Only Living Object That Survived in the Silent City of Death.”

We’ll also address some Indian uncles and puzzle over a gruesome hike.

See full show notes …

Podcast Episode 150: The Prince of Nowhere

https://en.wikipedia.org/wiki/File:General_Gregor_MacGregor_retouched.jpg

In 1821, Scottish adventurer Gregor MacGregor undertook one of the most brazen scams in history: He invented a fictional Central American republic and convinced hundreds of his countrymen to invest in its development. Worse, he persuaded 250 people to set sail for this imagined utopia with dreams of starting a new life. In this week’s episode of the Futility Closet podcast we’ll describe the disastrous results of MacGregor’s deceit.

We’ll also illuminate a hermit’s behavior and puzzle over Liechtenstein’s flag.

See full show notes …

The Disintegration Loops

In 2001 avant-garde composer William Basinski was trying to transfer some old tape loops to digital format, but he found that the original recordings had deteriorated so badly that the ferrite simply fell off the plastic backing as it passed the tape head. Intrigued, Basinski let the loops continue to cycle: the sounds grew more and more indistinct with each pass as the tape literally fell apart.

As it happened, the 9/11 attacks occurred on the morning he finished the project, and the devastation he videotaped from his rooftop seemed to sync with the new recordings. “I felt, with my experience being in New York at that time, and what I went through and what I saw my friends go through, I wanted to create an elegy,” he told NPR. “Yes, there’s that tie to 9/11. But the thing that moved me so profoundly in my studio right after this music happened was the redemptive quality. The music isn’t just decaying — it does, it dies — but the entire life and death of each of these unique melodies was recorded to another medium for eternity.”

Related: In 1969 composer Alvin Lucier recorded a paragraph of speech, then repeatedly played it back and re-recorded it, so that his voice merged gradually into a portrait of the room’s resonant frequencies.

Here’s a modern homage to Lucier using YouTube, showing the effects of ripping and uploading the same file 1,000 times:

A photo reposted to Instagram 90 times in succession:

https://petapixel.com/2015/02/11/experiment-shows-happens-repost-photo-instagram-90-times/

A video fragment transferred through 20 generations of VHS tape:

(Thanks, Matthew.)

Podcast Episode 147: The Call of Mount Kenya

https://commons.wikimedia.org/wiki/File:Mount_Kenya_1936.jpg

Stuck in an East African prison camp in 1943, Italian POW Felice Benuzzi needed a challenge to regain his sense of purpose. He made a plan that seemed crazy — to break out of the camp, climb Mount Kenya, and break back in. In this week’s episode of the Futility Closet podcast we’ll follow Benuzzi and two companions as they try to climb the second-highest mountain in Africa using homemade equipment.

We’ll also consider whether mirages may have doomed the Titanic and puzzle over an ineffective oath.

See full show notes …

Podcast Episode 146: Alone in the Wilderness

https://archive.org/details/aloneinwildernes00knowrich

In 1913 outdoorsman Joseph Knowles pledged to spend two months in the woods of northern Maine, naked and alone, fending for himself “without the slightest communication or aid from the outside world.” In this week’s episode of the Futility Closet podcast we’ll follow Knowles’ adventures in the woods and the controversy that followed his return to civilization.

We’ll also consider the roots of nostalgia and puzzle over some busy brothers.

See full show notes …

The Greatest Show

Before making his name with mobile sculpture, Alexander Calder was captivated by the circus. On a visit to Ringling Brothers and Barnum & Bailey Circus in New York City at age 27, Calder traveled about the big top with a sketchpad, drawing tightrope walkers, horseback riders, and acrobats. Using a free pass, he returned to the circus every day for two weeks, and then set out to make a toy circus of his own.

He assembled it from wire, cloth, leather, corks, pipe cleaners, string, and wood. He worked on it for six years, until he had 55 performers, and then put on circus parties for friends, playing music and introducing a ringmaster who would direct each of the acts. When it became too fragile to handle, he gave the circus to the Whitney Museum of American Art in New York City, where it remains today.

“Sandy is evidently always happy, or perhaps up to some joke, for his face is always wrapped up in that same mischievous, juvenile grin,” his school yearbook description had read. “This is certainly the index to the man’s character in this case, for he is one of the best natured fellows there is.”