Master Class

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In 1884 Robert Louis Stevenson began to give writing lessons to his 26-year-old neighbor Adelaide Boodle. One of his first assignments was to describe a place. When he read her attempt, he said, “Oh, but this work is disgracefully bad! It could hardly be worse. What induced you to bring me stuff like this?” When she asked him what was wrong with it, he said:

‘As a first step in the right direction we will do a sum together. Count the adjectives in that exercise.’

I did so.

‘Now then, see how many times that will go into the number of words allowed for the whole description.’

The result proved that my modest percentage of adjectives was 17 1/2.

‘And mostly weak ones at that!’ remarked the Master with a queer little grimace at the culprit.

‘But how ought it to have been done?’

The voice that made this appeal for light and leading was no longer in the least lachrymose: it was now, I flattered myself, that of a vigorous and determined student.

‘You should have used fewer adjectives and many more descriptive verbs,’ came the swift reply. ‘If you want me to see your garden, don’t, for pity’s sake, talk about “climbing roses” or “green, mossy lawns”. Tell me, if you like, that roses twined themselves round the apple trees and fell in showers from the branches. Never dare to tell me again anything about “green grass”. Tell me how the lawn was flecked with shadows. I know perfectly well that grass is green. So does everybody else in England. What you have to learn is something different from that. Make me see what it was that made your garden distinct from a thousand others. And, by the way, while we are about it, remember once for all that green is a word I flatly forbid you to utter in a description more than, perhaps, once in a lifetime.’

She judged that the lesson was “well worth suffering for,” and the two became good friends. “After all, R.L.S. ‘was going to teach me to write’. What on earth did anything else matter?”

(From Boodle’s R.L.S. and His Sine Qua Non, 1926.)

Regrets

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In 1922 J.M. Barrie wrote to A.E. Housman:

Dear Professor Houseman,

I am sorry about last night, when I sat next to you and did not say a word. You must have thought I was a very rude man: I am really a very shy man.

Sincerely yours, J.M. Barrie

Housman wrote back:

Dear Sir James Barrie,

I am sorry about last night, when I sat next to you and did not say a word. You must have thought I was a very rude man: I am really a very shy man.

Sincerely yours, A.E. Housman

He added, “P.S. And now you’ve made it worse for you have spelt my name wrong.”

Room 101

https://www.theguardian.com/artanddesign/2003/nov/13/art2

In 1941, the BBC established an Eastern Services Committee to discuss programming in India. The meetings were held in Room 101 at 55 Portland Place in London. George Orwell attended at least 12 meetings there and was asked to convene a subcommittee to consider organizing drama and poetry competitions.

Orwell scholar Peter Davison writes, “In Nineteen Eighty-Four O’Brien tells Orwell that the thing that is in Room 101 is the worst thing in the world. The understandable impression is that this is something like drowning, death by fire, or impalement, but Orwell is more subtle: for many, and for him, the worst thing in the world is that which is the bureaucrat’s life-blood: attendance at meetings.”

In 2003, when the original building was scheduled to be demolished, artist Rachel Whiteread made a plaster cast of the room’s interior (above). It was displayed in the Victoria and Albert Museum later that year.

(From George Orwell: A Life in Letters, 2013.)

Quiz

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Gustave Flaubert posed this teasing problem to his sister Caroline in an 1841 letter:

Since you are now studying geometry and trigonometry, I will give you a problem. A ship sails the ocean. It left Boston with a cargo of wool. It grosses 200 tons. It is bound for Le Havre. The mainmast is broken, the cabin boy is on deck, there are 12 passengers aboard, the wind is blowing East-North-East, the clock points to a quarter past three in the afternoon. It is the month of May. How old is the captain?

He didn’t give an answer. Elsewhere he wrote, “To be stupid, selfish, and have good health are three requirements for happiness — though if stupidity is lacking, all is lost.”

Nature Reading

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Image: Wikimedia Commons

In Germany, where modern forestry began, a curious new sort of literature arose in the 18th century:

Some enthusiast thought to go one better than the botanical volumes that merely illustrated the taxonomy of trees. Instead the books themselves were to be fabricated from their subject matter, so that the volume on Fagus, for example, the common European beech, would be bound in the bark of that tree. Its interior would contain samples of beech nuts and seeds; and its pages would literally be its leaves, the folios its feuilles.

That’s from Simon Schama’s Landscape and Memory, 1995. These xylotheques, or wood repositories, grew up throughout the developed world — the largest, now held by the U.S. Forest Service, houses 60,000 samples. “But the wooden books were not pure caprice, a nice pun on the meaning of cultivation,” Schama writes. “By paying homage to the vegetable matter from which it, and all literature, was constituted, the wooden library made a dazzling statement about the necessary union of culture and nature.”

Science Fiction

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For the writer of fantastic stories to help the reader to play the game properly, he must help him in every possible unobtrusive way to domesticate the impossible hypothesis. He must trick him into an unwary concession to some plausible assumption and get on with his story while the illusion holds. And that is where there was a certain slight novelty in my stories when first they appeared. Hitherto, except in exploration fantasies, the fantastic element was brought in by magic. Frankenstein even, used some jiggery-pokery magic to animate his artificial monster. There was trouble about the thing’s soul. But by the end of last century it had become difficult to squeeze even a momentary belief out of magic any longer. It occurred to me that instead of the usual interview with the devil or a magician, an ingenious use of scientific patter might with advantage be substituted. That was no great discovery. I simply brought the fetish stuff up to date, and made it as near actual theory as possible.

— H.G. Wells, June 1934 (from the H.G. Wells Scrapbook)

A Looking-Glass Letter

A facsimile of a letter from Lewis Carroll to Miss Edith Ball, Nov. 6, 1893:

https://www.gutenberg.org/files/11483/11483-h/11483-h.htm#441

My dear Edith,

I was very much pleased to get your nice little letter: and I hope you won’t mind letting Maud have the Nursery Alice, now that you have got the real one. Some day I will send you the other book about Alice, called Through the Looking-Glass, but you had better not have it just yet, for fear you should get them mixed in your mind. Which would you like best, do you think, a horse that draws you in a cab, or a lady that draws your picture, or a dentist, that draws your teeth, or a Mother, that draws you into her arms, to give you a kiss? And what order would you put the others in? Do you find Looking Glass writing easy to read? I remain

Your loving,

Lewis Carroll.

(From Stuart Dodgson Collingwood, The Life and Letters of Lewis Carroll, 1898.)

Ships That Pass

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For four months in 1840 Edgar Allan Poe conducted a puzzle column for the Philadelphia newspaper Alexander’s Daily Messenger. In that time he defied his readers to send him a cryptogram that he could not solve, and at the end of his tenure he declared himself undefeated. One of the later challenges came from 17-year-old Schuyler Colfax of New Carlisle, Iowa, who would grow up to become vice president of the United States:

Dear Sir — As you have in your Weekly Messenger defied the world to puzzle you by substituting arbitrary signs, figures, etc. for the different letters of the alphabet, I have resolved to try my utmost to corner you and your system together, and have manufactured the two odd looking subjects which accompany this as avant couriers. … If you succeed in solving the accompanying, I will, of course, as you request, acknowledge it publicly to my friends.

Poe responded: “We have only time, this week, to look at the first and longest cypher — the unriddling of which, however, will no doubt fully satisfy Mr. Colfax that we have not been playing possum with our readers.” Here’s Colfax’s cryptogram:

8n()58†d w!0 b† !x6n†z k65 !nz k65,8l†n b)x 8nd)Pxd !zw8x 6k n6 36w-†nd!x86n;

x=†0 z†,5!z† x=† w8nz 8n 8xd 62n †dx††w !nz k653† 8x x6 5†36l†5 8xd P†l†P b0 5†l†n,†.

()n8)d

What’s the solution?

Click for Answer

Warming Up

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Chapter 1 of Jack and Alice, a novel written by Jane Austen when she was 13 years old:

Mr. Johnson was once upon a time about 53; in a twelvemonth afterwards he was 54, which so much delighted him that he was determined to celebrate his next Birth day by giving a Masquerade to his Children and Freinds. Accordingly on the Day he attained his 55th year tickets were dispatched to all his Neighbours to that purpose. His acquaintance indeed in that part of the World were not very numerous as they consisted only of Lady Williams, Mr and Mrs Jones, Charles Adams and the 3 Miss Simpsons, who composed the neighbourhood of Pammydiddle and formed the Masquerade.

Before I proceed to give an account of the Evening, it will be proper to describe to my reader, the persons and Characters of the party introduced to his acquaintance.

Mr and Mrs Jones were both rather tall and very passionate, but were in other respects, good tempered, wellbehaved People. Charles Adams was an amiable, accomplished and bewitching young Man; of so dazzling a Beauty that none but Eagles could look him in the Face.

Miss Simpson was pleasing in her person, in ther Manners and in her Disposition; an unbounded ambition was her only fault. Her second sister Sukey was Envious, Spitefull and Malicious. Her person was short, fat and disagreeable. Cecilia (the youngest) was perfectly handsome but too affected to be pleasing.

In Lady Williams every virtue met. She was a widow with a handsome Jointure and the remains of a very handsome face. Tho’ Benevolent and Candid, she was Generous and sincere; Tho’ Pious and Good, she was Religious and amiable, and Tho’ Elegant and Agreable, she was Polished and Entertaining.

The Johnsons were a family of Love, and though a little addicted to the Bottle and the Dice, had many good Qualities.

Such was the party assembled in the elegant Drawing Room of Johnson Court, amongst which the pleasing figure of a Sultana was the most remarkable of the female Masks. Of the Males a Mask representing the Sun, was the most universally admired. The Beams that darted from his Eyes were like those of that glorious Luminary tho’ infinitely Superior. So strong were they that no one dared venture within half a mile of them; he had therefore the best part of the Room to himself, its size not amounting to more than 3 quarters of a mile in length & half a one in breadth. The Gentleman at last finding the feirceness of his beams to be very inconvenient to the concourse by obliging them to croud together in one corner of the room, half shut his eyes by which means, the Company discovered him to be Charles Adams in his plain green Coat, without any mask at all.

When their astonishment was a little subsided their attention was attracted by 2 Domino’s who advanced in a horrible Passion; they were both very tall, but seemed in other respects to have many good qualities. ‘These said the witty Charles, these are Mr and Mrs Jones.’ and so indeed they were.

No one could imagine who was the Sultana! Till at length on her addressing a beautifull Flora who was reclining in a studied attitude on a couch, with ‘Oh Cecilia, I wish I was really what I pretend to be’, she was discovered by the never failing genius of Charles Adams, to be the elegant but ambitious Caroline Simpson, and the person to whom she addressed herself, he rightly imagined to be her lovely but affected sister Cecilia.

The Company now advanced to a Gaming Table where sat 3 Dominos (each with a bottle in their hand) deeply engaged, but a female in the character of Virtue fled with hasty footsteps from the shocking scene, whilst a little fat woman representing Envy, sate alternately on the foreheads of the 3 Gamesters. Charles Adams was still as bright as ever; he soon discovered the party at play to be the 3 Johnsons, Envy to be Sukey Simpson and Virtue to be Lady Williams.

The Masks were then all removed and the Company retired to another room, to partake of elegant and well managed Entertainment, after which the bottle being pretty briskly pushed about by the 3 Johnsons, the whole party not excepting even Virtue were carried home, Dead Drunk.

“Jane Austen was born before those bonds which (we are told) protected women from truth, were burst by the Brontës or elaborately untied by George Eliot,” wrote G.K. Chesterton. “Yet the fact remains that Jane Austen knew more about men than either of them. Jane Austen may have been protected from truth: but it was precious little of truth that was protected from her.”

For the Record

At one point in Samuel Beckett’s 1951 novel Molloy, the title character finds himself at the seaside and “lays in a store of sucking stones”:

They were pebbles but I call them stones. Yes, on this occasion I laid in a considerable store. I distributed them equally between my four pockets, and sucked them turn and turn about. This raised a problem which I first solved in the following way. I had say sixteen stones, four in each of my four pockets these being the two pockets of my trousers and the two pockets of my greatcoat. Taking a stone from the right pocket of my greatcoat, and putting it in my mouth, I replaced it in the right pocket of my greatcoat by a stone from the right pocket of my trousers, which I replaced by a stone from the left pocket of my trousers, which I replaced by a stone from the left pocket of my greatcoat, which I replaced by the stone which was in my mouth, as soon as I had finished sucking it. Thus there were still four stones in each of my four pockets, but not quite the same stones.

It occurs to him that this method won’t ensure that every stone is eventually sucked, and he works out a plan that will achieve this. This takes eight pages, “one of the longest and most detailed accounts of someone working at a mathematical problem in a work of fiction,” according to Richard Phillips in Numbers: Facts, Figures and Fiction.

Maddeningly, in the end Molloy throws away all the stones but one, “for they all tasted exactly the same.”