Trojan Horse

In 1933 sculptor John Skeaping carved a horse of mahogany and pynkado and sent it to be displayed in Whipsnade Zoo in Bedfordshire. “Perhaps I ought to tell you that I have concealed something in the belly of my horse,” he told the Daily Mail. “It is a little bundle of papers containing my private and personal views and opinions about my contemporary artists and their work! … Posterity (if my horse survives) may get some fun out of what I have written. I hope it will, at any rate!”

Skeaping died in 1980. In 1991, conservation workers at the Tate Gallery found a folded document inside the horse:

This is practically my only opportunity of
Saying exactly what I think about
everyone.
In truth I am only interested in
myself and my own pleasure. I think that almost everyone I know
in the artistic world are just one mass
of stupidity
Henry Moore is a good
sculptor in a very limited way.
Barbara Hepworth has hardly got an
original idea in her head.
There are no other sculptors except
J. Epstein is one of the best artists
that we have
_____ Cedric Morris is one of the
_____ painters
__ and _____ ____ people I am ______.

The missing sections had faded or been eaten by insects. “I found this concealed artefact strangely moving,” wrote poet Paul Farley. “It was as if the art object, built from sound materials and designed to endure, had admitted something very human and very fragile.”

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Timber!

http://en.wikipedia.org/wiki/File:Oak_tree.jpg
Image: Wikipedia

Michael Craig-Martin’s 1973 conceptual artwork An Oak Tree presents a glass of water with a plaque explaining that it’s a tree — not symbolically but literally: “The actual oak tree is physically present but in the form of the glass of water.”

This is a comment on transubstantiation and, by extension, on the patron’s faith in an artist’s presentation of his work, but it backfired: When the National Gallery of Australia bought the piece in 1977, customs officials barred it as “vegetation.”

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Corporal Violet

canu - corporal violet

When Napoleon left France for Elba, his supporters wore violets as a secret sign of their allegiance. This 1815 colour print by Jean-Dominique Etienne Canu, Le Secret du Caporal La Violette, conceals images of the exiled emperor, his wife, and his son. Where are they?

| Art · History

“Surrealist Landscape”

http://en.wikipedia.org/wiki/File:Metamorphosis_of_Narcissus.jpg

On the pale yellow sands
Where the Unicorn stands
And the Eggs are preparing for Tea
Sing Forty
Sing Thirty
Sing Three.

On the pale yellow sands
There’s a pair of Clasped Hands
And an Eyeball entangled with string
(Sing Forty
Sing Fifty
Sing Three.)
And a Bicycle Seat
And a Plate of Raw Meat
And a Thing that is hardly a Thing.

On the pale yellow sands
There stands
A Commode
That has nothing to do with the case.
Sing Eighty
Sing Ninety
Sing Three.
On the pale yellow sands
There’s a Dorian Mode
And a Temple all covered with Lace
And a Gothic Erection of Urgent Demands
On the Patience of You and of Me.

— Lord Berners

| Art · Poems

Some Palindromes

http://commons.wikimedia.org/wiki/File:Al_roverso_symfonie_47_Haydn.png

In the minuet in Haydn’s Symphony No. 47, the orchestra plays the same passage forward, then backward.

When Will Shortz challenged listeners to submit word-level palindromes to National Public Radio’s Weekend Edition Sunday in 1997, Roxanne Abrams offered the poignant Good little student does plan future, but future plan does student little good.

math palindromes

And Connecticut’s Oxoboxo River offers a four-way palindrome — it reads the same forward and backward both on the page and in a mirror placed horizontally above it.

| Art · Language · Science & Math

Read-Only

http://commons.wikimedia.org/wiki/File:Haberle_Leave_your_order.jpg

Trompe l’oeil master John Haberle’s 1895 work The Slate induced more than one viewer to reach for the chalk. But the whole image — slate, frame, pencil, string, and erasure — was painted in oils. Haberle intended it to be hung without a separate frame in order to complete the illusion.

Haberle specialized in such playful trickery. “The spectator is very apt to doubt the assertion that the work has been accomplished with brush and oil colors alone until he has been permitted to gaze at the production through a magnifying glass which brings out in bold relief the fact that the statement is indisputable,” wrote the Boston Post of a Haberle exhibition the following year. “[O]ne man who is known beyond the limits of Boston as an art critic was heard to say ‘If I had not seen it through a very powerful microscope, I should have refused to believe it to be a genuine painting without witnessing the artist actually at work on the subject.”

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Think Piece

http://www.flickr.com/photos/daquellamanera/852950991/
Image: Flickr

To create the conceptual artwork Vertical Earth Kilometer, Walter De Maria drilled a hole in the Friedrichsplatz Park in Kassel, Germany, and inserted a brass rod 1 kilometer long.

The rod exists underground, but only its top, a coin of brass 5 centimeters wide, is visible. Is art still art if it can’t be experienced by the senses?

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Misc

  • AWE and WONDER are synonyms, but AWFUL and WONDERFUL are antonyms.
  • Abraham Lincoln is in the National Wrestling Hall of Fame.
  • Ravel described Boléro as “a piece for orchestra without music.”
  • “In politics, what begins in fear usually ends in folly.” — Coleridge
| Art · Language · Quotations · Trivia

Close Enough

http://commons.wikimedia.org/wiki/File:Livermore_public_library_in_2010.jpg
Image: Wikimedia Commons

In 2004, Livermore, Calif., paid Miami artist Maria Alquilar $40,000 to create a ceramic mural outside its new library. Its pride was short-lived: The mural misspelled the names of 10 of the 175 historical figures it honored:

Nefertite
Thesues
Michaelangelo
Shakespere
Clara Schuman
Paul Gaugan
Vincent Van Gough
Albert Eistein

German chemist Otto Beckmann’s name was spelled Beckman, and Italian sculptor Luca Della Robbia’s name was spelled Luca Della Robia.

“The most egregious is Einstein,” library director Susan Gallinger told the San Francisco Chronicle. “That’s the worst one.” Livermore is home to the Lawrence Livermore National Laboratory.

Unfortunately, California state law bars the city from removing or changing public art without the creator’s consent, so the city council had to pay Alquilar an additional $6,000 to correct the errors.

The artist was unapologetic. “The people that are into humanities, and are into Blake’s concept of enlightenment, they are not looking at the words,” she told the Associated Press. “In their mind, the words register correctly.”

| Art · Language

DIY

Born in Texarkana in 1912, Conlon Nancarrow had no access to technology that could realize the music in his head. He studied music briefly and played trumpet in venues ranging from beer halls to cruise ships, but he found himself frustrated working with human musicians. In 1940 he withdrew to Mexico City, where, working in almost complete isolation, he began composing pieces for player piano.

This expedient was “a tremendous amount of work, punching all those holes by hand, one by one, hundreds and thousands of them,” but it enabled him finally to hear his music. “I’d never heard it played. Some composers are pianists and can at least play their music on piano, but I couldn’t do even that, because I am not a pianist.”

Freed from the constraints imposed by human performers, Nancarrow’s style developed a dizzying speed, staggering complexity, and a bewildering density of ideas. “Nancarrow’s complete works could be heard in seven hours,” wrote composer Kyle Gann, “but within half that time the listener would be as exhausted as though he had consumed Mahler’s ten symphonies in a gulp.”

Gyorgy Ligeti discovered some piano pieces in a Paris record store in 1980 and became an early champion, calling the composer “the greatest discovery since Webern and Ives.” Subsequent admirers included John Cage (“Conlon’s music has such an outrageous, original character that it is literally shocking”) and Frank Zappa (“The stuff is fantastic … You’ve got to hear it. It’ll kill you”).

Nancarrow became a MacArthur fellow in 1982 and returned to writing for live ensembles, finding that the standard of musicianship had improved enormously during his 40-year exile. “Of course it’s pleasing,” he told the New York Times in 1987. “I mean, all those years I had been working now have some point. There are so many artists and writers who are doing something they think is worthwhile, and it turns out to be junk. I thought that maybe mine was the same thing, but now I see it wasn’t.”

(Thanks, Katie.)

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