This transit map of Stuttgart’s rail network, adopted around 2000, was unique: By omitting horizontal and vertical lines and setting all diagonals at 30 degrees, the designers produced the appearance of three dimensions.
“This diagram is the only one of its type in the world,” wrote Mark Ovenden in Transit Maps of the World, “although Harry Beck did experiment briefly with a 60/120-degree variation of the London map in 1940.” Alas, it’s since been superseded.
The Burg, the official headquarters of the regional government in Graz, Austria, contains a double spiral staircase, two flights of stairs spiraling in opposite directions that “reunite” at each floor, a masterpiece of architecture designed in 1499.
Bonus: Interestingly, several facades of the building bear the inscription A.E.I.O.U., a motto coined by Frederick III in 1437, when he was Duke of Styria. It’s not clear what this means, and over the ensuing centuries heraldists have offered more than 300 interpretations:
At the time Styria was not yet part of Austria, so here it would refer to the House of Austria, or the Habsburg dynasty — which historically adopted the curious motto itself.
French street artist Braga Last One used spray paint to transform a gas tank outside Marseilles into a Sphynx cat.
The piece must be viewed from a certain perspective, but it blends into the landscape to make the illusion more compelling.
See more of the artist’s work at My Modern Met.
French conceptual artist Julien Berthier designed this yacht, known as the Love Love — it’s fully seaworthy but appears perpetually to be sinking.
He says it represents “lost hope and death.”
(Via the American Sailing Association.)
The Airavatesvara Temple of Tamil Nadu bears a remarkable ambiguous carving — the head can be perceived as belonging either to the bull or to the elephant.
The Anthem Veterans Memorial, in Anthem, Arizona, consists of five white pillars representing the Army, Marine Corps, Navy, Air Force, and Coast Guard. Each pillar contains a slanted elliptical opening, and the five are arranged so that at 11:11 a.m. on Veterans Day, November 11, the sun’s light passes through all five and illuminates the Great Seal of the United States, which is inlaid among 750 red paving stones engraved with the names of veterans.
https://www.youtube.com/watch?v=euiFY-RxeRE
In 1911, the Mona Lisa disappeared from the Louvre. After an extensive investigation it made a surprising reappearance that inspired headlines around the world. In this week’s episode of the Futility Closet podcast we’ll tell the story of the painting’s abduction, which has been called the greatest art theft of the 20th century.
We’ll also shake Seattle and puzzle over a fortunate lack of work.
In 2016, after 20 years of research, Cambridge University medieval music specialist Sam Barrett used the rediscovered leaf of an 11th-century manuscript to reconstruct music as it would have been heard a thousand years ago.
Melodies in those days were not recorded as precise pitches but relied on the memory of musicians and on aural traditions that died out in the 12th century. “We know the contours of the melodies and many details about how they were sung, but not the precise pitches that made up the tunes,” Barrett said. The missing leaf, appropriated by a Germanic scholar in 1840, contained vital neumes, or musical symbols, that allowed him and his colleagues to finish their reconstruction of Boethius’ “Songs of Consolation” as it was performed in the Middle Ages.
“There have been times while I’ve been working on this that I have thought I’m in the 11th century, when the music has been so close it was almost touchable,” Barrett said. “And it’s those moments that make the last 20 years of work so worthwhile.”
One evening, sitting outside the Café de la Paix with Oscar Wilde, we were joined at our table by Caton Woodville, the war correspondent. He was something of a Münchhausen, and liked to boast of his exploits. He had recently been painting a picture for Queen Victoria — I forget what the subject was — in which the Queen herself was portrayed. When it was finished, he received a command to take it to Windsor. He described how Her Majesty entered the room, went up to the picture, examined it carefully in silence and then walked towards the door. As she opened the door she turned round and said coldly, ‘We are redder than that, Mr Woodville,’ and swept out.
— William Rothenstein, Men and Memories: Recollections, Vol. I (1872-1900), 1931
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