Longplayer

In 1999, ex-Pogues banjoist Jem Finer composed a piece of music that will take 1,000 years to perform. It’s been playing continuously at Bow Creek Lighthouse at Trinity Buoy Wharf on the north bank of the Thames since midnight on Jan. 1, 2000, and will continue until Dec. 31, 2999. (Shown here is an excerpt of 1,000 minutes performed live in 2009 at the Roundhouse in London.)

The piece is essentially a computer-administered series of variations on a core composition that’s 20 minutes and 20 seconds long; the current rendition is played on Tibetan singing bowls and gongs, but in principle it might be played on any instrument and indeed by any means; the conclusion of the piece might be mediated by technologies, and certainly will be by people, that don’t exist today.

It can be heard at various listening stations around the United Kingdom, and a mobile app is available that plays a version synchronized with the Trinity Buoy Wharf performance.

See Larghissimo.

| Art · Oddities

That Solves That

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French conductor Louis-Antoine Jullien was the son of a violinist, who at the time of the boy’s baptism had been invited to play with the Sisteron Philharmonic Society. When he decided to ask one of the orchestra to be the boy’s godfather, all 36 members wanted to be considered.

So the boy was baptized Louis George Maurice Adolphe Roche Albert Abel Antonio Alexandre Noë Jean Lucien Daniel Eugène Joseph-le-brun Joseph-Barême Thomas Thomas Thomas-Thomas Pierre Arbon Pierre-Maurel Barthélemi Artus Alphonse Bertrand Dieudonné Emanuel Josué Vincent Luc Michel Jules-de-la-plane Jules-Bazin Julio César Jullien.

12/20/2019 UPDATE: In 2009 all 11 cricketers playing for England’s Dewsbury Young Stars were named Patel. “A lot of our team originate from India,” club secretary Yunus Patel told the Mirror, “but none of the players are related and it’s just a coincidence.” (Thanks, Nick.)

| Art

The Jankó Keyboard

Hungarian engineer Paul von Jankó offered this alternative to the traditional keyboard layout in 1882. Within each row, the notes ascend by whole steps, and each vertical column of identical-sounding keys is a half-step in pitch from its neighbors. This means that each chord and scale gets the same fingering regardless of key, and wide stretches aren’t as necessary. The example above has four rows, but the full Jankó keyboard has six:

https://commons.wikimedia.org/wiki/File:Janko_keyboard.svg

This is all appealingly sensible, but music educators were skeptical and performers were reluctant to learn the new fingerings, so manufacturers stayed away. Today it’s largely a curiosity.

| Art · Technology

Podcast Episode 275: A Kidnapped Painting

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In 1961, Goya’s famous portrait of the Duke of Wellington went missing from London’s National Gallery. The case went unsolved for four years before someone unexpectedly came forward to confess to the heist. In this week’s episode of the Futility Closet podcast we’ll describe one of the greatest art thefts in British history and the surprising twists that followed.

We’ll also discover Seward’s real folly and puzzle over a man’s motherhood.

See full show notes …

| Art · Crime · History · Podcast

Riposte

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Images: Wikimedia Commons

When Michelangelo’s David was unveiled in 1504, it was seen to symbolize the civil liberties of the Republic of Florence in the face of the surrounding city-states and the powerful Medici.

A Medici duke commissioned Cellini’s Perseus With the Head of Medusa, which was unveiled 50 years later. Composed of bronze, it was situated opposite the David — so that Medusa’s gaze seemed to turn it to stone.

| Art · History

Elevated Thoughts

davis home office

The home workspace of National Geographic Society Explorer-in-Residence Wade Davis includes an overhead library.

“The original idea I had was to put the books that meant the most to him over his head at all times, floating, above and in his head as his own, very personal lyric,” said architect Travis Price.

“The dome shape above was a tholos, the shape of a pregnant woman’s womb, similar to the rotunda of the oracle’s temple at Delphi.”

(From Alex Johnson, Improbable Libraries, 2015.)

| Art · Literature

Sound Sense

The opening of Chapter 5 in E.M. Forster’s 1910 novel Howards End describes a concert performance of the third movement of Beethoven’s Fifth Symphony — and succinctly illustrates six ways that people listen to instrumental music:

Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come — of course, not so as to disturb the others –; or like Helen, who can see heroes and shipwrecks in the music’s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fräulein Mosebach, who remembers all the time that Beethoven is ‘echt Deutsch’; or like Fräulein Mosebach’s young man, who can remember nothing but Fräulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings.

“All these responses are, of course, presented in highly ironical terms,” writes University of Graz literature professor Walter Bernhart, “but surely it is a very clever brief outline of a basic typology of music reception.”

(From Werner Wolf, Walter Bernhart, and Andreas Mahler, Immersion and Distance: Aesthetic Illusion in Literature and Other Media, 2013.)

| Art

Safe Tears

Why do we enjoy sad fiction? In 2009 Boston College psychologist Thalia Goldstein asked 59 subjects to rate the sadness and anxiety they felt in response to four film clips (two presented as fictional, two as factual) and to their own memory of a sad event they’d experienced personally. While they reported equivalent levels of sadness in response to all these things, their anxiety level was significantly higher when recalling their own experience.

“Apparently we do not mind experiencing intense sadness if that sadness is not tinged with anxiety,” Goldstein writes. Indeed, that might make it more cathartic. And because we know that we can walk away from a fictional sadness, we may feel safer suspending our disbelief to explore and understand our feelings deeply.

(Thalia R. Goldstein, “The Pleasure of Unadulterated Sadness: Experiencing Sorrow in Fiction, Nonfiction, and in Person,” Psychology of Aesthetics, Creativity, and the Arts 3:4 [2009], 232.)

| Art