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Early Delivery

https://commons.wikimedia.org/wiki/File:Robert_Thouless_psychical_researcher.png

In the 1940s British psychologist Robert H. Thouless set out to test the existence of life after death by publishing an enciphered message and then communicating the key to some living person after his own death. He published the following in the Proceedings of the Society for Psychical Research:

CBFTM HGRIO TSTAU FSBDN WGNIS BRVEF BQTAB QRPEF BKSDG MNRPS RFBSU TTDMF EMA BIM

He wrote that “it uses one of the well-known methods of encipherment with a key-word which I hope to be able to remember in the after life. I have not communicated and shall not communicate this key-word to any other person while I am still in this world, and I destroyed all papers used in enciphering as soon as I had finished.” He hoped that his message would be unsolvable without supernatural aid because the message was relatively short and the cipher wasn’t simple. To prevent an erroneous decipherment, he revealed that his passage was “an extract from one of Shakespeare’s plays.” And he left the solution in a sealed envelope with the Society for Psychical Research, to be opened if this finally proved necessary.

He needn’t have worried — an unidentified “cipher expert” took up the cipher as a challenge and solved it in two weeks, long before Thouless’ death. It was the last two lines of this quotation from Macbeth:

Sleep that knits up the ravelled sleave of care
The death of each day’s life, sore labour’s bath
Balm of hurt minds, great nature’s second course,
Chief nourisher in life’s feast.

(It’s a Playfair cipher — a full solution is given in Craig Bauer’s excellent Unsolved!, 2017.)

Interestingly, Thouless published two other encrypted ciphers before his death in 1984, and only one has been solved. If you can communicate with the dead perhaps you can still solve it — it’s given on Klaus Schmeh’s blog.

09/01/2019 UPDATE: The last one has been solved! (Thanks, Jason.)

| Death · Science & Math

A Cloak

In Foucault’s Pendulum, Umberto Eco suggests a technique for making one language look like another:

Abu, do another thing now: Belbo orders Abu to change all words, make each ‘a’ become ‘akka’ and each ‘o’ become ‘ulla,’ for a paragraph to look almost Finnish.

Akkabu, dulla akkanullather thing nullaw: Belbulla ullarders Akkabu tulla chakkange akkall wullards, makkake eakkach ‘akka’ becullame ‘akkakkakka’ akkand eakkach ‘ulla’ becullame ‘ullakka,’ fullar akka pakkarakkagrakkaph tulla lullaullak akkalmulast Finnish.

In a 1955 letter to W.H. Auden, J.R.R. Tolkien described his discovery of the Finnish language: “It was like discovering a complete wine-filled cellar filled with bottles of an amazing wine of a kind and flavor never tasted before. It quite intoxicated me …”

| Language

Men in Aida

In 1983 poet David Melnick reinterpreted the first book of Homer’s Iliad by brutely understanding the spoken Greek as English, producing a bathhouse farce:

Men in Aida, they appeal, eh? A day, O Achilles.
Allow men in, emery Achaians. All gay ethic, eh?
Paul asked if team mousse suck, as Aida, pro, yaps in.
Here on a Tuesday. “Hello,” Rhea to cake Eunice in.
“Hojo” noisy tap as hideous debt to lay at a bully.
Ex you, day. Tap wrote a “D,” a stay. Tenor is Sunday.
Atreides stain axe and Ron and ideas’ll kill you.

In 2015 he published two more books, in each “hearing” Homer’s words as English. He calls it Men in Aïda.

| Language · Poems

Confession

https://commons.wikimedia.org/wiki/File:Sir_Isaac_Newton._Stipple_engraving_by_S._Freeman_after_Sir_Wellcome_V0004257ER.jpg

In 1662, while a student at Cambridge, 19-year-old Isaac Newton made a list of 57 sins he’d committed:

Before Whitsunday 1662

Using the word (God) openly
Eating an apple at Thy house
Making a feather while on Thy day
Denying that I made it.
Making a mousetrap on Thy day
Contriving of the chimes on Thy day
Squirting water on Thy day
Making pies on Sunday night
Swimming in a kimnel on Thy day
Putting a pin in Iohn Keys hat on Thy day to pick him.
Carelessly hearing and committing many sermons
Refusing to go to the close at my mothers command.
Threatning my father and mother Smith to burne them and the house over them
Wishing death and hoping it to some
Striking many
Having uncleane thoughts words and actions and dreamese.
Stealing cherry cobs from Eduard Storer
Denying that I did so
Denying a crossbow to my mother and grandmother though I knew of it
Setting my heart on money learning pleasure more than Thee
A relapse
A relapse
A breaking again of my covenant renued in the Lords Supper.
Punching my sister
Robbing my mothers box of plums and sugar
Calling Dorothy Rose a jade
Glutiny in my sickness.
Peevishness with my mother.
With my sister.
Falling out with the servants
Divers commissions of alle my duties
Idle discourse on Thy day and at other times
Not turning nearer to Thee for my affections
Not living according to my belief
Not loving Thee for Thy self
Not loving Thee for Thy goodness to us
Not desiring Thy ordinances
Not [longing] for Thee in [illegible]
Fearing man above Thee
Using unlawful means to bring us out of distresses
Caring for worldly things more than God
Not craving a blessing from God on our honest endeavors.
Missing chapel.
Beating Arthur Storer.
Peevishness at Master Clarks for a piece of bread and butter.
Striving to cheat with a brass halfe crowne.
Twisting a cord on Sunday morning
Reading the history of the Christian champions on Sunday

Since Whitsunday 1662

Glutony
Glutony
Using Wilfords towel to spare my own
Negligence at the chapel.
Sermons at Saint Marys (4)
Lying about a louse
Denying my chamberfellow of the knowledge of him that took him for a [illegible] sot.
Neglecting to pray 3
Helping Pettit to make his water watch at 12 of the clock on Saturday night

“We aren’t sure what prompted this confession,” writes Mitch Stokes in his 2010 biography of the physicist. “Some biographers think that it was in response to an inner crisis. Perhaps it was the occasion of his conversion, or at least of his ‘owning his faith.’ We simply don’t know.”

| Religion · Science & Math

Running Cargo

This passage is from Rudyard Kipling’s 1910 story “Brother Square-Toes.” What’s notable about the bolded section?

‘I’ll have to bide ashore and grow cabbages for a while, after I’ve run this cargo; but I do wish’ — Dad says, going over the lugger’s side with our New Year presents under his arm and young L’Estrange holding up the lantern — ‘I just do wish that those folk which made war so easy had to run one cargo a month all this winter. It ‘ud show ’em what honest work means.’

‘Well, I’ve warned ye,’ says Uncle Aurette. ‘I’ll be slipping off now before your Revenue cutter comes. Give my love to sister and take care o’ the kegs. It’s thicking to southward.’

Click for Answer
| Puzzles

Podcast Episode 187: A Human Being in the Bronx Zoo

https://books.google.com/books?id=H7NJAAAAYAAJ&pg=PA1377

The Bronx Zoo unveiled a controversial exhibit in 1906 — a Congolese man in a cage in the primate house. The display attracted jeering crowds to the park, but for the man himself it was only the latest in a string of indignities. In this week’s episode of the Futility Closet podcast we’ll review the sad tale of Ota Benga and his life in early 20th-century America.

We’ll also delve into fugue states and puzzle over a second interstate speeder.

See full show notes …

| History · Podcast · Society

More Odd Fiction

Peter Carey’s True History of the Kelly Gang contains no commas. (“I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false.”)

Vanessa Place’s Dies: A Sentence is a single sentence of 120 pages.

Mathias Enard’s Zone is a single sentence of 517 pages.

Michel Thaler’s Le Train de Nulle Part contains no verbs. (“Quelle aubaine! Une place de libre, ou presque, dans ce compartiment. Une escale provisoire, pourquoi pas! Donc, ma nouvelle adresse dans ce train de nulle part: voiture 12, 3ème compartiment dans le sens de la marche. Encore une fois, pourquoi pas?”)

Christine Brooke-Rose’s Amalgamemnon is a “pragmatic lipogram” — all its verbs are conditional, future, subjunctive, etc., so that nothing is actually happening in the present: “I shall soon be quite redundant at last despite of all, as redundant as you after queue and as totally predictable, information-content zero.”

Adam Adams’ 2008 novel Unhooking a DD-Cup Bra Without Fumbling contains no Es.

My notes say that Iegor Gran’s Les Trois Vies de Lucie can be read straight through, recto pages only, or verso pages only, yielding three different stories, but I haven’t managed to find a copy to check.

| Literature

Stopwatch Cinema

https://commons.wikimedia.org/wiki/File:High_Noon1.JPG

High Noon unfolds in real time — the running time of the story closely parallels the running time of the film itself. Producer Stanley Kramer said that the filmmakers hoped this would “create a sense of urgency as the noon hour approached.” Director Fred Zinnemann wrote the word CLOCK next to many scenes in his script, and he prepared a list of inserts in which clocks would be prominently visible:

Scene 36 — Marshal’s Office — Clock 10:40 a.m.
Scene 60 — Marshal’s Office — Clock 10:51 a.m.
Scene 76 — Helen’s Room — Clock 10:55 a.m.
Scene 86 — Marshal’s Office — Clock 11:02 a.m.
Scene 96 — Helen’s Room — Clock 11:05 a.m.
Scene 101 — Marshal’s Office — Clock 11:07 a.m.
Scene 130 — Saloon — Clock 11:19 a.m.
Scene 144 — Mart Howe’s House — Clock 11:26 a.m.
Scene 231 — Saloon — Clock 11:44 a.m.
Scene 256 — Hotel Lobby — Clock 11:50 a.m.
Scene 303 — Saloon — Clock 11:59 a.m.
Scene 312 — Saloon — Clock 12:00 p.m.

An insert for Scene 294 was never shot — it would have started on a pendulum and panned up to show a clock with no hands, superimposed on a closeup of Gary Cooper’s Will Kane. Zinnemann said he’d got the idea from a handless clock he’d seen in front of a funeral home on Sunset Boulevard. He said it “would have intensified the feeling of panic.”

(From Michael Francis Blake, Code of Honor, 2003.)

| Entertainment

Apt

The letters in OVERSUFFICIENTLY can be rearranged to spell the English number names for 1, 4, 5, 7, 10, 14, 15, 40, 45, 47, 50, 51, 57, 70, and 74.

The letters in A PLACE FOR EVERYTHING AND EVERYTHING IN ITS PLACE can spell 1, 3, 5, 7, 8, 9, 10, 11, 13, 17, 18, 19, 30, 31, 33, 35, 37, 38, 39, 40, 43, 47, 48, 49, 70, 71, 73, 75, 78, 79, 80, 81, 83, 85, 87, 88, 89, 90, 91, 93, 95, 97, 98, and 99.

And the latter can also spell 26 numbers in the form “one-and-twenty,” from ONE-AND-THIRTY to EIGHT-AND-NINETY.

(Rex Gooch, “Number Names in Words and Phrases,” Word Ways 34:4 [November 2001], 254-258.)

| Language