Talking Down

The interactive installation Text Rain (1999), by Camille Utterback and Romy Achituv, invites participants to view themselves on a monitor while letters rain down upon them. “Like rain or snow, the text appears to land on participants’ heads and arms. The text responds to the participants’ motions and can be caught, lifted, and then let fall again. The falling text will land on anything darker than a certain threshold, and ‘fall’ whenever that obstacle is removed.”

The letters aren’t random — they form the poem “Talk, You,” from Evan Zimroth’s 1993 book Dead, Dinner, or Naked:

I like talking with you,
simply that: conversing,
a turning-with or -around,
as in your turning around
to face me suddenly …
At your turning, each part
of my body turns to verb.
We are the opposite
of tongue-tied, if there
were such an antonym;
We are synonyms
for limbs’ loosening
of syntax,
and yet turn to nothing:
It’s just talk.

“If a participant accumulates enough letters along their outstretched arms, or along the silhouette of any dark object, they can sometimes catch an entire word, or even a phrase,” the artists note. “‘Reading’ the phrases in the Text Rain installation becomes a physical as well as a cerebral endeavor.”

Good Humor

J.B.S. Haldane retained his wit even while undergoing cancer treatments — he wrote this poem in a hospital in 1964:

I wish I had the voice of Homer
To sing of rectal carcinoma,
Which kills a lot more chaps, in fact,
Than were bumped off when Troy was sacked.

Yet, thanks to modern surgeon’s skills,
It can be killed before it kills
Upon a scientific basis
In nineteen out of twenty cases.

I noticed I was passing blood
(Only a few drops, not a flood).
So pausing on my homeward way
From Tallahassee to Bombay
I asked a doctor, now my friend,
To peer into my hinder end,
To prove or to disprove the rumour
That I had a malignant tumour.
They pumped in BaS04
Till I could really stand no more,
And, when sufficient had been pressed in,
They photographed my large intestine.
In order to decide the issue
They next scraped out some bits of tissue.
(Before they did so, some good pal
Had knocked me out with pentothal,
Whose action is extremely quick,
And does not leave me feeling sick.)
The microscope returned the answer
That I had certainly got cancer,
So I was wheeled into the theatre
Where holes were made to make me better.
One set is in my perineum
Where I can feel, but can’t yet see ‘em.
Another made me like a kipper
Or female prey of Jack the Ripper,
Through this incision, I don’t doubt,
The neoplasm was taken out,
Along with colon, and lymph nodes
Where cancer cells might find abodes.
A third much smaller hole is meant
To function as a ventral vent:
So now I am like two-faced Janus
The only* god who sees his anus.

*In India there are several more
With extra faces, up to four,
But both in Brahma and in Shiva
I own myself an unbeliever.

I’ll swear, without the risk of perjury,
It was a snappy bit of surgery.
My rectum is a serious loss to me,
But I’ve a very neat colostomy,
And hope, as soon as I am able,
To make it keep a fixed time-table.
So do not wait for aches and pains
To have a surgeon mend your drains;
If he says “cancer” you’re a dunce
Unless you have it out at once,
For if you wait it’s sure to swell,
And may have progeny as well.
My final word, before I’m done,
Is “Cancer can be rather fun.”
Thanks to the nurses and Nye Bevan
The NHS is quite like heaven
Provided one confronts the tumour
With a sufficient sense of humour.
I know that cancer often kills,
But so do cars and sleeping pills;
And it can hurt one till one sweats,
So can bad teeth and unpaid debts.
A spot of laughter, I am sure,
Often accelerates one’s cure;
So let us patients do our bit
To help the surgeons make us fit.

“A Positive Reminder”

A carpenter named Charlie Bratticks,
Who had a taste for mathematics,
One summer Tuesday, just for fun,
Made a wooden cube side minus one.

Though this to you may well seem wrong,
He made it minus one foot long,
Which meant (I hope your brains aren’t frothing)
Its length was one foot less than nothing,

Its width the same (you’re not asleep?)
And likewise minus one foot deep;
Giving, when multiplied (be solemn!),
Minus one cubic foot of volume.

With sweating brow this cube he sawed
Through areas of solid board;
For though each cut had minus length,
Minus times minus sapped his strength.

A second cube he made, but thus:
This time each one-foot length was plus:
Meaning of course that here one put
For volume, plus one cubic foot.

So now he had, just for his sins,
Two cubes as like as deviant twins:
And feeling one should know the worst,
He placed the second in the first.

One plus, one minus — there’s no doubt
The edges simply canceled out;
So did the volume, nothing gained;
Only the surfaces remained.

Well may you open wide your eyes,
For those were now of double size,
On something which, thanks to his skill,
Took up no room and measured nil.

From solid ebony he’d cut
These bulky cubic objects, but
All that remained was now a thin
Black sharply-angled sort of skin

Of twelve square feet — which though not small,
Weighed nothing, filled no space at all.
It stands there yet on Charlie’s floor;
He can’t think what to use it for!

— J.A. Lindon

A Change of Heart

Harry Mathews devised this Möbius equivoque. Write this stanza on one side of a strip of paper:

I’d just as soon lose my mind
If your fondness for me lasts
I’d abandon all female charms
As long as I stay dear to you
One could seed one’s petunias
Among humdrum city flowerbeds
Igniting ice is likelier than
Our remaining snugly together

Turn the strip over lengthwise and write this stanza on the other side:

if your desire turns elsewhere
my dream of love might come true,
if you say I’m past caring for,
my deepest wish will be granted.
in distant regions of the skies,
the stars could make their way —
separating, whatever the pretext,
alone can keep my world intact.

Give the strip a half twist and glue the ends together. Now the poem reads:

I’d just as soon lose my mind if your desire turns elsewhere
If your fondness for me lasts my dream of love might come true,
I’d abandon all female charms if you say I’m past caring for,
As long as I stay dear to you my deepest wish will be granted.
One could seed one’s petunias in distant regions of the skies,
Among humdrum city flowerbeds the stars could make their way–
Igniting ice is likelier than separating, whatever the pretext,
Our remaining snugly together alone can keep my world intact.

See Another Equivoque.

In a Word

http://commons.wikimedia.org/wiki/File:WLA_metmuseum_Red_Sunset_on_the_Dnieper_Arkhip_Ivanovich_Kuindzhi.jpg

exulant
adj. living in exile

Homeless, exiled, I climb Sin-Ping tower.
It is late on in the dying year,
The sun is declining in the sky
And the dark river runs gloomy and slow.

A cloud moves across the forests on the mountain;
Wild geese fly off down the river.
Up here I can see for ten thousand miles,
But I do not see the end of my sorrows.

— Li Po, banished from the Chinese capital, circa 757

Limited Lease

http://www.flickr.com/photos/meganfitzgerald/9538422800/
Image: Flickr

The earth goes on the earth glittering in gold,
The earth goes to the earth sooner than it wold;
The earth builds on the earth castles and towers,
The earth says to the earth, All this is ours.

— Inscription on the ruined gate at Melrose Abbey, Roxburghshire, Scotland

High Hopes

http://books.google.com/books?id=EqwCAAAAYAAJ

American life in 1980, as envisioned by Missouri attorney William McClung Paxton in his 1880 poem “A Century Hence”:

In the midst, at St. Louis, the Capitol loomed,
With lofty and glittering steeple —
The seat of a Nation, where freedom first bloomed,
Containing a billion of people.
“And now,” he exclaimed, “the whole Continent’s ours,
From Panama, North to the pole!
For naught but the ocean can fetter our powers,
Or give to us less than the whole!”

As we walked to the house, my companions reported,
That roads through the land were not found,
That men, on light wings, in the atmosphere sported,
Or walked, as they pleased, on the ground.
With the new motive power, one man could do more
Than fifty, without it, could do;
So people were able to add to their store,
And be generous, noble and true.

An order for supper, by telephone, now,
Had scarcely been made, by my host,
When in sprang a servant, I cannot tell how,
With coffee, ham, biscuit and toast.
He’d come from St. Louis, three hundred miles out,
With dishes delicious and rare;
There were venison, and turkey, and salmon, and trout,
With pine-apple, orange and pear.

When supper was ended, I found it still light;
I looked for a lamp, and found none;
I stepped to the door, and looked forth on the night,
And lo! every house had a sun.
Above me in splendor, surpassing the moon,
A disk, in the heavens gave light;
And neighboring orbs gave the brightness of noon,
And scattered the darkness of night.

By reflectors, the light of these beacons was cast,
On parlor, and chamber, and hall;
And candles and lamps were consigned to the past,
And light, like the air, was for all.
Now worn by the scenes of the day, I need rest,
And find it in slumber elysian;
But rise in the morning, perplexed and distressed;
‘Twas all but a beautiful vision.

A Farewell

http://commons.wikimedia.org/wiki/File:Princeton_University_square.jpg

Book One of F. Scott Fitzgerald’s This Side of Paradise concludes with this italicized passage as Tom and Amory are taking leave of Princeton:

The last light fades and drifts across the land — the low, long land, the sunny land of spires; the ghosts of evening tune again their lyres and wander singing in a plaintive band down the long corridors of trees; pale fires echo the night from tower top to tower: Oh, sleep that dreams, and dream that never tires, press from the petals of the lotus flower something of this to keep, the essence of an hour.

No more to wait the twilight of the moon in this sequestered vale of star and spire, for one eternal morning of desire passes to time and earthy afternoon. Here, Heraclitus, did you find in fire and shifting things the prophecy you hurled down the dead years; this midnight my desire will see, shadowed among the embers, furled in flame, the splendor and the sadness of the world.

In fact this is a sonnet. Fitzgerald had written it originally in rhymed lines of iambic pentameter and decided only afterward to run it into prose. There’s a second such poem (“The February streets, wind-washed by night”) hidden in the section “Looking Backward.” See Prose Poetry.

Speaking of Princeton, I found this photo while researching art for this post — “Princeton students after a freshman vs. sophomores snowball fight in 1893”:

http://commons.wikimedia.org/wiki/File:Princeton_students_after_a_freshman_vs._sophomores_snowball_fight_in_1893.jpg