“I find to my delight that I can make my dog happy by wagging its tail for it.” — Reveille, letter to the editor, quoted in Michael Bateman, ed., This England, 1969

Mexico’s Isla de las Muñecas is a floating garden festooned with dolls — the story goes that a local man discovered a drowned girl, hung her doll from a tree as a gesture of remembrance, and was haunted by her spirit ever after, no matter how many dolls he hung. Today, inevitably, it’s a tourist attraction, but it’s still effective — photographer Cindy Vasko called it the creepiest place she’s ever visited.

Below: As her village has dwindled from 300 residents to 30, Japanese artist Ayano Tsukimi has been replacing them with dolls, life-sized figures made of cloth and stuffed with cotton and newspapers. The first was intended to be a scarecrow, but because it resembled her father she found that her neighbors interacted with it. In the ensuing 10 years she’s made hundreds.

“Every morning, I just greet them,” she told NPR. “I say ‘good morning’ or ‘have a nice day!’ I never get a response, but that doesn’t make a difference. I go around talking to them anyway.”

This enormous kauri tree towered for a thousand years over prehistoric New Zealand before it fell into a swamp, where the lack of oxygen and fungus preserved it for 45,000 years. Workers snapped two 90-ton-capacity winch cables trying to extract it in October 1994; finally they cut it into two sections of 110 and 30 tons and hauled them out separately.

Then David Stewart built a concrete pad 20 inches thick, placed a 50-ton section of log atop it, and spent 300 hours carving it with a chainsaw and 200 hours finishing it. At 12 feet in diameter and 17 feet tall, the result is the world’s largest (and certainly oldest) single-piece circular stairway … built inside the log.

(From Spike Carlsen, A Splintered History of Wood, 2008.)

In talking about superheroes, these sentences seem natural and right:

(la) Clark Kent went into the phone booth and Superman came out.
(2a) Superman leapt over tall buildings.
(3a) Superman is more successful with women than Clark Kent.
(4a) Batman wears a mask.

But these seem inappropriate or wrong:

(lb) Clark Kent went into the phone booth and Clark Kent came out.
(2b) Clark Kent leapt over tall buildings.
(3b) Clark Kent is more successful with women than Clark Kent.
(4b) Bruce Wayne wears a mask.

Why is this? If we know that Superman is Clark Kent, then those terms should be interchangeable — a statement about Superman is a statement about Clark Kent; they’re the same person.

“At least in some conversational scenarios, utterances of (la)-(4a) strike us as true, and utterances of (lb) (4b) appear to be false,” writes University of Nottingham philosopher Stefano Predelli. “(3a), for instance, seems just the right thing to say when discussing women’s fascination with men in blue leotard; utterances of (3b), on the other hand, seem trivially false. Similarly, during a discussion of why the famed superhero never engages in extraordinary feats when playing the part of the timid journalist, utterances of (2a) seem unobjectionable, but utterances of (2b) will not do.” Why?

(Stefano Predelli, “Superheroes and Their Names,” American Philosophical Quarterly 41:2 [April 2004], 107-123.)

Photographer Michael S. Nolan took this photo in 2009 at the Austfonna ice cap in Norway’s Svalbard archipelago. He writes:

When I took the image early in the morning on July 16, 2009 from the bow of the National Geographic Explorer I was struck by the unmistakable likeness of the face of a woman crying. In fact once my mind locked onto the face it was hard to see any other pattern in the ice cap. I was moved to photograph this particular waterfall several different ways with a couple of different lenses. It was one of the best examples of a human likeness I have ever witnessed in nature.

“The icescape changes every year I visit,” he told the Telegraph. “Every summer the route has less ice as the polar cap retreats.”

(Via Brad Honeycutt, The Art of Deception, 2014.)