An American, named Sanborn, living at Medford, Mass., in his will, dated 1871, bequeathed his body to Harvard University, and ‘especially to the manipulation of Oliver Wendell Holmes and Louis Agassiz.’ He requested that his skin be made into two drumheads, to become the property of his life-long friend, Warren Simpson, leader of a drum corps, of Cohasset, on condition that on Bunker Hill at sunrise, June 17th, each year, he should beat on the said drum the tune of ‘Yankee Doodle.’ On one drum-head was to be inscribed Pope’s ‘Universal Prayer,’ and on the other the ‘Declaration of Independence.’

‘The remainder of my body,’ he continues, ‘unless for anatomical purposes, to be composted for a fertilizer to contribute to the growth of an American elm, to be planted in some rural thoroughfare, that the weary wayfarer may rest, and innocent children play beneath its umbrageous branches rendered luxuriant by my remains.’

— Current Opinion, 1902

Before his death in 1923, Curtis Lloyd erected an enormous granite monument to himself in the Kentucky woods. One side reads:

CURTIS G. LLOYD BORN 1859 — DIED 60 OR MORE YEARS AFTERWARDS. THE EXACT NUMBER OF YEARS, MONTHS AND DAYS THAT HE LIVED NOBODY KNOWS AND NOBODY CARES.

The other side reads:

CURTIS G. LLOYD MONUMENT ERECTED IN 1922 BY HIMSELF FOR HIMSELF DURING HIS LIFE TO GRATIFY HIS OWN VANITY. WHAT FOOLS THESE MORTALS BE!

World War I ended at 11 a.m. on Nov. 11, 1918. Each year at that moment, sunlight shining through the window of the Canadian War Museum illuminates the headstone of Canada’s Unknown Soldier.

In Gray, Maine, is a tombstone reading:

STRANGER — A SOLDIER OF THE LATE WAR. DIED 1862. ERECTED BY THE LADIES OF GRAY.

Lt. Charles Colley of the 10th Maine Volunteers had died that September at Alexandria, Va., and his parents had paid to have his remains embalmed and transported home. When they opened the casket, they found the body of a uniformed Confederate soldier. After some consternation the town interred him, and it commemorates the unknown soldier each Memorial Day. (Colley’s body arrived a week later and is buried 100 feet away.)

An epitaph in Keesville, N.Y., quoted in John R. Kippax, Churchyard Literature, 1876:

HERE LIES A MAN OF GOOD REPUTE,
WHO WORE A NO. 16 BOOT.
‘TIS NOT RECORDED HOW HE DIED,
BUT SURE IT IS, THAT OPEN WIDE,
THE GATES OF HEAVEN MUST HAVE BEEN
TO LET SUCH MONSTROUS FEET WITHIN.

Charles Wallis’ Stories on Stone records the epitaph of Dr. Fred Roberts in Pine Log Cemetery, Brookland, Ark.:

OFFICE UP STAIRS.

An epitaph on a trout, near a pond in Blockley, England:

IN
MEMORY
OF THE
OLD FISH.
UNDER THE SOIL
THE OLD FISH DO LIE
20 YEARS HE LIVED
AND THEN DID DIE.
HE WAS SO TAME
YOU UNDERSTAND
HE WOULD COME AND
EAT OUT OF OUR HAND.
DIED APRIL 20, 1855.
AGED 20 YEARS.

Below: The German word for cobblestone translates literally as “headstone” — so artist Timm Ulrichs offered this “cobblestone” pavement:

(Thanks, Zach.)

When Charlie Parker’s 2-year-old daughter Pree died of pneumonia on March 6, 1954, he was in Los Angeles fulfilling a week-long engagement at the Tiffany Club. His wife, Chan, sent a wire from New York to let him know that they had lost her, and received four telegrams in reply:

4:11 a.m.:

MY DARLING MY DAUGHTER’S DEATH SURPRISED ME MORE THAN IT DID YOU DON’T FULFILL FUNERAL PROCEEDINGS UNTIL I GET THERE I SHALL BE THE FIRST ONE TO WALK INTO OUR CHAPEL FORGIVE ME FOR NOT BEING THERE WITH YOU WHILE YOU ARE AT THE HOSPITAL YOURS MOST SINCERELY YOUR HUSBAND CHARLIE PARKER.

4:13 a.m.:

MY DARLING FOR GOD’S SAKE HOLD ON TO YOURSELF
CHAS PARKER

4:15 a.m.:

CHAN, HELP
CHARLIE PARKER

7:58 a.m.:

MY DAUGHTER IS DEAD. I KNOW IT. I WILL BE THERE AS QUICK AS I CAN. MY NAME IS BIRD. IT IS VERY NICE TO BE OUT HERE. PEOPLE HAVE BEEN VERY NICE TO ME OUT HERE. I AM COMING IN RIGHT AWAY TAKE IT EASY. LET ME BE THE FIRST ONE TO APPROACH YOU. I AM YOUR HUSBAND. SINCERELY, CHARLIE PARKER.

He never forgave himself for being absent during Pree’s death. “Bird detached from things to save himself, which meant that in a way the sadness between them was very powerful,” recalled his stepdaughter, Kim. “I’ve seen very sad photographs of them … shortly after Pree’s death, and there’s just a complete space between them, and I think it was just the beginning of the end, really.” A year later he too was dead.

Dear Betty:

I hate you.

Love,

George

— Suicide note quoted in Marc Etkind, Or Not to Be: A Collection of Suicide Notes, 1997

From the agony I have been through for no reason whatever I can only come to the logical conclusion that if there is a god that he is not so good as is made out.

— A young clerk’s suicide note, quoted in Olive Anderson, Suicide in Victorian and Edwardian England, 1987

Kids, if there are any errors in this letter, I did not proof it carefully.

— From the 1985 suicide note of Cleveland superintendent of schools Frederick Holliday, who shot himself in a high school stairwell on learning that the school board planned to oust him

In 1930, San Quentin death row inmate William Kogut removed one of the hollow steel legs from his cot, stuffed it with red pips torn from from several packs of playing cards, and soaked them with water. Then he plugged one end of the pipe with a broom handle, rested it on a kerosene heater, and held the open end against his head. The red ink contained enough nitrocellulose to cause an explosion that drove the card fragments into Kogut’s head, killing him.

His note to the warden said that he was punishing himself for the murder of Mayme Guthrie. “Do not blame my death on any one because I fixed everything myself,” he wrote. “I never give up as long as I am living and have a chance, but this is the end.”

In contrast to the usual lugubrious tombstones, the “merry cemetery” in Săpânța, Romania, fills hundreds of colorful markers with darkly humorous biographies of the town’s residents:

Here I rest
Pop Grigore is my name
My tractor was my joy
Drowned my sorrow in my wine
I lived a troubled life
For my father left me young
Such my fate was
That I should leave life
Death, you took me early
I was only 33.

Here I appear as well
On my father-in-law’s cross
Pop Grigore is my name
And I want to tell you all
That I learned in school
Finished high school
I was an accountant
And helped the state
The cuckoo sang my song
To die in Sighetu
And I left this life when I
Was 35 years old.

One more thing I loved very much,
To sit at a table in a bar
Next to someone else’s wife.

Death with ugly name
Swiftly you took me away
You did not feel sorry for me
I must see my girls
And son get married
Build them beautiful house
And give them good advice
On how to live in this world
Marie, my wife
You remained as a host
To be their mom and dad
Marry them well
And raise Irina with care
I cannot join you anymore
For I have stepped on foreign lands
I have nothing more to say
From this other world I am in.

The tradition was started by local carpenter Stan Ioan Pătraș, who in 1935 began carving candid epitaphs for the town’s residents, like a Romanian Edgar Lee Masters. Pătraș died in 1977 and left the business to his apprentice, Dumitru Pop, who says that in 30 years no one has ever complained about the tradition. “It’s the real life of a person. If he likes to drink, you say that; if he likes to work, you say that … There’s no hiding in a small town … The families actually want the true life of the person to be represented on the cross.”

“The people here don’t react to death as though it were a tragedy,” the town’s Orthodox priest told the New York Times. “Death is just a passage to another life.”