Night Work

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English essayist A.C. Benson had rich, elaborate dreams, a trait common in his family. “Sometimes they would be processions and high ceremonies, diversified by the intervention of old Eton friends, who would whisper dark words more suo during some strange liturgy,” recalled his friend Geoffrey Madan. “Sometimes the distant past would rush upon him and old ecclesiastics, summoned up from the mists of Addington, became involved with him in situations of infinite absurdity; sometimes it would be oneself with whom the drama was played, till its recital at breakfast made one helpless with laughter.”

From one dream he awoke recalling only a strange epigram, “The riddle of life is solved by gliding, and not sliding.” On another morning he found that he had scribbled down these lines in the middle of the night:

A bold and cheerful company of Ogres, Ghosts, and Ghouls
Attacked and smashed to little bits the City of Tomfools:
The Tomfools sailed to Araby, and raised another state;
I can’t say how refined they were, and how considerate.
And now in High Tomfoolery they’re very fond of telling
What an almighty hash the ghosts made of their former dwelling;
They chaunt their great deliverance: they teach and preach and say
How good it was of God to take their former pride away.

He composed his poem “The Phoenix” entirely in his sleep. “I dreamed the whole poem in a dream, in 1894, I think, and wrote it down in the middle of the night on a scrap of paper by my bedside,” he wrote. “It is a lyric of a style which I have never attempted before or since. … I really can offer no explanation either of the idea of the poem or its interpretation. It came to me so (apparently) without any definite volition of my own that I don’t profess to understand or to be able to interpret the symbolism.”

By feathers green, across Casbeen,
The pilgrims track the Phoenix flown,
By gems he strewed in waste and wood
And jewelled plumes at random thrown.

Till wandering far, by moon and star,
They stand beside the fruitful pyre,
Whence breaking bright with sanguine light,
The impulsive bird forgets his sire.

Those ashes shine like ruby wine,
Like bag of Tyrian murex spilt;
The claw, the jowl of the flying fowl
Are with the glorious anguish gilt.

So rare the light, so rich the sight,
Those pilgrim men, on profit bent,
Drop hands and eyes and merchandise,
And are with gazing most content.

Madan added, “I have preserved in one of his letters the concluding stanza which he wrote in waking hours to round it off, but omitted later on the advice of a friend who felt it to be ‘incongruous’; this pleased him very much indeed.”

(From “A Later Friendship,” by Geoffrey Madan, in Arthur Christopher Benson as Seen by Some Friends, 1925.)

Noted

Bill Nucker once told me that the sober response to a young wife’s obvious query about the small tear in his trousers acquired from a see-saw whilst scooping up the small son who had just fallen, giggling, from it in startlement at a response to his ocarina playing from a passing bird was: No, ma’am, this is a teetotaler’s teeter-totter ‘tater-tooter tweeter twitter titter tottered tot toter tatter.

— Charles W. Bostick, Word Ways, February 1977

Above and Below

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The Man to the Fish:

You strange, astonished-looking, angle-faced,
Dreary-mouthed, gaping wretches of the sea,
Gulping salt-water everlastingly,
Cold-blooded, though with red your blood be graced,
And mute, though dwellers in the roaring waste;
And you, all shapes beside, that fishy be,–
Some round, some flat, some long, all devilry,
Legless, unloving, infamously chaste:–

O scaly, slippery, wet, swift, staring wights,
What is’t ye do? What life lead? eh, dull goggles?
How do ye vary your vile days and nights?
How pass your Sundays? Are ye still but joggles
In ceaseless wash? Still nought but gapes, and bites,
And drinks, and stares, diversified with boggles?

A Fish answers:

Amazing monster! that, for aught I know,
With the first sight of thee didst make our race
For ever stare! O flat and shocking face,
Grimly divided from the breast below!
Thou that on dry land horribly dost go
With a split body and most ridiculous pace,
Prong after prong, disgracer of all grace,
Long-useless-finned, haired, upright, unwet, slow!

O breather of unbreathable, sword-sharp air,
How canst exist? How bear thyself, thou dry
And dreary sloth? What particle canst share
Of the only blessed life, the watery?
I sometimes see of ye an actual pair
Go by! linked fin by fin! most odiously.

— Leigh Hunt

Magic

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If you move each of its letters to the mirror position in the alphabet (A <-> Z, B <-> Y, etc.), WIZARD becomes DRAZIW.

A word-level palindrome:

“Is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?”

“To a Baby Born Without Limbs”

From Kingsley Amis’ 1966 novel The Anti-Death League:

This is just to show you whose boss around here.
It’ll keep you on your toes, so to speak,
Make you put your best foot forward, so to speak,
And give you something to turn your hand to, so to speak.
You can face up to it like a man,
Or snivvle and blubber like a baby.
That’s up to you. Nothing to do with Me.
If you take it in the right spirit,
You can have a bloody marvelous life,
With the great rewards courage brings,
And the beauty of accepting your LOT.
And think how much good it’ll do your Mum and Dad,
And your Grans and Gramps and the rest of the shower,
To be stopped being complacent.
Make sure they baptise you, though,
In case some murdering bastard
Decides to put you away quick,
Which would send you straight to LIMB-O, ha ha ha.
But just a word in your ear, if you’ve got one.
Mind you DO take this in the right spirit,
And keep a civil tongue in your head about Me.
Because if you DON’T,
I’ve got plenty of other stuff up My sleeve,
Such as Leukemia and polio,
(Which incidentally your welcome to any time,
Whatever spirit you take this in.)
I’ve given you one love-pat, right?
You don’t want another.
So watch it, Jack.

Misspellings in original. In his memoir Experience, Martin Amis says Yevgeny Yevtushenko asked Kingsley in 1962, “You atheist?” He answered, “Well yes, but it’s more that I hate him.”

Catalog

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Entomologist Alexandre Girault expressed himself in his work. Of the 500 genera he named, many honored artists, poets, and writers whom he admired: Davincia, Shakespearia, Beethovena, Mozartella, Emersonia, Raphaelana, Ovidia, Goetheana, Thoreauella, Tennysoniana, Bachiana, Keatsia, Plutarchia, Schilleria, Aeschylia, Aligheria, Thalesanna, Rubensteina, Carlyleia, Herodotia, Cowperella, and Froudeana.

To mock his supervisor Johann Illingworth, he invented a parasitic mymarid wasp, Shillingsworthia shillingsworthi, which he described as an ephemeral creature lacking a head, abdomen, or mandibles and found only in “the chasms of Jupiter” — in other words, a nonentity. He called it “an airy species whose flight cannot be followed except by the winged mind.”

He understood even women through entomology — one of his privately printed works describes a new species of human, Homo perniciosus, known only from the female sex:

Abnormal female (loveless, without offspring); heart functionless; mammae aborted; psychology novel (as supposed) but artificial; gay, high-coloured, feral, brass-cheeked, shape lovely like Woman but nature hard (selfless, thoughtless, proud, unsympathetic, irresponsible, aggressive, irritant, insensible, luxurious, pugnacious, over-active, inquisitive, mischievous, voracious and even carnivorous; antagonistic, ungentle, immodest, critical, competitive, poisonous); conduct unstable (even inclined to treachery), the lips compressed, body strong. Everywhere but rare in natural habitat.

He was prickly, but he was dedicated — he published much of his work at his own expense, and many of his type specimens are retained today by the Queensland Museum. “Research is a labour of love,” he wrote. “Strange then to find it all done nowadays as a labour of wages! Must love, too, be a matter of cash?”

“A Distressing Blunder”

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Robert Browning’s 1841 verse drama Pippa Passes, source of the famous lines “God’s in His heaven — All’s right with the world,” ends on a strange note:

But at night, brother Howlet, far over the woods,
Toll the world to thy chantry;
Sing to the bats’ sleek sisterhoods
Full complines with gallantry:
Then, owls and bats, cowls and twats,
Monks and nuns, in a cloister’s moods,
Adjourn to the oak-stump pantry!

When the editors of the Oxford English Dictionary inquired delicately how Browning had settled on the word twats, the poet indicated a 1660 rhyme called “Vanity of Vanities”: “They talk’t of his having a Cardinall’s Hat/They’d send him as soon an Old Nun’s Twat.” There the word had been intended as a dismissive insult, but Browning had taken it seriously. Today’s OED still cites Browning’s usage, noting that he’d used the word “erroneously” “under the impression that it denoted some part of a nun’s attire.”

Editor James A.H. Murray later complained, “Browning constantly used words without regard to their proper meaning. He has added greatly to the difficulties of the Dictionary.”

Food Fight

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W.S. Gilbert’s neighbor in the country was a partner in a firm that was famous for its relishes, pickles, jams, jellies, and preserves. He had been made a baronet but “had grown very touchy about the source of his wealth and his title,” recalled DeWolf Hopper, “and was rather a hoity-toity neighbor.”

One day Gilbert’s dogs killed some pheasants on the man’s property, and he wrote a curt note of protest to the author. Gilbert wrote back:

Dear Sir Alfred:

I am extremely sorry about the loss of your pheasants, and I am taking steps to prevent my dogs from trespassing on your preserves in the future.

Sincerely,

W.S. Gilbert

P.S. You will pardon my use of the word ‘preserves,’ won’t you?

In his 1927 autobiography, Hopper also recalls:

Someone once challenged Gilbert to make up a verse offhand riming the words ‘Timbuctoo’ and ‘cassowary’. He studied for a moment and recited:

If I were a cassowary in Timbuctoo,
I’d eat a missionary and his hymn book too.

Weighing in Verse

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How can you find one bad coin among 12 using only three weighings in a pan balance? We published the classic solution in November 2013, but a clever alternative appeared in Eureka in October 1950. Here the aspiring counterfeiter is named Felix Fiddlesticks, and he’s trying to find the coin for this mother:

F set the coins out in a row
And chalked on each a letter, so,
To form the words: “F AM NOT LICKED”
(An idea in his brain had clicked).

And now his mother he’ll enjoin:

weighing in verse table

This plan will reveal the bad coin no matter which it is. For instance, if the coin marked O is heavy, then in the first two weighings the left pan will drop, and in the third weighing it will rise; no other bad coin will produce this result. The plan will also reveal reliably whether the bad coin is heavy or light.

Such cases number twenty-five,
And by F’s scheme we so contrive
No two agree in their effect,
As is with pen and patience checked:
And so the dud is found. Be as it may
It only goes to show CRIME DOES NOT PAY.

(Cedric Smith, “The Twelve Coin Problem,” The Mathematical Gazette, Vol. 89, No. 515 [July 2005], pp. 280-281. A generalized algorithm for solving such a problem for any number of coins is given by Michael Weatherfield in the same issue, pp. 275-279.)

Riddles in the Dark

http://puzzling.stackexchange.com/questions/15763/the-lord-of-the-puzzles

In 1904, a 12-year-old J.R.R. Tolkien sent this rebus to a family friend, Father Francis Morgan. What does it say?

Click for Answer