Italian to Go

http://www.google.com/patents/US4942044

“[B]ecause of the nature of pasta dishes, it has not been practical to eat pasta products while strolling.” Patented in 1990, Nicholas Ruggieri’s “spaghetti sipper” solves this problem with a tidy, portable container:

A person eats the pasta by placing their mouth on the spout 23 or tube 13 and sucking up the pasta. When the desired amount of pasta is obtained, the person bites off the pasta and then consumes the pasta in the usual manner. When the pasta is cut, the pasta in the tube 13 or spout 23 is held in place by the pawl mechanism 14b, 24b. When the person wishes more pasta the sequence is repeated. By use of the pasta server 10, 20 of this invention a person can eat pasta while strolling and the like.

“To the pasta can be added as desired any of a number of sauces traditionally associated with pasta. These sauces typically enhance the lubricious properties of the pasta.”

Turn, Turn, Turn

hampton court maze

The hedge maze at Hampton Court has been entertaining visitors since 1695, occasionally belying its reputation for ease. In Jerome K. Jerome’s Three Men in a Boat (1889), Harris says, “We’ll just go in here, so that you can say you’ve been, but it’s very simple. It’s absurd to call it a maze.” Then, after two miles of wandering:

‘The map may be all right enough,’ said one of the party, ‘if you know whereabouts in it we are now.’

Harris didn’t know, and suggested that the best thing to do would be to go back to the entrance, and begin again. For the beginning again part of it there was not much enthusiasm; but with regard to the advisability of going back to the entrance there was complete unanimity, and so they turned, and trailed after Harris again, in the opposite direction. About ten minutes more passed, and then they found themselves in the centre.

http://books.google.com/books?id=t80kAQAAIAAJ

Mazes have exercised a peculiar fascination for the mathematically minded. The young Lewis Carroll composed this one for a family magazine — the object is to make your way from the outside to the central space; it’s acceptable to pass over or under another path, but a single line means your way is blocked.

http://books.google.com/books?id=hvDuAAAAMAAJ

Cambridge University mathematician W.W. Rouse Ball constructed this maze in his garden. He notes that unless a loop surrounds the goal, the wanderer can defeat any maze by trailing one hand along a wall, and “no labyrinth is worthy of the name of a puzzle which can be threaded in this way.”

http://commons.wikimedia.org/wiki/File:Longleat_maze.jpg

Hampton Court is modest in comparison to the modern hedge maze at Longleat, a stately home in Somerset. Its 16,000 English yews enclose 1.75 miles of paths that require an hour and a half to traverse; the course includes six wooden bridges from which to plot a path to the goal, an observation tower.

In solving any of these, as Harris discovered, the chief danger is overconfidence:

Said a boastful young student from Hayes,
As he entered the Hampton Court maze:
“There’s nothing in it.
I won’t be a minute.”
He’s been missing for forty-one days.

— Frank Richards

Late News

http://books.google.com/books?id=0ndBAAAAYAAJ

Beadle’s Monthly carried a startling feature in November 1866: two drawings of a “great sea-monster” witnessed by the author, Jesse H. Lord, during a visit to Green Harbor, Nova Scotia, in August 1855. Lord recalled that he had just arrived in town when he found the townspeople in a great commotion over “the snake.” Presently he saw a monster emerge from the sea, pursuing boats through a channel and into the harbor:

Near what might be the head, rose a hump, or crest, crowned with a waving mass of long pendulous hair like a mane, while behind, for forty or fifty feet, slowly moved, or rolled, the spirals of his immense snake-like body. The movement was in vertical curves, the contortions of the back alternately rising and falling from the head to the tail, leaving behind a wake, like that of a screw-steamer, on the glassy surface of the ocean. … In a moment he raised his head, from which the water poured in showers, and opening the horrid jaws he gave utterance to a noise resembling nothing so much as the hissing sound of steam from the escape-pipe of a boiler.

The beast withdrew, but Lord glimpsed it again beneath his rowboat the following morning:

The tide was ‘making,’ and the serpent lay head to the current, which was flowing into the harbor, keeping up an undulatory movement just sufficient to retain his position. The shell-like head was just abaft the stern of the boat and the immense mane flowed wavingly, either by the motion of the current or the convolutions of the body. … Hethcote moved silently to the stern and cut the rope that held the ‘kilick,’ and we drifted quietly with the tide into the harbor.

Lord was a journalist, not a short story writer, and Beadle’s presented his tale without a wink. But it seems most likely a simple hoax — why would a newsman withhold such a sensational story for 11 years? Unfortunately, we’ll never know the whole story: A few days after the article appeared, Lord shot himself on his wife’s grave.

http://books.google.com/books?id=0ndBAAAAYAAJ

Elevation

http://commons.wikimedia.org/wiki/File:Oikema_-_Projet_de_maison_de_plaisir_-_Plan.jpg

In the 18th century, French architect Claude-Nicolas Ledoux conceived an ideal city — perhaps too ideal. It contained no hospitals or theaters but included a “shelter of the poor man,” a “Pacifère” where quarrels could be settled peaceably, and, most notably, an “Oïkéma,” or house of sexual instruction, which Allan Braham calls “one of the most extreme instances of Ledoux’s gift for architectural metaphor.”

While we’re on this subject: In William Wycherley’s 1675 comedy The Country Wife, the word china becomes a bawdy metaphor, which makes the dialogue livelier than it first appears:

Lady Fidget: And I have been toiling and moiling, for the prettiest Piece of China, my Dear.

Mr. Horner: Nay, she has been too hard for me, do what I could.

Mrs. Squeamish: Oh, Lord, I’ll have some China too, good Mr. Horner, don’t think to give other People China, and me none, come in with me too.

Mr. Horner: Upon my Honour I have none left now.

Mrs. Squeamish: Nay, nay, I have known you deny your China before now, but you shan’t put me off so, come —

Mr. Horner: This Lady had the last there.

Lady Fidget: Yes indeed, Madam, to my certain Knowledge he has no more left.

Mrs. Squeamish: O, but it may be he may have some you could not find.

Lady Fidget: What d’ye think if he had had any left, I would not have had it too? for we Women of Quality never think we have China enough.

Mr. Horner: Do not take it ill, I cannot make China for you all, but I will have a Roll-waggon for you too, another time.

Mrs. Squeamish: Thank you, dear Toad.

Lady Fidget: (to Horner, aside) What do you mean by that promise?

Mr. Horner: Alas, she has an innocent, literal Understanding.

(Thanks, Stephenson.)

Carry-All

http://books.google.com/books?id=SG9bAAAAQAAJ&source=gbs_navlinks_s

How to get rich using pocket handkerchiefs, from Lewis Carroll’s Sylvie and Bruno Concluded:

Here Lady Muriel returned with her father; and, after he had exchanged some friendly words with ‘Mein Herr’, and we had all been supplied with the needful ‘creature-comforts,’ the newcomer returned to the suggestive subject of Pocket-handkerchiefs.

‘You have heard of Fortunatus’s Purse, Miladi? Ah, so! Would you be surprised to hear that, with three of these leetle handkerchiefs, you shall make the Purse of Fortunatus, quite soon, quite easily?’

‘Shall I indeed?’ Lady Muriel eagerly replied, as she took a heap of them into her lap, and threaded her needle. ‘Please tell me how, Mein Herr! I’ll make one before I touch another drop of tea!’

‘You shall first,’ said Mein Herr, possessing himself of two of the handkerchiefs, spreading one upon the other, and holding them up by two corners, ‘you shall first join together these upper corners, the right to the right, the left to the left; and the opening between them shall be the mouth of the Purse.’

A very few stitches sufficed to carry out this direction. ‘Now, if I sew the other three edges together,’ she suggested, ‘the bag is complete?’

‘Not so, Miladi: the lower edges shall first be joined–ah, not so!’ (as she was beginning to sew them together). ‘Turn one of them over, and join the right lower corner of the one to the left lower corner of the other, and sew the lower edges together in what you would call the wrong way.’

I see!’ said Lady Muriel, as she deftly executed the order. ‘And a very twisted, uncomfortable, uncanny-looking bag it makes! But the moral is a lovely one. Unlimited wealth can only be attained by doing things in the wrong way! And how are we to join up these mysterious–no, I mean this mysterious opening?’ (twisting the thing round and round with a puzzled air.) ‘Yes, it is one opening. I thought it was two, at first.’

‘You have seen the puzzle of the Paper Ring?’ Mein Herr said, addressing the Earl. ‘Where you take a slip of paper, and join its ends together, first twisting one, so as to join the upper corner of one end to the lower corner of the other?

‘I saw one made, only yesterday,’ the Earl replied. ‘Muriel, my child, were you not making one, to amuse those children you had to tea?’

‘Yes, I know that Puzzle,’ said Lady Muriel. ‘The Ring has only one surface, and only one edge. It’s very mysterious!’

‘The bag is just like that, isn’t it?’ I suggested. ‘Is not the outer surface of one side of it continuous with the inner surface of the other side?’

‘So it is!’ she exclaimed. ‘Only it isn’t a bag, just yet. How shall we fill up this opening, Mein Herr?’

‘Thus!’ said the old man impressively, taking the bag from her, and rising to his feet in the excitement of the explanation. ‘The edge of the opening consists of four handkerchief-edges, and you can trace it continuously, round and round the opening: down the right edge of one handkerchief, up the left edge of the other, and then down the left edge of the one, and up the right edge of the other!’

‘So you can!’ Lady Muriel murmured thoughtfully, leaning her head on her hand, and earnestly watching the old man. ‘And that proves it to be only one opening!’

She looked so strangely like a child, puzzling over a difficult lesson, and Mein Herr had become, for the moment, so strangely like the old Professor, that I felt utterly bewildered: the ‘eerie’ feeling was on me in its full force, and I felt almost impelled to say ‘Do you understand it, Sylvie?’ However I checked myself by a great effort, and let the dream (if indeed it was a dream) go on to its end.

‘Now, this third handkerchief,’ Mein Herr proceeded, ‘has also four edges, which you can trace continuously round and round: all you need do is to join its four edges to the four edges of the opening. The Purse is then complete, and its outer surface–‘

‘I see!’ Lady Muriel eagerly interrupted. ‘Its outer surface will be continuous with its inner surface! But it will take time. I’ll sew it up after tea.’ She laid aside the bag, and resumed her cup of tea. ‘But why do you call it Fortunatus’s Purse, Mein Herr?’

The dear old man beamed upon her, with a jolly smile, looking more exactly like the Professor than ever. ‘Don’t you see, my child–I should say Miladi? Whatever is inside that Purse, is outside it; and whatever is outside it, is inside it. So you have all the wealth of the world in that leetle Purse!’

Drawing Blanks

http://commons.wikimedia.org/wiki/File:Malevich.black-square.jpg

In 2002, Russian magnate Vladimir O. Potanin paid $1 million for Kazimir Malevich’s 1915 painting Black Square. “‘All paintings are pictures’ would have been a strong candidate for a necessary truth until Malevich proved it false,” wrote Arthur Danto of the inscrutable black canvas. Malevich himself had said, “It is not painting; it is something else.”

In The Hunting of the Snark, the Bellman guides his party across the Ocean with “a map they could all understand”:

http://commons.wikimedia.org/wiki/File:Lewis_Carroll_-_Henry_Holiday_-_Hunting_of_the_Snark_-_Plate_4.png

“What’s the good of Mercator’s North Poles and Equators,
Tropics, Zones, and Meridian Lines?”
So the Bellman would cry: and the crew would reply
“They are merely conventional signs!

“Other maps are such shapes, with their islands and capes!
But we’ve got our brave Captain to thank”
(So the crew would protest) “that he’s bought us the best —
A perfect and absolute blank!”

While an architecture student at Cornell in the 1920s, practical joker Hugh Troy was given 48 hours to render “a conception of what a brightly floodlighted hydroelectric plant might look like at night.” “Though Hugh was overloaded with other work, he got his drawing in on time,” remembered classmate Don Hershey. He called it Hydroelectric Plant at Night (Fuse Blown):

troy hydroelectric plant

In 1967 British artists Terry Atkinson and Michael Baldwin produced a “map of itself,” a “map of an area of dimensions 12″ x 12″ indicating 2,304 1/4″ squares”:

map of itself

Katharine Harmon, in The Map as Art, writes that this is one of a series of maps “revealing only what they wished to show and jettisoning the rest — drawing attention to what cartographers have always done.”

(Thanks, Tristram.)

Wise Cracks

In 1998, California physician Donald L. Unger wrote to the editors of Arthritis & Rheumatism to report a “50-year controlled study by one participant.” His mother had told him that cracking his knuckles would lead to arthritis, so for 50 years the science-minded Unger had cracked the knuckles of his left hand at least twice a day, more than 36,500 times in all, and left the right uncracked as a control. After 50 years he found no arthritis in either hand and no differences between the two hands.

“This result calls into question whether other parental beliefs, e.g., the importance of eating spinach, are also flawed,” Unger wrote. “Further investigation is likely warranted.”

The editors invited a response from Robert L. Swezey, who had published an earlier investigation in the Western Journal of Medicine. Swezey said that his own study had been inspired when his 12-year-old son’s grandmother had warned him that cracking his knuckles would cause arthritis. “It is now 22 years later and he continues to enjoy frequent KC without manifestations or evidence of arthritis.”

With motherly advice thrown into doubt, Swezey wondered whether knuckle cracking might even prevent osteoarthritis. “The possible utilization of KC by managed care providers as an economic, noninvasive, home preventative treatment for arthritis of the hands should be given further consideration,” he concluded. “A clear distinction between hand wringing related to managed care procedures and therapeutic KC will have to be made.”

(Does knuckle cracking lead to arthritis of the fingers? Unger DL. Arthritis Rheum. 1998 May;41(5):949-50.) (Thanks, Bob.)

Declined With Thanks

http://commons.wikimedia.org/wiki/File:Hunter_S._Thompson,_1988.jpg
Image: Wikimedia Commons

When Hunter S. Thompson published Fear and Loathing in Las Vegas, writers began to send him manuscripts, hoping he could help to get them published in Rolling Stone. Thompson sent a package of their poems to the magazine’s poetry editor, Charles Perry. “I don’t know about this stuff,” he wrote. “If you feel the same way, send it back to them with this” — and he included a prepared rejection letter:

You worthless, acid-sucking piece of illiterate shit! Don’t ever send this kind of brain-damaged swill in here again. If I had the time, I’d come out there and drive a fucking wooden stake into your forehead. Why don’t you get a job, germ? Maybe delivering advertising handouts door to door, or taking tickets for a wax museum. You drab South Bend cocksuckers are all the same; like those dope-addled dingbats at the Rolling Stone office. I’d like to kill those bastards for sending me your piece … and I’d just as soon kill you, too. Jam this morbid drivel up your ass where your readership will better appreciate it.

“We actually sent it out to a couple of people, thinking they would appreciate it,” Perry recalled later. “One person took it to a lawyer and asked whether he could sue us, and the lawyer said, ‘No, you don’t have a leg to stand on … but could I Xerox it?'”

Product Placement

Each team in the Philippine Basketball Association is owned by a corporation. This makes for some colorful team names:

  • The Powerade Tigers
  • The Rain or Shine Elasto Painters
  • The Shopinas.com Clickers
  • The Talk ‘N Text Tropang Texters
  • The Alaska Aces
  • The Barangay Ginebra Kings
  • The Barako Bull Energy
  • The B-Meg Llamados
  • The Meralco Bolts
  • The Petron Blaze Boosters

Defunct teams include the Toyota Super Corollas, the Sta. Lucia Realtors, the Shell Turbo Chargers, the Pop Cola Panthers, and the Great Taste Coffee Makers. Between 1980 and 1986, the national team was called Northern Consolidated Cement.

(Thanks, Ethan.)

False Plaid

http://en.wikipedia.org/wiki/File:Lord_Gordon-Gordon.jpg

In 1871 a man calling himself Lord Gordon-Gordon arrived in Minneapolis. He said he had come to purchase about 50,000 acres of Minnesota land to resettle some tenants from his ancestral estates in Scotland. After selecting the land he traveled to New York, ostensibly to arrange a transfer of funds. There his apparent wealth attracted financier Jay Gould and editor Horace Greeley, and the three formed a partnership to gain a controlling interest in the troubled Erie Railroad. Gould gave his new friend $1 million in cash and securities as a gesture of good faith.

When Gould discovered that Gordon-Gordon was selling these, he realized he had been conned, but the swindler fled to Canada before he could be tried. There he escaped an attempt to kidnap him and eluded capture until 1874. When officers finally confronted him with charges of larceny and forgery, he drew a revolver and shot himself.

To this day, his real identity remains unknown. A Scottish peer he certainly was not: It turned out that before coming to America he had swindled Englishmen and Scotsmen out of some $50,000 while posing as “Lord Glencairn.” “Whatever and whoever he was,” writes historian Edward Harold Mott, “he had genius enough to deceive the shrewdest financiers, the greatest editor, and the most brilliant lawyers of this country.”