“From the Curiosities of Advertising”

TO BE LET,
To an Oppidan, a Ruricolist, or a Cosmopolitan, and may be entered upon immediately:

The House in STONE Row, lately possessed by CAPT. SIREE. To avoid Verbosity, the Proprietor with Compendiosity will give a Perfunctory description of the Premises, in the Compagination of which he has Sedulously studied the convenience of the Occupant. It is free from Opacity, Tenebrosity, Fumidity, and Injucundity, and no building can have greater Pellucidity or Translucency — in short, its Diaphaneity even in the Crepuscle makes it like a Pharos, and without laud, for its Agglutination and Amenity, it is a most Delectable Commorance; and whoever lives in it will find that the Neighbors have none of the Truculence, the Immanity, the Torvity, the Spinosity, the Putidness, the Pugnacity, nor the Fugacity observable in other parts of the town, but their Propinquity and Consanguinity occasion Jocundity and Pudicity — from which, and the Redolence of the place (even in the dog-days), they are remarkable for Longevity. For terms and particulars apply to JAMES HUTCHINSON, opposite the MARKET-HOUSE.

— “Dub. News.,” quoted in Charles Carroll Bombaugh, Gleanings for the Curious from the Harvest-Fields of Literature, 1890

Human Anagrams

In Literary Frivolities, Fancies, Follies and Frolics (1880), William Dobson tells of a curious spectacle presented to Stanislaus, the future king of Poland, on his return to Lissa:

There appeared on the stage thirteen dancers, dressed as youthful warriors; each held in his hand a shield, on which was engraved in characters of gold one of the thirteen letters which compose the two words DOMUS LESCINIA. They then commenced their dance, and so arranged it that at each turn their row of bucklers formed different anagrams. At the first pause they presented them in the natural order:

DOMUS LESCINIA [O (heir to the) House of Lescinius,]
At the second: ADES INCOLUMIS [Thou art present with us still unimpaired–]
At the third: OMNIS ES LUCIDA [Thou art all that is wonderful.]
At the fourth: MANE SIDUS LOCI [Stay with us, O sun of our land!]
At the fifth: SIS COLUMNA DEI [Thou art one of God’s supporters—]
At the last: I, SCANDE SOLIUM. [Come, ascend thy regal throne.]

“This last was the more beautiful,” writes Robert Moritz, “since it proved a true prophecy.”

Got That?

Now, that is a word that may often be joined,
For that that may be doubled is clear to the mind;
And that that that is right, is as plain to the view,
As that that that that we use, is rightly used, too,
And that that that that that line has in it, is right–
In accordance with grammar — is plain in our sight.

— Charles Carroll Bombaugh, Gleanings for the Curious from the Harvest-Fields of Literature, 1890