Shift each letter in EMBLAZONRY forward 13 places in the alphabet and you get an anagram of EMBLAZONRY:
Language
Slow Maltreated Wailing
William Gladstone was cursed with a well-balanced name, one that his political enemies found well suited to anagrams. The conservative-minded Lewis Carroll found that WILLIAM EWART GLADSTONE can be rearranged to spell both WILD AGITATOR! MEANS WELL and WILT TEAR DOWN ALL IMAGES?
The prime minister might have shrugged this off as a coincidence — “wild agitator” might mean anything, after all — but a more painstaking student found that RIGHT HONOURABLE WILLIAM EWART GLADSTONE spells I’M A WHIG WHO’LL BE A TRAITOR TO ENGLAND’S RULE.
Which is rather too specific to disown.
Curiosities of Idiom
Breaking both wings of an army is almost certain to make it fly; a general may win the day in a battle fought at night; a lawyer may convey a house, and yet be unable to lift a hundred pounds; a room may be full of married men, and not have a single man in it; a traveler who is detained an hour or two may recover most of the time by making a minute of it; a man killed in a duel has at least one second to live after he is dead; a fire goes out, and does not leave the room; a lady may wear a suit out the first day she gets it, and put it away at night in as good a condition as ever; a schoolmaster with no scholar may yet have a pupil in his eye; the bluntest man in business is generally the sharpest one; Ananias, it is said, told a lie, and yet he was borne out by the by-standers; caterpillars turn over a new leaf without much moral improvement; oxen can only eat corn with the mouth, yet you may give it to them in the ear; food bolted down is not the most likely to remain on the stomach; soft water is often caught when it rains hard; high words between men are frequently low words; steamboat officers are very pleasant company, and yet we are always glad to have them give us a wide berth; a nervous man is trembling, faint, weak, while a nervous style and a man of nerve is strong, firm, and vigorous.
— John Walker Vilant Macbeth, The Might and Mirth of Literature, 1876
Threefer
MINE (English), MIEN (French), and MEIN (German) are synonyms and anagrams in three languages.
In a Word
moonglade
n. the reflection of moonlight on a body of water
I Contain Multitudes
OPERAS is the plural of OPERA, which is the plural of OPUS.
Misc
- SCINTILLESCENT contains 7 pairs of letters.
- Rub two pennies together and you’ll see a third between them.
- Charles Darwin and Abraham Lincoln were born on the same day.
- 1285 = (1 + 28) × 5
- Squeeze an orange peel into a candle flame and you’ll produce a burst of fire.
Switching Polarity
BEST and WORST are synonyms when used as verbs:
he bested his opponent, he worsted his opponent
But they’re antonyms when used as adjectives, adverbs, or nouns:
the best player, the worst player
it best suits his skills, it worst suits his skills
I am the best, I am the worst
William James wrote, “Language is the most imperfect and expensive means yet discovered for communicating thought.”
In a Word
paraskavedekatriaphobia
n. fear of Friday the 13th
Giving Pause
Harold Ross personally edited every issue of the New Yorker between 1925 and 1951. Unfortunately, he was a fiend for commas, peppering every sentence until all possible ambiguity was removed. An example from 1948:
“When I read, the other day, in the suburban-news section of a Boston newspaper, of the death of Mrs. Abigail Richardson Sawyer (as I shall call her), I was, for the moment, incredulous, for I had always thought of her as one of nature’s indestructibles.”
His writers hated this. James Thurber revised Wordsworth:
She lived, alone, and few could know
When Lucy ceased to be,
But, she is in her grave, and, oh,
The difference, to me.
And E.B White wrote, “Commas in the New Yorker fall with the precision of knives in a circus act, outlining the victim.”
But Ross was immovable. “We have carried editing to a very high degree of fussiness here,” he acknowledged to H.L. Mencken, “probably to a point approaching the ultimate. I don’t know how to get it under control.”
So on it went. A correspondent once asked Thurber why Ross had added the comma to the sentence “After dinner, the men went into the living-room.” Thurber responded, “This particular comma was Ross’s way of giving the men time to push back their chairs and stand up.”