Topsy

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One last unlucky elephant. In the early 1900s, Thomas Edison was locked in a historic “war of currents” with George Westinghouse. Edison wanted the nation to use direct current; Westinghouse and Nikola Tesla wanted alternating current.

That sounds like a pretty tame dispute, but Edison went to some horrific lengths to sway public opinion. To prove that AC was dangerous, he began electrocuting stray cats and dogs. He said they were being “Westinghoused.” He also secretly funded the first electric chair, which ran on AC but was underpowered — its first use resulted in “an awful spectacle, far worse than hanging,” in the words of one witness.

Anyway, around this time a Coney Island elephant named Topsy was condemned to death for killing three men in three years. Hanging was out, thanks to the ASPCA, so Edison suggested they send 6,600 volts of AC through her. So on Jan. 4, 1903, 1,500 people gathered at the amusement park and watched as Topsy ate carrots laced with 460 grams of potassium cyanide and was Westinghoused. She died quickly, reportedly, but Edison recorded the whole thing on film, and later played Electrocuting an Elephant to audiences around the country.

He lost the fight for DC power, though. There’s some justice.

Spectral Evidence

In 1897, testimony from a ghost helped to convict a murderer. Zona Heaster Shue’s death was presumed to be natural until her mother claimed that her ghost had visited her on four successive nights and described how she had been murdered by her husband, Edward. When Zona’s body was exhumed, her neck was found broken, and a jury convicted Edward of murder.

That may be the last U.S. case of “spectral evidence,” but it’s not the first. During the Salem witch trials, if a witness testified that “Goody Proctor bit, pinched, and almost choked me” in a vision or dream, this would be accepted as evidence even if Proctor was known to have been elsewhere at the time.

“Justice has nothing to do with what goes on in a courtroom,” wrote Clarence Darrow. “Justice is what comes out of a courtroom.”

Pella Katadesmos

Text of an ancient Macedonian scroll discovered in Greece in 1986:

On the formal wedding of [Theti]ma and Dionysophon I write a curse, and of all other wo[men], widows and virgins, but of Thetima in particular, and I entrust upon Makron and [the] demons that only whenever I dig out and unroll and re-read this, [then] may they wed Dionysophon, but not before; and may he never wed any woman but me; and may [I] grow old with Dionysophon, and no one else. I [am] your supplicant: Have mercy on [your dear one], dear demons, Dagina(?), for I am abandoned of all my dear ones. But please keep this for my sake so that these events do not happen and wretched Thetima perishes miserably and to me grant [ha]ppiness and bliss.

It would have been written in the 4th or 3rd century B.C.

Showoff

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Eyewitness account of a performance by the 8-year-old Mozart, 1769:

“After this he played a difficult lesson, which he had finished a day or two before: his execution was amazing, considering that his little fingers could scarcely reach a fifth on the harpsichord.

“His astonishing readiness, however, did not arise merely from great practice; he had a thorough knowledge of the fundamental principles of composition, as, upon producing a treble, he immediately wrote a base under it, which, when tried, had a very good effect.

“He was also a great master of modulation, and his transitions from one key to another were excessively natural and judicious; he practiced in this manner for a considerable time with an handkerchief over the keys of the harpsichord.

“The facts which I have been mentioning I was myself an eye witness of; to which I must add, that I have been informed by two or three able musicians, when Bach the celebrated composer had begun a fugue and left off abruptly, that little Mozart had immediately taken it up, and worked it after a most masterly manner.

He was still an 8-year-old, though. “For example, whilst he was playing to me, a favourite cat came in, upon which he immediately left his harpsichord, nor could we bring him back for a considerable time.”

(From Daines Barrington, “Account of a Very Remarkable Young Musician,” Philosophical Transactions)

Chunee

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Another case of man’s inhumanity to elephants. Don’t even read this one. Seriously.

In 1826, the owners of a London menagerie decided to kill Chunee, their 5-ton Indian elephant. The animal had been docile for years — Lord Byron said “I wish he was my butler” — but he grew violent toward the end of his life, perhaps aggravated by pain from a rotten tusk. When, on a rampage, he killed one of his keepers, it was decided he was too dangerous to keep.

Unfortunately, Chunee wouldn’t eat poison. So a group of musketeers were summoned to his cage, a trusted keeper ordered him to kneel, and the soldiers began to fire volleys into his chest and legs. This continued for more than an hour, during which one witness reported that the sound of the elephant’s “agony had been much more alarming than that made by the soldier’s guns.” Even with 152 musketballs in him, the elephant continued to live, kneeling in a cage full of blood, so they had to dispatch him, finally, with a sword.

News of the slaughter inspired numerous poems and even a successful play, but owner Edward Cross sought a profit even in the animal’s death. He charged a shilling to see the body dissected; he sold the hide (which took nine butchers 12 hours to remove); and he put Chunee’s skeleton on display in his old cage — with the bullet holes in his skull clearly visible.

Mary the Elephant

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1916 came to a black end for Sparks World Famous Shows, a circus that was traveling through the American South. In Kingsport, Tenn., an amateur trainer named Red Eldridge was leading a 5-ton Asian elephant to a local pond when she stopped to nibble a watermelon rind. He grew impatient and prodded her behind the ear. She flung him against a drink stand and stepped on his head.

What followed can only be described as a lynching. A crowd began to chant, “Kill the elephant!” A local blacksmith fired two dozen rounds into Mary, with little effect. The local sheriff impounded her, newspapers reported (falsely) that she had killed several workers in the past, and nearby towns threatened to boycott the show. By most accounts Mary had calmed down after killing Eldridge, but that didn’t seem to matter.

So on Sept. 13, owner Charlie Sparks took Mary to a local railroad yard and hanged her from an industrial crane in front of 2,500 people, including most of the town’s children. The chain snapped on the first attempt, causing Mary to fall and break her hip. The second attempt killed her, and she was buried beside the tracks.

“Cruelty, like every other vice, requires no motive outside of itself,” wrote George Eliot. “It only requires opportunity.”

A War in the Sky

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At sunrise on April 14, 1561, the citizens of Nuremberg, Germany, witnessed a strange aerial spectacle. According to a contemporary broadsheet, large numbers of red, blue and black “globes” or “plates” appeared near the sun, “some three in a row, now and then four in a square, also some standing alone. And amongst these globes some blood-colored crosses were seen.” Two great tubes also appeared, “in which three, four and more globes were to be seen. They then all began to fight one another.”

After an hour, “they all fell … from the sun and sky down to the earth, as if everything were on fire, then it slowly faded away on the earth, producing a lot of steam.”

Strangely, the same thing happened five years later in Basel, Switzerland. On Aug. 7, 1566, also at sunrise, “many large black globes were seen in the air, moving before the sun with great speed, and turning against each other as if fighting. Some of them became red and fiery and afterwards faded and went out.”