Podcast Episode 116: Notes and Queries

https://pixabay.com/en/rolls-royce-luxury-automobile-526055/

In this week’s episode of the Futility Closet podcast we’ll explore some curiosities and unanswered questions from Greg’s research, including the love affair that inspired the Rolls Royce hood ornament, a long-distance dancer, Otto von Bismarck’s dogs, and a craftily plotted Spanish prison break.

We’ll also run after James Earl Ray and puzzle over an unsociable jockey.

Intro:

Workers constructing Washington’s Grand Coulee Dam in 1942 fed a cable through a 500-foot drain by tying a string to an alley cat’s tail.

A 2001 earthquake in Olympia, Wash., drew a graceful rose with a sand-tracing pendulum.

Sources for this week’s feature:

The best source I can find regarding the origins of the Rolls Royce hood ornament is this Telegraph article from 2008, in which Montagu’s son says, “My father and Eleanor shared a great passion. It was a grand love affair – perhaps even the love of his life. All this happened before my father met my mother. But I understand my father’s first wife knew about the mistress. She was very tolerant of her and they got on very well.” But this quote is given in the service of promoting a film about the affair, which makes it less objective than I’d like. (Paul Tritton of the Rolls-Royce Owners’ Club of Australia disputes the story here.)

Alexandre Dumas’ habit of eating an apple every morning beneath the Arc de Triomphe is described in this New York Times article, among many other modern sources. The earliest mention I can find is a 1911 article in the Dietetic and Hygienic Gazette, attributing the intervention to Hungarian physician David Gruby. I’ve confirmed that Gruby served as a physician to Dumas (père et fils), but I can’t find anything about an apple.

The incidents of the Savoy Hotel cloakroom and the Travellers Club suicide are both described in N.T.P. Murphy’s A Wodehouse Handbook (2013). The suicide rule is mentioned at the end of this Telegraph article, which gives me hope that it’s true, but I can’t find anything more comprehensive.

The story of the Providence United Methodist Church is told in both Randy Cerveny’s Freaks of the Storm (2005) and Rick Schwartz’s Hurricanes and the Middle Atlantic States (2007). Snopes says it’s “mostly true.”

In Constable’s Clouds, published by the National Galleries of Scotland 2000, Edward Morris writes, “It is this moment of early morning light — and what has been described as ‘the atmosphere of stillness tinged with expectancy’ — that Constable translates into the finished canvas.”

Judith Collins mentions Joseph Beuys’ responsibility for snow in her introduction to Andy Goldsworthy’s Midsummer Snowballs (2001).

https://commons.wikimedia.org/wiki/File:BismarckDogs.jpg

Reader Olga Izakson found the description of Tiras, Otto von Bismarck’s “dog of the empire,” in Robert K. Massie’s Dreadnought (1991). A few further links.

The role of Esperanto in the planning of the 1938 San Cristobál prison break is described (I think) here.

In 1600 William Kemp published a pamphlet chronicling his 1599 morris dance to Norwich, Kemps Nine Daies Wonder, to quiet doubters.

The allegation that Margaret Thatcher ordered the identities of British government employees to be encoded in the word spacing of their documents appears in Gregory Kipper’s Investigator’s Guide to Steganography (2003). I’ve found it in other technical documents, but these tend to cite one another rather than an authoritative source.

Listener mail:

Madison Kahn, “60 Hours of Hell: The Story of the Barkley Marathons,” Outside, May 8, 2013.

Wikipedia, “Barkley Marathons” (accessed Aug. 6, 2016).

Wikipedia, “Kaihogyo,” (accessed Aug. 6, 2016).

Adharanand Finn, “What I Learned When I Met the Monk Who Ran 1,000 Marathons,” Guardian, March 31, 2015.

Associated Press, “Japanese Monks Endure With a Vow of Patience,” June 10, 2007.

Here’s a corroborating link for this week’s lateral thinking puzzle (warning: spoiler).

You can listen using the player above, download this episode directly, or subscribe on iTunes or Google Play Music or via the RSS feed at http://feedpress.me/futilitycloset.

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Many thanks to Doug Ross for the music in this episode.

If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

More Morals

la rochefoucauld

Maxims of François VI, Duc de La Rochefoucauld (1613–1680):

  • “We commonly slander more thro’ Vanity than Malice.”
  • “We have more Laziness in our Minds than in our Bodies.”
  • “There are few People but what are ashamed of their Amours when the Fit is over.”
  • “We should not judge of a Man’s Merit by his great Qualities, but by the Use he makes of them.”
  • “He who is pleased with Nobody, is much more unhappy than he with whom Nobody is pleased.”
  • “There are some disguised Falsehoods so like Truths, that ‘twould be to judge ill not to be deceived by them.”
  • “Men sometimes think they hate Flattery, but they hate only the Manner of Flattering.”
  • “Acquired Honor is Surety for more.”
  • “Innocence don’t find near so much Protection as Guilt.”
  • “‘Tis our own Vanity that makes the Vanity of others intolerable.”
  • “‘Tis a common Fault to be never satisfied with ones Fortune, nor dissatisfied with ones Understanding.”
  • “Envy is more irreconcilable than Hatred.”
  • “‘Tis better to employ our Understanding, in bearing the Misfortunes that do befall us, than in foreseeing those that may.”
  • “A good Head finds less Trouble in submitting to a wrong Head than in conducting it.”
  • “Folly attends us close thro’ our whole Lives; and if anyone seems wise, ’tis merely because his Follies are proportionate to his Age, and Fortune.”

And “As ’tis the Characteristic of a great Genius to say much in a few Words, small Geniuses have on the contrary the Gift of speaking much and saying nothing.”

Moessner’s Theorem

moessner's theorem

Write out the positive integers in a row and underline every fifth number. Now ignore the underlined numbers and record the partial sums of the other numbers in a second row, placing each sum directly beneath the last entry that it contains.

Now, in this second row, underline and ignore every fourth number, and record the partial sums in a third row. Keep this up and the entries in the fifth row will turn out to be the perfect fifth powers 15, 25, 35, 45, 55

If we’d started by ignoring every fourth number in the original row, we’d have ended up with perfect fourth powers. In fact,

For every positive integer k > 1, if every kth number is ignored in row 1, every (k – 1)th number in row 2, and, in general, every (k + 1 – i)th number in row i, then the kth row of partial sums will turn out to be just the perfect kth powers 1k, 2k, 3k

This was discovered in 1951 by Alfred Moessner, a giant of recreational mathematics who published many such curiosa in Scripta Mathematica between 1932 and 1957.

(Ross Honsberger, More Mathematical Morsels, 1991.)

Decoy

http://www.theatlantic.com/photo/2016/04/bamboo-bombers-and-stone-tanksjapanese-decoys-used-in-world-war-ii/480186/

In March 1945 the Japanese painted the giant image of an American B-29 on the Tien Ho airfield in China. They gave it a burning engine and a 300-foot wingspan, so that when viewed from a great altitude it would look like a stricken bomber flying at several thousand feet. Their hope was that this would induce high-flying Allied planes to drop down to investigate, bringing them within range of their anti-aircraft guns. I don’t know whether it worked.

The Atlantic has a collection of similar deceptive exploits from World War II.

All Roads

https://pixabay.com/en/pay-digit-number-fill-count-mass-1036480/

Another puzzle from Kendall and Thomas’ Mathematical Puzzles for the Connoisseur (1971):

Take three consecutive positive integers and cube them. Add up the digits in each of the three results, and add again until you’ve reached a single digit for each of the three numbers. For example:

463 = 97336; 9 + 7 + 3 + 3 + 6 = 28; 2 + 8 = 10; 1 + 0 = 1
473 = 103823; 1 + 0 + 3 + 8 + 2 + 3 = 17; 1 + 7 = 8
483 = 110592; 1 + 1 + 0 + 5 + 9 + 2 = 18; 1 + 8 = 9

Putting the three digits in ascending order will always give the result 189. Why?

Click for Answer

In a Word

altivolant
adj. high-flying

aspectable
adj. capable of being seen, visible

terriculament
n. a source of fear

John Lithgow’s eyes pop out of his head momentarily at the climax of “Nightmare at 20,000 Feet,” the final segment in Twilight Zone: The Movie (1983). In the segment, a remake of the famous television episode from 1963, Lithgow plays a nervous air passenger who discovers a gremlin on the wing of his plane. At the moment when he lifts the shade, the edit shows the monster for 17 frames, then Lithgow’s face for 10 frames, then the monster for 42 frames, and then a 5-frame shot of Lithgow’s head incorporating the eye-popping effect.

Of these 5 frames, the first three show a wild-eyed Lithgow, the fourth shows bulging eyes, and the fifth is shown below. “This 5-frame sequence is on the screen for 1/5 second, but the most distorted image is only visible for 1/24 second,” writes William Poundstone in Bigger Secrets. “Blink at the wrong time, and you miss it. But if you watch the shot carefully at normal speed, the sequence is detectable. Lithgow’s eyes seem to inflate with an accelerated, cartoon-like quality.”

Here’s the frame:

twilight zone movie

The Test

https://commons.wikimedia.org/wiki/File:Sciurus-vulgaris_hernandeangelis_stockholm_2008-06-04.jpg
Image: Wikimedia Commons

“If you think that you can think about a thing, inextricably attached to something else, without thinking of the thing it is attached to, then you have a legal mind.” — Thomas Reed Powell

A lawyer advertised for a clerk. The next morning his office was crowded with applicants — all bright, many suitable. He bade them wait until all should arrive, and then ranged them in a row and said he would tell them a story, note their comments, and judge from that whom he would choose.

‘A certain farmer,’ began the lawyer, ‘was troubled with a red squirrel that got in through a hole in his barn and stole his seed corn. He resolved to kill the squirrel at the first opportunity. Seeing him go in at the hole one noon, he took his shot gun and fired away; the first shot set the barn on fire.’

‘Did the barn burn?’ said one of the boys.

The lawyer without answer continued: ‘And seeing the barn on fire, the farmer seized a pail of water and ran to put it out.’

‘Did he put it out?’ said another.

‘As he passed inside, the door shut to and the barn was soon in flames. When the hired girl rushed out with more water’ —

‘Did they all burn up?’ said another boy.

The lawyer went on without answer:–

‘Then the old lady came out, and all was noise and confusion, and everybody was trying to put out the fire.’

‘Did any one burn up?’ said another.

The lawyer said: ‘There that will do; you have all shown great interest in the story.’ But observing one little bright-eyed fellow in deep silence, he said: ‘Now, my little man, what have you to say?’

The little fellow blushed, grew uneasy, and stammered out:–

‘I want to know what became of that squirrel; that’s what I want to know.’

‘You’ll do,’ said the lawyer; ‘you are my man; you have not been switched off by a confusion and a barn burning, and the hired girls and water pails. You have kept your eye on the squirrel.’

Ballou’s Monthly Magazine, February 1892

Impromptu

https://commons.wikimedia.org/wiki/File:REMEMBERING_BRENDAN_BEHAN_(PUBLIC_ART_BESIDE_LOCK_2_ON_THE_ROYAL_CANAL)--111891_(24746426639).jpg
Image: Wikimedia Commons

Poet Brendan Behan began his career as a housepainter. While in Paris, he was asked to paint a sign on the window of a café to attract English-speaking tourists. He painted:

Come in, you Anglo-Saxon swine
And drink of my Algerian wine.
‘Twill turn your eyeballs black and blue
And damn well good enough for you.

“At least I got paid for it,” he said later. “But I ran out of the place before the patron could get my handiwork translated.”

(From his wife Beatrice’s My Life With Brendan, 1973.)

Mind’s Eye #3

mind's eye #3

Here’s this month’s piece from designer Von Glitschka — each month he composes an engraved artwork to accompany a Futility Closet quotation.

He’s provided a high-resolution PDF (2 MB) suitable to collect, print, and hang.

We’re releasing a new image each month, here and on social media — as with the wallpaper, I’ll put the links on the About page as well. Thanks for reading, and thanks again to Von!