Making Luck

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Image: Wikimedia Commons

The audience was stunned when contestant Michael Larson won $110,237 on Press Your Luck in 1984, easily the largest one-day total ever won on a game show to that date. As lights flashed randomly on the Big Board, somehow Larson was consistently able to stop on squares that led to cash and additional play, and avoid the “whammy” that would bankrupt him.

It turned out that the light indicator wasn’t random. In studying the game at home, Larson had discovered that it followed five recognizable patterns; after memorizing these he could always be sure of landing on winning squares.

CBS producers divined the scheme, but they could find no cause to disqualify Larson, as he had broken no rules. They paid him his money, fixed the board, and established a maximum sum that future contestants could win.

Larson may have congratulated himself, but he didn’t get to enjoy his winnings — he lost the money in bad real estate investments and died of throat cancer at age 49.

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Slow Muse

Uninspired film titles listed by Patrick Robertson in Film Facts (2001):

  • **** (U.S., 1967)
  • … (Argentina, 1971)
  • ←→ (Canada, 1969)
  • A 100% Brazilian Film (Brazil, 1987)
  • An Animated Film (Poland, 1984)
  • Dutch Movie (Netherlands, 1984)
  • Film Without Title (West Germany, 1947)
  • Untitled (Italy, 1973)
  • Still Lacking a Good Title (Yugoslavia, 1988)
  • Don’t Worry, We’ll Think of a Title (U.S., 1965)

Greta Garbo said, “If only those who dream about Hollywood knew how difficult it all is.”

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Power Clubs

http://books.google.com/books?id=X-0vAAAAMAAJ&pg=PA81

From the Strand, January 1900: As a novel entertainment, George W. Patterson of Chicago fitted a pair of Indian clubs with electric lights powered by a custom-built 35-pound battery. “To give a display the room is darkened, and Mr. Patterson, taking his stand in front of the audience, turns on the current and swings the clubs with the most wonderful results.” The time of these exposures is 5-10 seconds:

http://books.google.com/books?id=X-0vAAAAMAAJ&pg=PA81

“We notice two distinct ‘O’s,’ with a very thick outer circle or ring. This larger circle is produced by a thirty-two candle-power, fifty volt lamp which is usually run on 110 volts, fixed to the tip of each club. Some idea of the power of these two lights, which are necessary to make the figures, may be gauged from the fact that they are too dazzling for the naked eye when lighted and stationary, and are so powerful that they are capable of illuminating an entire church or public hall of average size.”

http://books.google.com/books?id=X-0vAAAAMAAJ&pg=PA81

“A pretty design produced by lighted clubs in a darkened hall is seen in our third photograph. The clubs are always swung to music, so that the effect to the audience is still more pleasing. The patterns or figures which may be obtained by the swinging of the clubs are almost infinite in variety. The lights on the clubs are under the control of an operator behind the scenes, who turns on and off the lights of both clubs by means of a switchboard.”

http://books.google.com/books?id=X-0vAAAAMAAJ&pg=PA81

“In order to produce such a charming picture as seen in our next photograph, the clubs, of course, have to be swung fairly rapidly. Indeed, it would be impossible to obtain so many circles with one pair of clubs unless they are swung quickly, while the grace and style of the whole effect speak volumes for Mr. Patterson’s ability as a club-swinger. His club swinging has rightly been termed ‘poetry in motion.'”

http://books.google.com/books?id=X-0vAAAAMAAJ&pg=PA81

“A complication” and a “running figure.” “Although this kind of electrical display with Indian clubs is entirely new so far as the public is concerned, Mr. Patterson has given much time and thought to the subject, and his entertainments have not reached their present high degree of excellence and novelty without a great deal of patient study of that vast and marvellous subject which we call electricity.”

| Entertainment · Technology

One Last Thrill

In 2010 Lithuanian engineer Julijonas Urbonas designed the Euthanasia Coaster, a 7,500-meter roller coaster designed to kill its riders. After a 2-minute climb to the top of the drop tower, the 24 riders plunge 500 meters into a series of seven loops designed to subject them to 10 g for 60 seconds. This forces the blood away from their brains, causing first euphoria, then loss of consciousness and finally death by cerebral hypoxia.

Here’s what that looks like if you don’t black out:

When the train returns to the station, the corpses are unloaded and a new group of passengers can board. Urbonas says, “Thanks to the marriage of the advanced cross-disciplinary research in space medicine, mechanical engineering, material technologies, and, of course, gravity, the fatal journey is made pleasing, elegant, and meaningful.”

| Death · Entertainment · Technology

A Day’s Work

gehrig mitchell ruth

On April 2, 1931, during an exhibition game between the minor-league Chattanooga Lookouts and the New York Yankees, 17-year-old pitcher Jackie Mitchell found herself facing Babe Ruth.

She struck him out in four pitches. “I had a drop pitch,” she said, “and when I was throwing it right, you couldn’t touch it.”

The New York Times reported that Ruth “flung his bat away in high disdain and trudged to the bench, registering disgust with his shoulders and chin.”

“I don’t know what’s going to happen if they begin to let women in baseball,” he told a Chattanooga newspaper. “Of course, they will never make good. Why? Because they are too delicate. It would kill them to play ball every day.”

Next up was Lou Gehrig. She struck him out, too.

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Get Out of Jail Free

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In 1941, as the British War Office searched for ways to help Allied prisoners escape from German POW camps, it found an unlikely partner: John Waddington Ltd., the U.K. licensee for Monopoly. “Games and pastimes” was an approved category of item to be included in care packages sent to captured soldiers, so Waddington’s set about creating special sets to be sent to the camps.

Under the paper surface of each doctored board was a map printed on durable silk showing “escape routes from the particular prison to which each game was sent,” Waddington’s chairman Victor Watson told the Associated Press in 1985. “Into the other side of the board was inserted a tiny compass and several fine-quality files.” Real French, German, and Italian currency was hidden in the stacks of Monopoly money.

MI-9, the intelligence division charged with helping POWs escape, smuggled the games into prison camps, where prisoners would remove the aids and then destroy the sets in order to prevent their captors from divining the scheme.

“It is not known how many airmen escaped thanks to these Monopoly games,” writes Philip Orbanes in The Game Makers, his 2004 history of Parker Brothers, “but 35,000 POWs did break out of prison camps and reach partisans who helped them to safety.”

(Thanks, Ron.)

| Entertainment · History

Typecast

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Image: Wikimedia Commons

In Platoon, Willem Dafoe plays Sgt. Elias, who complains about having to take inexperienced men on patrol.

One of the men says, “Guy’s in three years and he thinks he’s Jesus fucking Christ or something.”

Two years later, Dafoe played the lead in The Last Temptation of Christ.

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Now Showing

In 2005 Toronto artist Brian Joseph Davis assembled more than 5,000 film taglines into one long narrative.

This version, read by voice-over artist Scott Taylor, is only an excerpt — the whole thing runs to 22 pages (PDF).

| Art · Entertainment

Promoted

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Image: Wikimedia Commons

Eric Clapton grew up believing that his grandparents were his parents and that his mother was his sister. His real father had deserted the family, and they had adopted this fiction in order to spare him the stigma of illegitimacy.

“It occurs to me that the family had no real idea of how to explain my own existence to me,” he wrote in his 2007 autobiography, Clapton. “The guilt attached to that made them very aware of their own shortcomings, which would go a long way in explaining the anger and awkwardness that my presence aroused in almost everybody.”

One other striking detail from that book: He mentions that buying a yacht at age 60 was “the first time in my life I had to borrow money to pay for something.” This seems to mean that, ever since stardom had found him at age 18, he could simply acquire anything he wanted.

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