The Pyramid Cemetery

willson pyramid

In 1830, architect Thomas Willson proposed housing London’s dead in a gigantic pyramid, “a metropolitan cemetery on a scale commensurate with the necessities of the largest city in the world, embracing prospectively the demands of centuries, sufficiently capacious to receive 5,000,000 of the dead, where they may repose in perfect security, without interfering with the comfort, the health, the business, the property, or the pursuits of the living.”

Willson’s necropolis would have covered 18 acres but would consolidate graves that would require 50 times that space in a conventional graveyard. With a base the size of Russell Square and a height greater than St. Paul’s, its granite-faced bulk would surpass the great pyramid of Giza. Through an Egyptian portal visitors would enter a surrounding enclosure decorated with statuary, cenotaphs, and monuments, as well as a chapel, a register office, and dwellings for the keeper, the clerk, the sexton, and the superintendent. They could ascend any side of the pyramid by a vast flight of stairs, at the top reaching an obelisk crowned with an observatory.

“This grand mausoleum,” Willson announced, “will go far towards completing the glory of London. It will rise in majesty over its splendid fanes and lofty towers,–teaching the living to die, and the dying to live for ever.” The cost he estimated at £2.5 million, but with 30,000 interments per year at £5 each, the pyramid would bring in £150,000 per year, saving £12.5 million over the course of a century in a project whose necessity, sadly, was certain to endure.

“However, the pyramid cemetery, instead of rearing its gloomy mountain-side into the clouds, and casting the shadow of death over every part of London in succession in the course of the day, exists only upon paper,” runs a contemporary report. “The dividends were too remote, and joint-stock people would not wait one hundred years for one hundred per cent.”

(Thanks, Ron.)

Transcendence

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Image: Wikimedia Commons

In Western religion we seek to attain immortality; in Eastern religion we seek to escape it.

“The secret of religious enlightenment, revealed to the Buddha as he sat beneath the Bo tree, is the suppression of desire, a systematic elimination of all our attachments to the world,” writes Gordon Graham in his Eight Theories of Ethics. “In such turning away comes moksha or release and eventually, for it may take more than one life to achieve it, entry to Nirvana — a term which captures both the idea of nothingness and of heaven. The Buddhist ideal, then, finds supreme value in personal extinction. (Whether this amounts to total extinction is a further matter.) In so doing it wholly discounts subjective values because it is these, after all, that keep us chained to the unending cycle of birth, death and rebirth.

“It is of great interest to note that, while Western minds are accustomed to think of religious faith as entailing the belief and hope that we will be saved from eternal death and live for ever, the belief of Eastern religions is that, other things being equal, we do live for ever and it is from this dreadful fate that we must look to spirituality to save us.”

Disappearing Act

Some amoebae, to be sure, do die. Sometimes an amoeba cannot get sufficient food or oxygen or moisture to sustain its life, and that kills it. But some amoebae do not get an opportunity to die … let us consider a well-fed, healthy amoeba alone in a drop of well-oxygenated pond water. I shall call it ‘Alvin.’ Alvin, let us suppose, lives happily through Tuesday and then, precisely at the stroke of midnight, Alvin divides, producing two offspring whom I shall call ‘Amos’ and ‘Ambrose.’ On Wednesday, we find two amoebae — Amos and Ambrose — swimming happily about in our drop of pond water. But what has become of Alvin? One thing is quite clear: Alvin is not an inhabitant of our drop of pond water on Wednesday. … His life, therefore, must have come to an end. But it is equally clear that Alvin did not die.

— Jay F. Rosenberg, Thinking Clearly About Death, 1983

A Timely Escape

While lying on his deathbed in 1816, Welsh judge George Hardinge received a bill from his London stationers, Tripeaux and Co. It was addressed to “Mr. Justice Hardinge, if living; or his executors, if dead.” He wrote back:

Messrs. Tripeaux, what is fear’d by you,
Alas! the melancholy circumstance is true,
That I am dead; and more afflicting still,
My legal assets cannot pay your bill.
To think of this, I am almost broken hearted,
Insolvent I, this earthly life departed;
Dear Messrs. T., I am yours without a farthing,
For executors and self,
George Hardinge.

He died three hours later.

Memento Mori

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Image: Wikimedia Commons

In 1952, to “indulge a whim of a peculiar nature,” retired funeral director David H. Brown built a house out of 500,000 empty embalming-fluid bottles.

Situated on the shores of Kootenay Lake in British Columbia, the cloverleaf-shaped house occupies 1,200 square feet, including two bedrooms, a fireplace, a kitchen, and a terrace.

The bottles, together, weigh 250 tons.

Dead Bargain

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On my deathbed I exact a promise from you. Then I die, and you ignore the promise. Most of us would feel that this is wrong, but why? If I no longer exist, then who is wronged by your omission?

Similarly, it seems wrong to disparage the dead, or to mistreat a corpse. But why? Can we have a moral obligation to a person who doesn’t exist? Do the dead have rights?

“The dead, if they exist at all, are so much dust,” writes philosopher George Pitcher. “How is it possible for so much dust to be wronged?”

Casket Trouble

“If Socrates died, he died either when he was alive or when he was dead. He did not die when he was alive — for then the same man would have been both living and dead. Nor when he was dead; for then he would have been dead twice. Therefore Socrates did not die.”

— Sextus Empiricus, Against the Physicists

One Last Thrill

In 2010 Lithuanian engineer Julijonas Urbonas designed the Euthanasia Coaster, a 7,500-meter roller coaster designed to kill its riders. After a 2-minute climb to the top of the drop tower, the 24 riders plunge 500 meters into a series of seven loops designed to subject them to 10 g for 60 seconds. This forces the blood away from their brains, causing first euphoria, then loss of consciousness and finally death by cerebral hypoxia.

Here’s what that looks like if you don’t black out:

When the train returns to the station, the corpses are unloaded and a new group of passengers can board. Urbonas says, “Thanks to the marriage of the advanced cross-disciplinary research in space medicine, mechanical engineering, material technologies, and, of course, gravity, the fatal journey is made pleasing, elegant, and meaningful.”

Private Exit

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Image: Wikimedia Commons

Elbert Hubbard died on the Lusitania. Ernest Cowper, a survivor of the sinking, described the writer’s last moments in a letter to Hubbard’s son the following year:

I can not say specifically where your father and Mrs. Hubbard were when the torpedoes hit, but I can tell you just what happened after that. They emerged from their room, which was on the port side of the vessel, and came on to the boat-deck.

Neither appeared perturbed in the least. Your father and Mrs. Hubbard linked arms — the fashion in which they always walked the deck — and stood apparently wondering what to do. I passed him with a baby which I was taking to a lifeboat when he said, ‘Well, Jack, they have got us. They are a damn sight worse than I ever thought they were.’

They did not move very far away from where they originally stood. As I moved to the other side of the ship, in preparation for a jump when the right moment came, I called to him, ‘What are you going to do?’ and he just shook his head, while Mrs. Hubbard smiled and said, ‘There does not seem to be anything to do.’

The expression seemed to produce action on the part of your father, for then he did one of the most dramatic things I ever saw done. He simply turned with Mrs. Hubbard and entered a room on the top deck, the door of which was open, and closed it behind him.

It was apparent that his idea was that they should die together, and not risk being parted on going into the water.