In a Word

kirkify
v. to make like a Presbyterian church in appearance

(This is in Nathaniel Hawthorne’s English Note-Books of 1857: “Then we went to St Giles’s Cathedral, which I shall not describe, it having been kirkified into three interior divisions by the Covenanters.”)

In a Word

https://www.youtube.com/watch?v=9udNrOh5DyA

res angusta domi
n. straitened financial circumstances

appaumé
adj. having the hand opened out so as to display the palm

mammering
n. a state of hesitation or doubt

manuduction
n. careful guidance

dactylonomy
n. the art of counting on the fingers

belve
v. to roar or bellow

In a Word

arreptitious
adj. liable to raptures

congaudence
n. rejoicing together

nundination
n. buying and selling, trade

melic
adj. intended to be sung

“Selling I. B. M.” to be sung to the tune of “Singin’ in the Rain,” from the 1937 corporate hymnal Songs of The IBM:

Selling I. B. M., we’re selling I. B. M.,
What a glorious feeling, the world is our friend,
We’re Watson’s great crew, we’re loyal and true;
We’re proud of our job and we never feel blue.
We sell our whole line, we’re there every time,
To chase away gloom with our products so fine,
We’re always in trim, we work with a vim,
We’re selling, just selling, I. B. M.!

(Via MetaFilter.)

In a Word

https://commons.wikimedia.org/wiki/File:Hamlet_mit_Polonius_auf_dem_Friedhof_1860.jpg

preterlethal
adj. taking place after death

inhume
v. to lay in the grave

janua
n. a door

The principal trap in almost all theatres is known as the grave trap. This is one of the conventionalisms of the English stage, and is a testimony also the enduring influence of Shakespeare. It is well understood that at some time or another the play of ‘Hamlet’ will be performed in every theatre, and Ophelia‘s grave must therefore be dug in every stage — hence the grave trap. It may be that it is not always placed in the right position to suit the ideas of each new representative of the Royal Dane, and it has happened that it has been found too short for the reception of poor Ophelia‘s coffin; but it is never omitted in the construction of a stage.

— Folger Shakespeare Library Scrapbook, quoted in Paul Menzer, Anecdotal Shakespeare, 2015

In a Word

apolactize
v. “to spurne with the heele” (from Henry Cockeram’s English Dictionarie of 1623)

tripudiary
adj. pertaining to dancing

Any stranger behind the scenes at Her Majesty’s Theatre on the opening night of Adeline Genée and the Imperial Russian Ballet would have been amazed (stated The Melbourne Age on Monday) at a little incident that was enacted just before Mlle. Genée made her entrance from the wings. Mr. Hugh Ward approached the great dancer, and, raising his foot, kicked her on the leg. The astonishment would have increased on it being noticed that Mlle. Genée, far from being incensed at this apparent liberty, was greatly pleased at it, and rippled with laughter. Mlle. Genée explained the incident in this way. ‘You see,’ she said, ‘while I am not exactly over-superstitious, there are still some little things I pay regard to, and one of them is that before I make my first appearance anywhere I must be given a ‘good luck kick’ prior to making my entrance. I mentioned this jokingly to Mr. Ward when I arrived in Sydney, and he said it would give him the greatest pleasure to present me with the lucky kick on the opening night of the season. So he has come all the way from Sydney to do so.’

— Adelaide Register, June 25, 1913

In a Word

https://commons.wikimedia.org/wiki/File:Jean-Fran%C3%A7ois_Millet_(II)_014.jpg

ceduous
adj. suitable for felling (as a tree)

Lumberjack argot, from L.G. Sorden and Jacque Vallier’s Lumberjack Lingo, 1986:

two streaks of rust: a logging railroad
cougar milk: Prohibition-era woods liquor
quinine jimmy: a camp doctor
bunch it: to quit work
kegging up: getting drunk
tree squeak: an imaginary bird to which the noise made by trees rubbing together was attributed
she’s a rainbow: What a day!
house of hesitation: a jail
traveling dandruff: lice
iron burner: the camp blacksmith
sawdust city: Eau Claire, Wisconsin

“It’s five a.m. and the gabriel blows. The bark eaters fall out of their muzzle loaders and head for the chuck house to bolt down a pile of stovelids with lots of blackstrap, some fried murphys or Johnny cake and maybe some logging berries. They dunk their rolling stock into their jerk water, growl at the hash slinger, pull up their galluses and head for the tall timber.”

In a Word

https://commons.wikimedia.org/wiki/File:Die_Gartenlaube_(1872)_b_761.jpg

barkable
adj. able to bark

There’s a word for you! Eileen Power’s The Wool Trade in English Medieval History (1941) quotes a 13th-century treatise on estate management:

It profiteth the lord to have discreet shepherds, watchful and kindly, so that the sheep be not tormented by their wrath, but crop their pasture in peace and joyfulness; for it is a token of the shepherd’s kindness if the sheep be not scattered abroad but browse around him in company. Let him provide himself with a good barkable dog and lie nightly with his sheep.

Bonus: hinnible means able to neigh or whinny.

In a Word

janua
n. an introduction to some branch of learning

In Umberto Eco’s Foucault’s Pendulum (1988), two publishers propose a School of Comparative Irrelevance that teaches “useless or impossible courses,” such as Urban Planning for Gypsies, Aztec Equitation, and Potio-section.

‘Potio-section, as everybody knows, of course, is the art of slicing soup. No, no,’ he said to Diotallevi. ‘It’s not a department, it’s a subject, like Mechanical Avunculogratulation or Pylocatabasis. They all fall under the heading of Tetrapyloctomy.’

‘What’s tetra …?’ I asked.

‘The art of splitting a hair four ways. This is the department of useless techniques. Mechanical Avunculogratulation, for example, is how to build machines for greeting uncles. We’re not sure, though, if Pylocatabasis belongs, since it’s the art of being saved by a hair. Somehow that doesn’t seem completely useless.’

Overall, the school’s aim is “to turn out scholars capable of endlessly increasing the number of unnecessary subjects.” “The Tetrapyloctomy department has a preparatory function; its purpose is to inculcate a sense of irrelevance. Another important department is Adynata, or Impossibilia. Like Urban Planning for Gypsies. The essence of the discipline is the comprehension of the underlying reasons for a thing’s absurdity. We have courses in Morse syntax, the history of antarctic agriculture, the history of Easter Island painting, contemporary Sumerian literature, Montessori grading, Assyrio-Babylonian philately, the technology of the wheel in pre-Columbian empires, and the phonetics of the silent film.”

(Thanks, Macari.)

In a Word

https://commons.wikimedia.org/wiki/File:Henri-Frederic_Amiel_1852.jpg

pathographesis
n. writing inspired by illness

After a shining start, Swiss philosopher Henri-Frédéric Amiel lost his patronage and his health, leaving him remembered largely for a private journal that became his only reality, the symptom and source of his illness. In the end it ran to 12 compulsively written volumes totaling 6 million words, a real-time description of its writer’s inner life:

  • “I can find no words for what I feel. My consciousness is withdrawn into itself; I hear my heart beating, and my life passing. It seems to me that I have become a statue on the banks of the river of time, that I am the spectator of some mystery, and shall issue from it old, or no longer capable of age.”
  • “Am I not more attached to the ennuis I know, than in love with pleasures unknown to me?”
  • “At bottom there is but one subject of study: the forms and metamorphoses of mind. All other subjects may be reduced to this study.”

He was slowly suffocating as he wrote his final entries — the last, written on April 19, 1881, reads, “A terrible sense of oppression. My flesh and my heart fail me. Que vivre est difficile, ô mon coeur fatigué!

“We think our protagonist was virtually unique in the degree to which he turned his diary into a fetishistic addiction, not so different from the substance addiction common in his culture,” write George S. Rousseau and Caroline Warman. “His diary was his fix. Boundaries between himself and his diary are nonexistent. And his larger definition of life, or living, was so firmly fused with the diary that he could not conceive of life, or living, apart from it.”

(George S. Rousseau and Caroline Warman, “Writing as Pathology, Poison, or Cure: Henri-Frédéric Amiel’s Journal intime,” Studies in Gender and Sexuality 3:3 [2002], 229–262.)

In a Word

https://commons.wikimedia.org/wiki/File:John_Warwick_Smith_-_Lake_Windermere_from_Calgarth_with_Belle_Isle_-_Google_Art_Project.jpg

hydronym
n. the name of a river, lake, sea, or any other body of water

A bizarre exchange from E.S. Turner’s 2012 What the Butler Saw, a social history of servants in English society:

Vain young gentlemen had a way of summoning their valets to answer questions to which they well knew the answer. [Beau] Brummell, when asked by a bore which of the Lakes he liked best, rang for Robinson. ‘Which of the lakes do I admire most, Robinson?’ he asked; and was informed, ‘Windermere, sir.’ ‘Ah, yes, Windermere, so it is. Thank you, Robinson.’