Search Results for: in a word

“Forgotten Words Are Mighty Hard to Rhyme”

Quoth I to me, “A chant royal I’ll dite,
With much ado of words long laid away,
And make windsuckers of the bards who cite
The sloomy phrases of the present day.
My song, though it encompass but a page,
Will man illume from April bud till snow —
A song all merry-sorry, con and pro.”
(I would have pulled it off, too, given time,
Except for one small catch that didn’t show:
Forgotten words are mighty hard to rhyme.)

Ah, hadavist, in younghede, when from night
There dawned abluscent some fair morn in May
(The word for dawning, ‘sparrowfart,’ won’t quite
Work in here) — hadavist, I say,
That I would ever by stoopgallant age
Be shabbed, adushed, pitchkettled, suggiled so,
I’d not have been so redmod! Could I know? —
One scantling piece of outwit’s all that I’m
Still sure of, after all this catch-and-throw:
Forgotten words are mighty hard to rhyme.

In younghede ne’er a thrip gave I for blight
Of cark or ribble; I was ycore, gay;
I matched boonfellows hum for hum, each wight
By eelpots aimcried, till we’d swerve and sway,
Turngiddy. Blashy ale could not assuage
My thirst, nor kill-priest, even. No Lothario
Could overpass me on Poplolly Row.
A fairhead who eyebit me in my prime
Soon shared my donge. (The meaning’s clear, although
Forgotten words are mighty hard to rhyme.)

Fair draggle-tails once spurred my appetite;
Then walking morts and drossels shared my play.
Bedswerver, smellsmock, housebreak was I hight —
Poop-noddy at poop-noddy. Now I pray
That other fonkins reach safe anchorage —
Find bellibone, straight-fingered, to bestow
True love, till truehead in their own hearts grow.
Still, umbecasting friends who scrowward climb,
I’m swerked by mubblefubbles. Wit grows slow;
Forgotten words are mighty hard to rhyme.

Dim on the wong at cockshut falls the light;
Birds’ sleepy croodles cease. Not long to stay …
Once nesh as open-tide, I now affright;
I’m lennow, spittle-ready — samdead clay,
One clutched bell-penny left of all my wage.
Acclumsied now, I dare no more the scrow,
But look downsteepy to the Pit below.
Ah, hadavist! … Yet silly is the chime;
Such squiddle is no longer apropos.
Forgotten words are mighty hard to rhyme.

— Willard R. Espy

| Language · Poems

“Fine Words Butter No Parsnips”

English proverbs:

Experience keeps a dear school. (1743)
Everybody stretches his legs according to the length of his coverlet. (1550)
He that would the daughter win, must with the mother first begin. (1578)
A still tongue makes a wise head. (1562)
Speak not of my debts unless you mean to pay them. (1640)
One of these days is none of these days. (1658)
One hand for yourself and one for the ship. (1799)
It’s never too late to mend. (1590)
The highest branch is not the safest roost. (1563)
He who is absent is always in the wrong. (1640)
The golden age was never the present age. (1732)
Example is better than precept. (1400)
Sweep your own doorstep clean. (1624)
Idle people have the least leisure. (1678)
He that would have eggs must endure the cackling of hens. (1659)

| Quotations

Words and Motion

https://commons.wikimedia.org/wiki/File:RO(1875)_P195_HERON.jpg

In a 1778 letter, English naturalist Gilbert White captured the characteristic movement of almost 50 birds:

Owls move in a buoyant manner, as if lighter than air … herons seem incumbered with too much sail for their light bodies … the green-finch … exhibits such languishing and faltering gestures as to appear like a wounded and dying bird … fernowls, or goat-suckers, glance in the dusk over the tops of trees like a meteor; starlings as it were swim along.

Biographer Richard Mabey writes, “What is striking is the way Gilbert often arranges his sentence structure to echo the physical style of a bird’s flight. So, ‘The white-throat uses odd jerks and gesticulations over the tops of hedges and bushes’; and ‘woodpeckers fly volatu undosu [in an undulating flight], opening and closing their wings at every stroke, and so are always rising or falling in curves.”

(From Mabey’s Gilbert White: A Biography of the Author of The Natural History of Selborne, 2007.)

| Language · Literature

Last Words

In 1899, six years before her death at age 70, Aboriginal Tasmanian Fanny Cochrane Smith made five wax cylinder recordings of traditional Aboriginal songs and language.

They are the only recorded example of Tasmanian Aboriginal songs and the only recorded example of any Tasmanian Aboriginal language.

Emily Keene, who was present at the recording, said that when the cylinder was played back for her, Smith cried, “My poor race. What have I done.”

“We could not pacify her for a long time,” Keene said. “She thought the voice she had heard was that of her mother.”

| History · Language

The River Witham Sword

https://britishlibrary.typepad.co.uk/digitisedmanuscripts/2015/08/help-us-decipher-this-inscription.html

This 13th-century double-edged sword, possibly of German manufacture, was found in the River Witham, Lincolnshire, in 1825. Inlaid in gold wire along one of its edges is a curious inscription:

+NDXOXCHWDRGHDXORVI+

It’s been speculated that this is a religious invocation, but its full meaning is not clear. In 2015 the British Library invited readers to offer their thoughts, but no conclusive solution was reached. Medieval historian Marc van Hasselt of Utrecht University says it may be the product of a sophisticated workshop that made swords for the elite, as similar blades have been found throughout Europe. “These similarities go so far as to suggest the same hand in making the inscriptions. However, their contents are still a mystery, regardless of their origins.”

| History · Technology

Spreading Word

When a Western scrub jay discovers the body of a dead jay, it summons other birds to screech over the body for up to half an hour. It’s not clear why they do this — the birds are territorial and not normally social. Possibly it’s a way to share news of danger, concentrate attention to find a predator, or teach young about dangers in the environment.

The gatherings are sometimes called funerals, though we don’t know enough to understand the reasons behind them. But UC Davis student Teresa Iglesias said, “I think there’s a huge possibility that there is much more to learn about the social and emotional lives of birds.”

| Science & Math

Root Words

Square roots:

EIGHTY-ONE has 9 letters.

ONE HUNDRED has 10 letters.

FIVE HUNDRED AND SEVENTY SIX has 24 letters.

Cube roots:

THIRTY-NINE THOUSAND THREE HUNDRED FOUR has 34 letters.

SIXTY-EIGHT THOUSAND NINE HUNDRED AND TWENTY-ONE has 41 letters.

ONE MILLION and ONE BILLION have 10 letters each, making them a sixth root and (in the United States) a ninth root word.

(Dave Morice, “Kickshaws,” Word Ways 30:2 [May 1997], 129-141.)

10/26/2020 UPDATE: Reader Hans Havermann has found many more, including this alarming specimen:

341183 = ONE HUNDRED SIXTY-NINE SENONAGINTILLION, FIVE HUNDRED FIVE QUINONAGINTILLION, SEVENTY-SEVEN QUATTUORNONAGINTILLION, FIFTY-ONE TRENONAGINTILLION, EIGHT HUNDRED SEVENTY DUONONAGINTILLION, SEVEN HUNDRED FIFTY-FOUR UNONAGINTILLION, SEVEN HUNDRED THIRTY-EIGHT NONAGINTILLION, SIX HUNDRED FIFTY-SIX NOVOCTOGINTILLION, TWO HUNDRED SEVENTY OCTOCTOGINTILLION, TWO HUNDRED NINETY-EIGHT SEPTENOCTOGINTILLION, SIX HUNDRED FORTY-SEVEN SEXOCTOGINTILLION, EIGHT HUNDRED FORTY-EIGHT QUINTOCTOGINTILLION, FOUR HUNDRED FOUR QUATTUOROCTOGINTILLION, EIGHT HUNDRED FIFTY-SIX TRESOCTOGINTILLION, SIX HUNDRED THIRTEEN DUOOCTOGINTILLION, EIGHT HUNDRED THIRTY-THREE UNOCTOGINTILLION, NINE OCTOGINTILLION, SEVEN HUNDRED SIXTY-FIVE NOVEMSEPTUAGINTILLION, EIGHT HUNDRED SIXTY-SEVEN OCTOSEPTUAGINTILLION, ONE HUNDRED FIFTY-THREE SEPTENSEPTUAGINTILLION, NINE HUNDRED SEVENTY-TWO SESEPTUAGINTILLION, EIGHT HUNDRED SEVENTY-EIGHT QUINSEPTUAGINTILLION, FIFTY-NINE QUATTUORSEPTUAGINTILLION, SEVEN HUNDRED SIX TRESEPTUAGINTILLION, EIGHT HUNDRED FIFTEEN DUOSEPTUAGINTILLION, TWO HUNDRED THIRTY-ONE UNSEPTUAGINTILLION, FOUR HUNDRED EIGHT SEPTUAGINTILLION, ONE HUNDRED FIFTY-FIVE NOVEMSEXAGINTILLION, FOUR HUNDRED EIGHTY-SIX OCTOSEXAGINTILLION, TWELVE SEPTENSEXAGINTILLION, TWO HUNDRED FORTY-SIX SESEXAGINTILLION, EIGHT HUNDRED EIGHTY-FIVE QUINSEXAGINTILLION, TWO HUNDRED FIFTY-SIX QUATTUORSEXAGINTILLION, FOUR HUNDRED NINETY-TWO TRESEXAGINTILLION, SEVEN HUNDRED FORTY-THREE DUOSEXAGINTILLION, FIVE HUNDRED FIFTY-FIVE UNSEXAGINTILLION, ONE HUNDRED FORTY-ONE SEXAGINTILLION, EIGHT HUNDRED TWENTY-FIVE NOVEMQUINQUAGINTILLION, SEVEN HUNDRED FORTY-SIX OCTOQUINQUAGINTILLION, ONE HUNDRED SEVENTY-ONE SEPTENQUINQUAGINTILLION, NINE HUNDRED THIRTY-TWO SEXQUINQUAGINTILLION, ONE HUNDRED SIXTY-SIX QUINQUINQUAGINTILLION, FOUR HUNDRED THREE QUATTUORQUINQUAGINTILLION, THIRTY-TWO TRESQUINQUAGINTILLION, SIX HUNDRED TWENTY-FOUR DUOQUINQUAGINTILLION, ONE HUNDRED FORTY-SIX UNQUINQUAGINTILLION, ONE HUNDRED TWENTY-FIVE QUINQUAGINTILLION, EIGHT HUNDRED TWO NOVEMQUADRAGINTILLION, EIGHT HUNDRED FIFTY-EIGHT OCTOQUADRAGINTILLION, ONE HUNDRED SEVENTY-NINE SEPTENQUADRAGINTILLION, ONE HUNDRED FIFTY-SIX SEXQUADRAGINTILLION, ONE HUNDRED TWENTY-FOUR QUINQUADRAGINTILLION, NINE HUNDRED FIFTY-FOUR QUATTUORQUADRAGINTILLION, NINE HUNDRED ELEVEN TRESQUADRAGINTILLION, TWO HUNDRED FIFTEEN DUOQUADRAGINTILLION, NINE HUNDRED SIXTY-SIX UNQUADRAGINTILLION, NINE HUNDRED TWELVE QUADRAGINTILLION, EIGHT HUNDRED THREE NOVEMTRIGINTILLION, SIX HUNDRED SIXTY-EIGHT OCTOTRIGINTILLION, SEVEN HUNDRED SIXTY-THREE SEPTRIGINTILLION, ONE HUNDRED EIGHTY-THREE SEXTRIGINTILLION, SEVEN HUNDRED NINETY-SIX QUINTRIGINTILLION, NINETY QUATTUORTRIGINTILLION, SEVEN HUNDRED TRESTRIGINTILLION, FIVE HUNDRED EIGHTY-SIX DUOTRIGINTILLION, ONE HUNDRED FORTY-ONE UNTRIGINTILLION, SIX HUNDRED FIFTY-FOUR TRIGINTILLION, SIX HUNDRED EIGHT NOVEMVIGINTILLION, SEVEN HUNDRED FIFTY-THREE OCTOVIGINTILLION, SIX HUNDRED FOURTEEN SEPTENVIGINTILLION, THREE HUNDRED FOUR SEXVIGINTILLION, SEVEN HUNDRED NINETY-FIVE QUINVIGINTILLION, SIX HUNDRED FORTY-FOUR QUATTUORVIGINTILLION, THREE HUNDRED SIXTY-FIVE TREVIGINTILLION, EIGHT HUNDRED NINETY-SEVEN DUOVIGINTILLION, EIGHT HUNDRED SEVENTEEN UNVIGINTILLION, FIVE HUNDRED EIGHTY-TWO VIGINTILLION, FOUR HUNDRED FIFTY-FIVE NOVEMDECILLION, FOUR OCTODECILLION, SIX HUNDRED FORTY-FIVE SEPTENDECILLION, NINE HUNDRED SEVEN SEXDECILLION, FOUR HUNDRED EIGHTY QUINDECILLION, EIGHT HUNDRED THIRTY-SEVEN QUATTUORDECILLION, ONE HUNDRED FORTY-FOUR TREDECILLION, TWO HUNDRED TWENTY-FIVE DUODECILLION, EIGHT HUNDRED EIGHTY-ONE UNDECILLION, SIX HUNDRED SEVEN DECILLION, THREE HUNDRED FIFTY-TWO NONILLION, FIVE HUNDRED FORTY-THREE OCTILLION, FOUR HUNDRED NINE SEPTILLION, TWO HUNDRED SEVENTY-NINE SEXTILLION, ONE HUNDRED EIGHTY-EIGHT QUINTILLION, SEVEN HUNDRED SEVENTY-SIX QUADRILLION, FORTY-EIGHT TRILLION, THREE HUNDRED NINETY-FOUR BILLION, SEVEN HUNDRED SEVENTY-ONE MILLION, EIGHT HUNDRED EIGHT THOUSAND, THREE HUNDRED THIRTY-ONE

The name of that number contains 3,411 letters.

(Thanks, Hans.)

| Language · Science & Math

An Odd Word

https://commons.wikimedia.org/wiki/File:Ha_ha_wall_diagram.jpg
Image: Wikimedia Commons

In E.M. Forster’s 1907 novel The Longest Journey, the description of the country estate Cadover contains a surprising term:

The lawn ended in a Ha-ha (‘Ha! ha! who shall regard it?’), and thence the bare land sloped down into the village.

A ha-ha is indeed the term for a sort of buried wall adjoined by a sloping ditch — it will keep deer out of your garden without blocking the view. But how it came by that name seems uncertain. Possibly it’s a shortened form of “half and half” (half wall, half ditch), and possibly it’s named for the cries of its observers — the earliest usage in the Oxford English Dictionary is John James’ 1712 translation of Antoine-Joseph Dézallier d’Argenville’s Theory and Practice of Gardening — he refers to “a large and deep Ditch at the Foot.., which surprizes..and makes one cry, Ah! Ah! from whence it takes its Name.”

In Terry Pratchett’s novel Men at Arms, a ha-ha is accidentally specified to be 50 feet deep. The result is called a hoho, and it claims the lives of three gardeners. In Snuff, two characters go for a walk in the countryside and “navigate their way around the ha-ha, keep their distance from the ho-ho and completely ignore the he-he.”

| Language

Moving Words

In October 1996, Parade magazine published the results of a vanity license plate contest that received more than 7,000 entries. Here are the 10 winning plates:

  1. IRIGHTI
  2. RUD14ME?
  3. HAHAHAHA
  4. XQQSME
  5. IM12XL
  6. ULIV1S
  7. AXN28D+
  8. VAN GO
  9. H2OUUP-2
  10. TI-3VOM

What are their meanings?

Click for Answer
| Language

Wooden Words

https://www.katieholten.com/public-realm/#/new-york-city-tree-alphabet/

Artist Katie Holten has created a New York City Tree Alphabet, a Latin alphabet in which each letter is assigned a drawing of an existing city tree or one that will be planted as a result of the changing climate. There’s a free font that you can play with here and download here.

Holten had planned to plant messages around the city using real trees last spring, and invited people to make suggestions, though I don’t know which were ultimately chosen. “Right now, we’re leaving it completely wide open, so we’ve no idea what messages we’ll be planting,” she told Fast Company in March. “I’m excited to see what people send us. People have been suggesting words like ‘Dream,’ ‘Hope,’ and ‘Peace.’ But we’re also receiving longer messages, love letters, poems, and short stories. We’re curious to see how we could translate a long text into a grove of planted trees. It’s an exciting challenge and we can make up the rules as we go along, so anything could happen.”

(Via MetaFilter.)

| Art · Language