The Lion at Bay

sutherland churchill portrait

Winston Churchill faced an awkward moment in 1954, when Parliament unveiled a portrait on the occasion of his 80th birthday. The ceremony took place before a crowded Westminster Hall, and no one present, one observer said, “will forget the idiosyncratic nonsound with which a thousand people stopped breathing when the canvas was revealed.”

The painting, by Graham Sutherland, was a decidedly modern take on the octogenarian statesman. “Its chief defect was that it looked unfinished in as much as his feet were concealed in a carpet that seemed to have sprouted a dun-coloured grass,” wrote Studio editor G.S. Whittet. “The artist had obviously been unhappy about them and they had been painted over since it would have been impossible to ‘cut off’ his legs below the knees without radically altering the proportions and placing of the picture on the canvas.”

One MP called the portrait “a study in lumbago,” and Lord Hailsham said it was “disgusting, ill-mannered, terrible.” Churchill accepted the gift with a measured good humor, but privately he muttered, “It makes me look half-witted, which I ain’t.” After the unveiling, the painting was never seen again — shortly before Churchill’s death, his wife had it cut up and burned.

See Immortalized.

Too Late

http://commons.wikimedia.org/wiki/File:Becket_smrt.jpg

Letter to the Times from the Dean of Canterbury, Feb. 5, 1970:

Sir,

A few days ago I received a communication addressed to T.A. Becket, Esq., care of The Dean of Canterbury. This surely must be a record in postal delays.

Yours truly,

Ian H. White-Thomson

Notes

“2 Poems,” by Tom King, from The Oulipo Compendium. I don’t know why these are so charming, but they are:

This Is Jist Ti Siy

by Tim King

I hivi iitin
thi plims
thit wiri in
thi icibix
ind which
yii wiri pribibli
siving
fir briikfist
Firgivi mi
thiy wiri diliciiis
si swiit
ind si cild

Thos Os Jost To Soy

by Tom Kong

O hovo ooton
tho ploms
thot woro on
tho ocobox
ond whoch
yoo woro proboblo
sovong
for brookfost
Forgovo mo
thoy woro dolocooos
so swoot
ond so cold

Three Tales

Here are three items that I haven’t been able to confirm — I expect the first two are false, but I’m posting them here for what they’re worth. The first is from Henry Thomas and Dana Lee Thomas, Living Biographies of Great Poets, 1941:

An interesting and touching story is told about the manuscript of the first Jungle Book. Kipling gave this manuscript as a present to the nurse who had cared for his first-born child. ‘Take this script,’ he said, ‘and someday if you are in need of money you may be able to sell it at a handsome price.’ Years later, when the nurse was actually in want, she sold the manuscript and managed to live in comfort for the rest of her life.

I can’t verify that anywhere. The second item is from Robert Hendrickson, American Literary Anecdotes, 1992:

Some 5,000 copies of [Steinbeck’s] The Wayward Bus (1947) went up in flames when the truck taking them from the bindery collided with a bus — yes, a wayward bus — travelling on the wrong side of the road.

San Jose State University’s Center for Steinbeck Studies repeated that story in a 1995 newsletter, but it cited Hendrickson as the source. I haven’t been able to confirm it independently.

This last one may be true. The Oxford Dictionary of Thematic Quotations claims that Millvina Dean (1911-), the youngest survivor of the Titanic disaster, while visiting the Kansas City house in which her family would have lived, said, “I can’t bear iced drinks … the iceberg, you know. Perhaps some champagne though.”

The dictionary cites the Times, Aug. 20, 1997, for this quote, but I haven’t tracked that down to confirm it.

Black and White

keym chess puzzle

By Werner Keym, from Die Schwalbe, 1979. What were the last moves by White and Black?

Click for Answer

No Fare

Letter to the Times, Feb. 10, 1970:

Sir,

My husband, T.S. Eliot, loved to recount how late one evening he stopped a taxi. As he got in, the driver said: ‘You’re T.S. Eliot.’ When asked how he knew, he replied: ‘Ah, I’ve got an eye for a celebrity. Only the other evening I picked up Bertrand Russell, and I said to him: ‘Well, Lord Russell, what’s it all about,’ and, do you know, he couldn’t tell me.’

Yours faithfully,

Valerie Eliot

A Satisfied Critic

http://de.wikipedia.org/wiki/Datei:Haberle_Grandmas_Hearthstone.jpg

This is Grandma’s Hearthstone, an 1890 canvas by the trompe l’oeil master John Haberle. The 96″ x 66″ painting was so realistic that the proprietors of Churchill’s Saloon in Detroit decided to try an experiment.

“The location of the picture adds to the realistic effect,” explained the Detroit Tribune. “It is arranged at a dark end of the room, with electric light turned upon it in such a manner that upon entering the place it seems as if there really were an old-fashioned fire place there and the light was the reflection of the fire.”

Did it work? “The best critic upon the picture was the house cat. When the picture was first placed in position the cat came up from the cellar and started across the room. … The cat noticed the light of the blazing fire and went over to examine it. After critically scrutinizing the new affair she curled herself up before it and began to snooze completely illusionized.”

Whether that’s true is anyone’s guess. Perhaps it says more about the cat than about Haberle.

(“It Fooled the Cat,” New Haven Evening Leader, June 10, 1893, quoted in James W. Cook, The Arts of Deception: Playing With Fraud in the Age of Barnum, 2001.)

Dominion

My mind to me a kingdom is;
Such present joys therein I find,
That it excels all other bliss
That earth affords or grows by kind:
Though much I want that most would have,
Yet still my mind forbids to crave.

No princely pomp, no wealthy store,
No force to win the victory,
No wily wit to salve a sore,
No shape to feed a loving eye;
To none of these I yield as thrall;
For why? my mind doth serve for all.

I see how plenty surfeits oft,
And hasty climbers soon do fall;
I see that those which are aloft
Mishap doth threaten most of all:
They get with toil, they keep with fear:
Such cares my mind could never bear.

Content I live, this is my stay;
I seek no more than may suffice;
I press to bear no haughty sway;
Look, what I lack my mind supplies.
Lo, thus I triumph like a king,
Content with that my mind doth bring.

Some have too much, yet still do crave;
I little have, and seek no more.
They are but poor, though much they have,
And I am rich with little store;
They poor, I rich; they beg, I give;
They lack, I leave; they pine, I live.

I laugh not at another’s loss,
I grudge not at another’s gain;
No worldly waves my mind can toss;
My state at one doth still remain:
I fear no foe, I fawn no friend;
I loathe not life, nor dread my end.

Some weigh their pleasure by their lust,
Their wisdom by their rage of will;
Their treasure is their only trust,
A cloakèd craft their store of skill;
But all the pleasure that I find
Is to maintain a quiet mind.

My wealth is health and perfect ease,
My conscience clear my chief defence;
I neither seek by bribes to please,
Nor by deceit to breed offence:
Thus do I live; thus will I die;
Would all did so as well as I!

— Edward Dyer (1543-1607)

The Lock Key

http://commons.wikimedia.org/wiki/File:John_Constable_-_The_Lock.jpg

Two adjoining lakes are connected by a lock. The lakes differ by 2 meters in elevation. A boat can pass from the lower lake to the upper by passing through the lock gate, which is closed behind it; then water is added to the lock chamber until its level matches that of the upper lake, and the boat can pass out through the upper gate.

Now suppose two boats do this in succession. The first boat weighs 50 tons, the second only 5 tons. How much more water must be used to raise the small boat than the large one?

Click for Answer