In the November 1971 issue of Word Ways, reader Solomon Golomb noted that the following placard appeared in the window of a business establishment “and was considered quite ordinary by all passers-by.” Why?
Search Results for: in a word
Inventory
A self-descriptive sentence by Howard Bergerson:
In this sentence, the word and occurs twice, the word eight occurs twice, the word four occurs twice, the word fourteen occurs four times, the word in occurs twice, the word occurs occurs fourteen times, the word sentence occurs twice, the word seven occurs twice, the word the occurs fourteen times, the word this occurs twice, the word times occurs seven times, the word twice occurs eight times, and the word word occurs fourteen times.
Contradictory Proverbs
Look before you leap.
He who hesitates is lost.
Absence makes the heart grow fonder.
Out of sight, out of mind.
You’re never too old to learn.
You can’t teach an old dog new tricks.
A word to the wise is sufficient.
Talk is cheap.
Fools rush in where angels fear to tread.
Nothing ventured, nothing gained.
Actions speak louder than words.
The pen is mightier than the sword.
Many hands make light work.
Too many cooks spoil the broth.
Seek and ye shall find.
Curiosity killed the cat.
Don’t look a gift horse in the mouth.
Beware of Greeks bearing gifts.
The best things in life are free.
There’s no such thing as a free lunch.
G.K. Chesterton said, “I owe my success to having listened respectfully to the very best advice, and then going away and doing the exact opposite.”
Second Thoughts
Florida bankruptcy judge A. Jay Cristol had moved to dismiss a case in 1986 when he reconsidered, inspired by “a little old ebony bird.” He filed this explanation:
Once upon a midnight dreary,
While I pondered weak and weary
Over many quaint and curious files of chapter seven lore
While I nodded nearly napping, suddenly there came a tapping
As of some one gently rapping, rapping at my chamber door,
“‘Tis some debtor,” I muttered, “tapping at my chamber door–
Only this and nothing more.”
Ah distinctly I recall, it was in the early fall
And the file still was small
The Code provided I could use it
If someone tried to substantially abuse it
No party asked that it be heard.
“Sua sponte” whispered a small black bird.
The bird himself, my only maven,
Strongly looked to be a raven.
Upon the words the bird had uttered
I gazed at all the files cluttered
“Sua sponte,” I recall, had no meaning; none at all.
And the cluttered files sprawl, drove a thought into my brain.
Eagerly I wished the morrow–vainly I had sought to borrow
From BAFJA, surcease of sorrow–and an order quick and plain
That this case would not remain as a source of further pain.
The procedure, it seemed plain.
As the case grew older, I perceived I must be bolder.
And must sua sponte act, to determine every fact,
If primarily consumer debts, are faced,
Perhaps this case is wrongly placed.
This is a thought that I must face, perhaps I should dismiss this case.
I moved sua sponte to dismiss it for I knew I would not miss it.
The Code said I could, I knew it.
But not exactly how to do it, or perhaps some day I’d rue it.
I leaped up and struck my gavel.
For the mystery to unravel
Could I? Should I? Sua sponte, grant my motion to dismiss?
While it seemed the thing to do, suddenly I thought of this.
Looking, looking towards the future and to what there was to see
If my motion, it was granted and an appeal came to be,
Who would be the appellee? Surely, it would not be me.
Who would file, but pray tell me, a learned brief for the appellee
The District Judge would not do so
At least this much I do know.
Tell me raven, how to go.
As I with the ruling wrestled
In the statute I saw nestled
A presumption with a flavor clearly in the debtor’s favor.
No evidence had I taken
Sua sponte appeared foresaken.
Now my motion caused me terror
A dismissal would be error.
Upon consideration of § 707(b), in anguish, loud I cried
The court’s sua sponte motion to dismiss under § 707(b) is denied.
Flashback
English scholar Richard Porson (1759-1808) may have had the most prodigious memory of the 18th century. “He knew almost the whole of Homer, Horace, Cicero, Virgil and Livy,” recounts Henry H. Fuller in The Art of Memory (1898). “He could repeat whole plays from Shakespeare and complete books from Paradise Lost, scenes from Foote, and scores of pages from Gibbon’s Decline and Fall, or Rapin’s works. He knew by heart the whole of Mortal Tale of the Dean of Badajos, and Edgeworth’s Essays on Irish Bulls, and could repeat from beginning to end Smollett’s Roderick Random and other noted English novels. He could recite a newspaper page after one reading, and said that he would undertake to repeat the entire contents of a week’s issues of the London Morning Chronicle.”
Eliezer Cogan recalls that one day Porson called on a friend who asked him the meaning of a word in Thucydides. Without looking at the book, Porson repeated the passage. His friend asked how he knew which passage he’d been reading. “Because,” Porson replied, “the word occurs only twice in Thucydides, once on the right-hand page in the edition which are using, and once on the left. I observed on which side you looked, and accordingly knew to which passage you referred.”
Misc
- Hastie Love was convicted of rape in Tennessee in 1968.
- Zebra stripes are white.
- 14641 = (1 + 4 + 6)4 × 1
- Spain’s national anthem has no words.
- LION + TIGER = LOITERING
- “Character is that which can do without success.” — Emerson
Attenuated Language
What’s the longest “narrow” word — the longest word whose handwritten letters keep tidily to the middle of the line?
Dmitri Borgmann considered this question in 1965 and came up with overnervousnesses and overnumerousnesses — 17 and 18 letters.
In 1973 Darryl Francis sought the opposite — “tall” words made up entirely of letters that ascend above the mean line or descend below it. He discovered if, hip, glib, lipid, highly, fifthly, filthify, flightily, and lillypilly.
“I must tell you that my wife has a theory that only thin people can talk English well,” Bismarck told journalist Henri de Blowitz in 1878. “According to this, neither you nor I will make our mark in that language.”
Dispatch
“Don’t waste your time on the branches small,”
Said the farmer to his son,
“But lay your axe at the root of the tree,
So your work is sooner done.”
Then, like a good and obedient boy,
Not a word back did he say,
But he laid his axe at the root of the tree,
And went off and fished all day.
— Newton Mackintosh, Precious Nonsense!, 1895
Menu Trouble
Charles Ollier observed that GHOTI can be pronounced “fish”:
- GH as in laugh
- O as in women
- TI as in nation
Melville Dewey, who devised the Dewey Decimal System, suggested that GHEAUGHTEIGHPTOUGH spells “potato”:
- GH as in hiccough
- EAU as in beau
- GHT as in naught
- EIGH as in neigh
- PT as in pterodactyl
- OUGH as in though
This sort of thing can get out of hand quickly. In his 1845 Plea for Phonotypy and Phonography, Alexander John Ellis offered SCHIESOURRHCE for “scissors,” GNUITHEIERRH for “neither,” PHAIGHPHEAWRAIBT for “favorite,” PSOURRPHUAKNTW for “servant,” and (fittingly) EOLOTTHOWGHRHOIGHUAY for “orthography.”
GHOTI might even be silent:
- GH as in though
- O as in people
- T as in ballet
- I as in business
Other languages, it seems, have simply surrendered — the Klingon word for fish is ghotI.
Divine Recall
One of the most marvelous feats of recent times was performed in August, 1897, at Sondrio, capital of the Valtellina district, in the northern part of Italy, by Signor Edoe, professor in the Institution di Lorenzo, who, on a wager, repeated from memory, and without making a single mistake, the whole of Dante’s immortal poem, ‘Divina Commedia,’ which consists of nearly one hundred cantos, an amount of matter about equal to the number of words contained in the New Testament. The feat occupied about twenty-four hours in its accomplishment, lasting from 6 p.m. on one day until 2 p.m. the following day. It was achieved in the presence of a committee of associate professors and literary men, who, at about midnight, divided into two parties, alternately sleeping and listening until the recitation was finished, the text being carefully followed by prompters during the whole time, all in order that there might be no question as to the genuineness of the performance. This feat was accomplished after a preparation that was comparatively short, considering the great length of the poem, and is perhaps the most wonderful exhibition of verbal recollection in recent times.
— Henry H. Fuller, The Art of Memory, 1898