Buried Treasure

Cecil B. DeMille’s 1959 autobiography contains an odd passage: “If a thousand years from now, archaeologists happen to dig beneath the sands of Guadalupe, I hope they will not rush into print with the amazing news that Egyptian civilization, far from being confined to the valley of the Nile, extended all the way to the Pacific coast of North America. The sphinxes they will find were buried when we had finished with them and dismantled our huge set of the gates of Pharaoh’s city.”

He was referring to his 1923 silent film The Ten Commandments — after shooting was finished, he’d had the massive sets buried where they’d been built, in California’s Guadalupe-Nipomo Dunes. It’s not clear why — possibly he lacked the funds to remove them and didn’t want other filmmakers to use them. The sets included four Pharaoh statues 35 feet tall, 21 sphinxes, and gates 110 feet high, forming an ersatz Egyptian civilization for modern archaeologists to uncover.

Their time is limited. “It was like working with a hollow chocolate rabbit,” Doug Jenzen, executive director of the Guadalupe-Nipomo Dunes Center, told the Los Angeles Times of one dig in 2014. “These were built to last two months during filming in 1923, and these statues have been sitting out in the elements since then.”

Now Showing

This is neat — Eric Harshbarger finds that a list of the 12 top-performing movies in the U.S. last weekend (Dec. 13-15, 2019) contains all 26 letters of the alphabet:

JUMANJI: THE NEXT LEVEL
FROZEN II
KNIVES OUT
RICHARD JEWELL
BLACK CHRISTMAS
FORD V FERRARI
QUEEN & SLIM
A BEAUTIFUL DAY IN THE NEIGHBORHOOD
DARK WATERS
21 BRIDGES
MIDWAY
PLAYING WITH FIRE

The top 8 alone contain all the letters but P.

(Thanks, Eric.)

An Urgent Question

Based on a James Blish short story, The Beast Must Die (1974) is a curious twist on the Clue genre: A millionaire invites a group of people to a remote island and reveals that one of them is a werewolf, and they must work out who it is.

The movie includes a 30-second “werewolf break” near the end, in which the audience are asked to guess the werewolf’s identity based on the clues.

Cross Words

https://www.flickr.com/photos/waffleboy/25098716017
Image: Flickr

Binghamton University English professor Michael Sharp has been blogging about the New York Times crossword puzzle every day since 2006 under the name Rex Parker. He downloads each puzzle when it becomes available at 10 p.m. and typically solves it in 3-10 minutes.

His blog, Rex Parker Does the NY Times Crossword Puzzle, has become so popular that there’s now a metric website that analyzes his opinions:

  • “Rex doesn’t like Sundays”
  • “Rex doesn’t like April”
  • “Rex doesn’t like the year 2017”

“It’s like a little present,” he told the Chronicle of Higher Education last year. “You have no idea what’s in there. And if you’re lucky, something weird or strange or funny is in there. And you get to unwrap this little present every day that will make your brain light up in weird ways if it’s done right.”

(Thanks, Laura.)

The Fog of War

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Franklin K. Young worked out a way to apply battlefield principles to the chessboard. Unfortunately, his description is incomprehensible:

The normal formative processes of a Logistic Grand Battle consist, first, in Echeloning by RP to QR4 and then in Aligning the Left Major Front Refused en Potence by the development of QKtP to QKt5, followed by Doubly Aligning the Left Major Front Refused and Aligned by developing QRP to QR5.

The final and decisive development in the formative process of a Logistic Grand Battle is the transformation of the Left Refused Front Doubly Aligned into a Grand Left Front Refused and Echeloned by the development of QRP to QR6.

Chess historian Edward Winter quotes a 1909 parody by P.H. Williams in Chess Chatter & Chaff:

White here takes the opportunity of duple deployment of bolobudginous hoplites, by mutual transposition of kindred hypothetics — the one in enfilade, the other in marmalade. This example of Tyntax involves duodecimal parabaloidic curves, whose radii are in strict parallelism with the dyptic hypotenuse. (Note: These terms will be elucidated when the author has discovered meanings for them, in a glossary of 457 pages.)

The system was still obscure when Young died in 1931, but perhaps you can make sense of it: His works are here.

Podcast Episode 270: Kidnapped by North Korea

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Image: Wikimedia Commons

In 1978, two luminaries of South Korean cinema were abducted by Kim Jong-Il and forced to make films in North Korea in an outlandish plan to improve his country’s fortunes. In this week’s episode of the Futility Closet podcast we’ll tell the story of Choi Eun-Hee and Shin Sang-Ok and their dramatic efforts to escape their captors.

We’ll also examine Napoleon’s wallpaper and puzzle over an abandoned construction.

See full show notes …

Misc

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Image: Wikimedia Commons
  • Mr. Peanut’s full name is Bartholomew Richard Fitzgerald-Smythe.
  • Michael J. Fox is 10 days younger than Lea Thompson and 3 years older than Crispin Glover.
  • Nebraska’s state slogan is “Honestly, it’s not for everyone.”
  • Eight-letter words typed with eight fingers: BIPLANES, CAPTIONS, ELAPSING, JACKPOTS, LIFESPAN, PANELIST.
  • “Memory can restore to life everything except smells.” — Nabokov

Nothing Doing

cage cartoon

In John Cage’s 1952 composition 4’33”, the performer is instructed not to play his instrument.

American music critic Kyle Gann discovered this 1932 cartoon in The Etude, a magazine for pianists.

The cartoonist’s name, remarkably, is Hy Cage.

Metal Fatigue

ebsen tin man

One last Wizard of Oz anecdote: Buddy Ebsen was originally cast as the Tin Man, but nine days into production he was in Good Samaritan Hospital with blue skin and labored breathing. He’d spent four weeks in rehearsal, where, after many makeup tests, they had powdered aluminum dust onto his face and head. “One night, after dinner, I took a breath and nothing happened. They got an ambulance and had me down to Good Samaritan for a couple of weeks. My lungs were coated with that aluminum dust they had been powdering on my face.” Apparently it had caused an allergic reaction.

After two weeks of waiting, producer Mervyn LeRoy replaced Ebsen with Jack Haley, who was not told what had happened, though the makeup was adapted to a paste. Haley wasn’t even asked if he wanted to play the part — 20th Century Fox simply loaned him to MGM. “The type of contract I had, I had to respond to their commands. I had no choice. I was under contract, and they could lend me to any studio. It was the most awful work, the most horrendous job in the world with those cumbersome uniforms and the hours of makeup, but I had no choice.”

(From Aljean Harmetz, The Making of The Wizard of Oz, 1977.)