“The Twenty-Third Psaum”

The Lord is my Shepherd; my wants are a’ kent; the pasture I lie on is growthie and green.

I follow by the lip o’ the watirs o’ Peace.

He heals and sterklie hauds my saul: and airts me, for his ain name’s sake, in a’ the fit-roads o’ his holiness.

Aye, and though I bude gang throwe the howe whaur the deid-shadows fa’, I’se fear nae skaith nor ill, for that yersel is aye aside me; yere rod and yere cruik they defend me.

My table ye hae plenish’t afore the een o’ my faes; my heid ye hae chrystit wi’ oyle; my cup is teemin fu’!

And certes, tenderness and mercie sal be my fa’ to the end o’ my days; and syne I’se bide i’ the hoose o’ the Lord, for evir and evir mair!

— William Wye Smith, The New Testament in Braid Scots, 1904

Last Words

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On Dec. 6, 1917, an overnight express train bearing 300 passengers was approaching Halifax, Nova Scotia, when an unexpected message arrived by telegraph:

“Hold up the train. Ammunition ship afire in harbor making for Pier 6 and will explode. Guess this will be my last message. Good-bye boys.”

The train stopped safely before the burning French cargo ship Mont-Blanc erupted with the force of 2.9 kilotons of TNT, the largest manmade explosion before the advent of nuclear weapons.

The blast killed 2,000 residents, including train dispatcher Vince Coleman. He had remained at work in the telegraph office, sending warnings, until the end.

Commander-in-Chief

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From the diary of Wilfrid Scawen Blunt, May 1, 1900:

To the Danes to see Lady Lytton, travelling there with Betty Balfour, who told amusing stories about Ireland, one being of a voyage the Queen [Victoria] had made in her yacht. The Queen used to be a good sailor, but is disturbed now if it is at all rough and likes the doctor to sit with her in the cabin and look after her. It came on to blow and a wave struck the ship rather roughly, which alarmed and made her indignant. ‘Go up at once,’ she said, ‘Sir James, and give the Admiral my compliments and tell him the thing must not occur again.’

Corporal Violet

canu - corporal violet

When Napoleon left France for Elba, his supporters wore violets as a secret sign of their allegiance. This 1815 colour print by Jean-Dominique Etienne Canu, Le Secret du Caporal La Violette, conceals images of the exiled emperor, his wife, and his son. Where are they?

“Surrealist Landscape”

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On the pale yellow sands
Where the Unicorn stands
And the Eggs are preparing for Tea
Sing Forty
Sing Thirty
Sing Three.

On the pale yellow sands
There’s a pair of Clasped Hands
And an Eyeball entangled with string
(Sing Forty
Sing Fifty
Sing Three.)
And a Bicycle Seat
And a Plate of Raw Meat
And a Thing that is hardly a Thing.

On the pale yellow sands
There stands
A Commode
That has nothing to do with the case.
Sing Eighty
Sing Ninety
Sing Three.
On the pale yellow sands
There’s a Dorian Mode
And a Temple all covered with Lace
And a Gothic Erection of Urgent Demands
On the Patience of You and of Me.

— Lord Berners

Jeannot’s Knife

http://www.sxc.hu/photo/1197069

A French tradition asks: If the handle of a certain knife is replaced whenever it is worn out, and its blade is replaced whenever it becomes worthless, does the knife itself become immortal?

In his 1872 short story “Dr. Ox’s Experiment,” Jules Verne mentions a curious tradition of marriage within the Van Tricasse family:

From 1340 it had invariably happened that a Van Tricasse, when left a widower, had remarried a Van Tricasse younger than himself; who, becoming in turn a widow, had married again a Van Tricasse younger than herself; and so on, without a break in the continuity, from generation to generation. Each died in his or her turn with mechanical regularity. Thus the worthy Madame Brigitte Van Tricasse had now her second husband; and, unless she violated her every duty, would precede her spouse — he being ten years younger than herself — to the other world, to make room for a new Madame Van Tricasse.

Is this a series of distinct marriages — or one immortal union?

See The Ship of Theseus.

Cheers

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In 1985, workers renovating London’s Tate Britain art gallery discovered a handwritten message behind a wall in the rotunda dome:

This was placed here on the fourth of June, 1897 Jubilee year, by the Plasterers working on the job hoping when this is found that the Plasterers Association may be still flourishing. Please let us know in the Other World when you get this, so as we can drink your Health.

It was signed “W. Gallop, F. Wilkins, H. Sainsbury, J. Chester, A. Pickernell, Secretary.”