In a Word

ingram
n. one who is ignorant

stupex
n. a stupid person

ignotism
n. a mistake due to ignorance

incogitant
adj. that does not think

insulse
adj. lacking wit or sense

crassitude
n. gross ignorance or stupidity

parviscient
adj. knowing little; ignorant

antisocordist
n. an opponent of sloth or stupidity

In a Word

https://commons.wikimedia.org/wiki/File:Noah_Webster_pre-1843_IMG_4412.JPG

cohonestation
n. honouring with one’s company

William Cobbett, a writer who was to plague Noah for many years, probably invented one piece of Websterian apocrypha. Dr. Benjamin Rush, whom Noah had cultivated, supposedly met him upon his arrival and said: ‘How do you do, my dear friend. I congratulate you on your arrival in Philadelphia.’

‘Sir,’ Webster allegedly replied, ‘you may congratulate Philadelphia on the occasion.’

— John S. Morgan, Noah Webster, 1975

In a Word

http://www.sxc.hu/photo/831303

tonitruation
n. thundering

Finnegans Wake is punctuated by ten thunderclaps, which occur at moments of crisis in the text. “A situation is presented, developed, and subjected to increasing stress until, with the thunder, a collapse, and suddenly a complementary situation that was latent in the first is seen to be in place,” writes scholar Eric McLuhan.

First thunderclap:

bababadalgharaghtakamminaronnonnbronntonnerronnuonnthunn-
trobarrhounawnskawntoohoohoordenenthurknuk

Second:

Perkodhuskurunbarggruauyagokgorlayorgromgremmitghundhurthru-
mathunaradidillifaititillibumullunukkunun

Third:

klikkaklakkaklaskaklopatzklatschabattacreppycrottygraddaghsemmih-
sammihnouithappluddyappladdypkonpkot

Fourth:

Bladyughfoulmoecklenburgwhurawhorascortastrumpapornanennykock-
sapastippatappatupperstrippuckputtanach

Fifth:

Thingcrooklyexineverypasturesixdixlikencehimaroundhersthemagger-
bykinkinkankanwithdownmindlookingated

Sixth:

Lukkedoerendunandurraskewdylooshoofermoyportertooryzooysphalna-
bortansporthaokansakroidverjkapakkapuk

Seventh:

Bothallchoractorschumminaroundgansumuminarumdrumstrumtrumina-
humptadumpwaultopoofoolooderamaunsturnup

Eighth:

Pappappapparrassannuaragheallachnatullaghmonganmacmacmacwhack-
falltherdebblenonthedubblandaddydoodled

Ninth:

husstenhasstencaffincoffintussemtossemdamandamnacosaghcusaghhobix-
hatouxpeswchbechoscashlcarcarcaract

Tenth:

Ullhodturdenweirmudgaardgringnirurdrmolnirfenrirlukkilokkibaugiman-
dodrrerinsurtkrinmgernrackinarockar

Like everything in Joyce, the claps’ meaning is open to question, but they’re not arbitrary: Each of the first nine words contains exactly 100 letters, and the tenth has 101. Joyce, who called thunder “perfect language,” had apparently adjusted the spelling of the thunderclaps as the book took shape: McLuhan found tick marks in Joyce’s galley proofs, “the only evidence of actual letter-counting I have found in any of the manuscripts, typescripts, proofs, and galleys.”

(Eric McLuhan, The Role of Thunder in Finnegans Wake, 1997.)

In a Word

https://commons.wikimedia.org/wiki/File:George_gershwin.jpg

asmatographer
n. a composer of songs

While on the road with his 1927 musical Funny Face, George Gershwin left “two notebooks containing at least forty tunes” in a hotel room in Wilmington, Del. “After calling the hotel and learning the notebooks could not be located, he did not seem greatly perturbed,” wrote his brother and lyricist, Ira. “His attitude is that he can always write new ones.”

George was a songwriting machine, always at work. “I can think of no more nerve-wracking, no more mentally arduous task than making music,” he said in 1930. “There are times when a phrase of music will cost many hours of internal sweating.” Though he would sometimes try ideas at the piano, he insisted that “the actual composition must be done in the brain” — the fifth and final version of “Strike Up the Band” came to him in bed, and he heard, and even saw on paper, the complete construction of Rhapsody in Blue while riding a train from New York to Boston. “Like a pugilist,” he once said, “the songwriter must always keep in training.”

Ira’s struggle was less apparent. While working on lyrics he would wander the room, singing to himself or playing the piano with one finger. A new maid once asked his wife, “Don’t Mr. Gershwin never go to work?”