Library Hotel

New York’s Library Hotel has 10 floors, each decorated according to a major category in the Dewey Decimal System. Each room has its own subcategory or genre, including appropriate books and art. Rooms:

  • Third Floor: Social Sciences. 300.006 Law, 300.005 Money, 300.004 World Culture, 300.003 Economics, 300.002 Political Science, 300.001 Communication
  • Fourth Floor: Language. 400.006 Ancient Language, 400.005 Middle Eastern Language, 400.004 Asian Language, 400.003 Germanic Language, 400.002 Romance Language, 400.001 Slavic Language
  • Fifth Floor: Math and Science. 500.006 Astronomy, 500.005 Dinosaurs, 500.004 Botany, 500.003 Zoology, 500.002 Geology, 500.001 Mathematics
  • Sixth Floor: Technology. 600.006 Health & Beauty, 600.005 Computers, 600.004 Medicine, 600.003 Management, 600.002 Manufacturing, 600.001 Advertising
  • Seventh Floor: The Arts. 700.006 Fashion Design, 700.005 Music, 700.004 Photography, 700.003 Performing Arts, 700.002 Paintings, 700.001 Architecture
  • Eighth Floor: Literature. 800.006 Mystery, 800.005 Fairy Tales, 800.004 Dramatic Literature, 800.003 Poetry, 800.002 Classic Fiction, 800.001 Erotic Literature
  • Ninth Floor: History. 900.006 Biography, 900.005 Geography & Travel, 900.004 Asian History, 900.003 Oceanography, 900.002 Ancient History, 900.001 20th Century History
  • Tenth Floor: General Knowledge. 1000.006 New Media, 1000.005 Journalism, 1000.004 Museums, 1000.003 Encyclopedic Works, 1000.002 Almanacs, 1000.001 Libraries
  • Eleventh Floor: Philosophy. 1100.006 Love, 1100.005 Paranormal, 1100.004 Psychology, 1100.003 Philosophy, 1100.002 Ethics, 1100.001 Logic
  • Twelfth Floor: Religion. 1200.006 Ancient Religion (Mythology), 1200.005 Native American Religion, 1200.004 Germanic Religion, 1200.003 New Age, 1200.002 African Religion, 1200.001 Eastern Religion

Worse Than High Heels

http://commons.wikimedia.org/wiki/File:Bound_feet_(X-ray).jpg

The Chinese practice of footbinding, popular since medieval times, was banned only in 1911. Young girls’ feet were wrapped in bandages to prevent them from growing longer than 4 inches. By age 3, four toes on each foot would break, often leading to infection, paralysis and atrophy. Some elderly Chinese women today still show disabilities.

Watts Towers

http://commons.wikimedia.org/wiki/Image:Watts-towers.jpg
Image: Wikimedia Commons

“Let each man exercise the art he knows,” wrote Aristophanes 2400 years ago. That spirit inspired Italian immigrant construction worker Sabato Rodia, who spent 33 years building the Watts Towers in his spare time.

“I had in mind to do something big and I did it,” he said. He started work in 1921, and by 1954 he’d created 17 interconnected structures, some nearly 100 feet tall. His materials included broken pottery, scrap metal, bottles, bed frames, and seashells, and he assembled them using hand tools and window washers’ equipment.

Rodia finally gave up and left after repeated vandalism — local rumors said the towers were antennae for communicating with the Japanese. But when the city actually broke a crane trying to knock them down, it changed its mind and preserved the site as a state historical park.

“Does a One-Legged Duck Swim in Circles?”

Recent winners of the Foot in Mouth Award, presented each year by the British Plain English Campaign for “a baffling quote by a public figure”:

  • 2005: Welsh politician Rhodri Morgan on the police: “The only thing which isn’t up for grabs is no change, and I think it’s fair to say it’s all to play for, except for no change.”
  • 2004: M.P. Boris Johnson on the television program Have I Got News For You: “I could not fail to disagree with you less.”
  • 2003: U.S. defense secretary Donald Rumsfeld at a news conference: “Reports that say that something hasn’t happened are always interesting to me, because as we know, there are known knowns; there are things we know we know. We also know there are known unknowns; that is to say, we know there are some things we do not know. But there are also unknown unknowns–the ones we don’t know we don’t know.”
  • 2002: Actor Richard Gere: “I know who I am. No one else knows who I am. If I was a giraffe and somebody said I was a snake, I’d think, ‘No, actually I am a giraffe.'”
  • 2001: English artist Tracey Emin: “When it comes to words, I have a uniqueness that I find almost impossible in terms of art–and it’s my words that actually make my art quite unique.”
  • 2000: Alicia Silverstone, quoted in the Sunday Telegraph: “I think that [the film] Clueless was very deep. I think it was deep in the way that it was very light. I think lightness has to come from a very deep place if it’s true lightness.”

Rowrrr!

http://www.sxc.hu/photo/58866

“She is now in the vile embrace of the Apollo of the evening. Her head rests upon his shoulder, her face is upturned to his, her bare arm is almost around his neck, her partly nude swelling breast heaves tumultuously against his, face to face they whirl on, his limbs interwoven with hers, his strong right arm around her yielding form, he presses her to him until every curve in the contour of her body thrills with the amorous contact. Her eyes look into his, but she sees nothing; the soft music fills the room, but she hears it not; he bends her body to and fro, but she knows it not; his hot breath, tainted with strong drink, is on her hair and cheek, his lips almost touch her forehead, yet she does not shrink; his eyes, gleaming with a fierce, intolerable lust, gloat over her, yet she does not quail. She is filled with the rapture of sin in its intensity; her spirit is[Pg 16] inflamed with passion and lust is gratified in thought. With a last low wail the music ceases, and the dance for the night is ended, but not the evil work of the night.”

From the Ball-Room to Hell by T.A. Faulkner, Ex-Dancing Master, Formerly Proprietor of the Los Angeles Dancing Academy and Ex-President of Dancing Masters’ Association of the Pacific Coast, 1892