One Two Three

This is in my notes with the words “ridiculous escape”: An 1889 article in Charles Dickens’ All the Year Round tells how Italian humanist Celio Secondo Curione outsmarted the Inquisition:

In my new prison I had been confined for a week, with huge pieces of wood chained to my feet, where I was favoured with a sudden inspiration from Heaven.

As soon as the young man who acted as my keeper entered my chamber, I begged and prayed of him to release one of my feet from its encumbrances. It would be sufficient security, I said, that I should still by the other foot be fastened to an enormous log. As he was a humane sort of fellow, he consented, and set one foot free. A day, two days passed, during which I applied myself to work. Taking off my shirt, and also the stocking from the leg which was at liberty, I made them up into a dummy resembling a leg, on which I put a shoe. I was in want of something, however, to give it consistency, and was anxiously looking about in all directions, when I caught sight of a cane-stick lying under a row of seats. Seizing it joyfully, I inserted it into the sham limb, and concealing the true one under my cloak, waited the result of my stratagem. When my young keeper made his appearance next morning, he asked me how I was. ‘I should do pretty well,’ I said, ‘if you would be good enough to put my fetters on the other leg, so that each may have a rest in turn.’ He assented; and, without perceiving it, attached the log to the dummy.

“At night, when their loud snores informed him that his gaolers were asleep, Curion threw aside the false leg, resumed his shirt and stocking, and opened noiselessly the prison door, which was fastened by a simple bolt. Afterwards, though not without difficulty, he scaled the wall, and got away without interruption.”

A Bloody Bargain

https://books.google.com/books?id=wzoFAAAAYAAJ&pg=PA598

During Henry Stanley’s 1886 Emin Pasha Relief Expedition to the interior of Africa, naturalist James S. Jameson allegedly paid a group of cannibals to kill and eat a young girl so that he sketch the act. According to his interpreter, Assad Farran, Jameson afterward took the sketches to his tent, finished them in watercolors, and then “showed these and many other sketches to all the chiefs.”

Jameson protested the accusation, but his own diary describes the killing:

I told him that people at home generally believed that these [accounts of cannibalism] were only ‘travellers’ tales,’ as they are called in our country, or, in other words, lies. He then said something to an Arab called Ali, seated next him, who turned round to me and said, ‘Give me a bit of cloth, and see.’ I sent my boy for six handkerchiefs, thinking it was all a joke, and that they were not in earnest, but presently a man appeared, leading a young girl of about ten years old by the hand, and I then witnessed the most horribly sickening sight I am ever likely to see in my life. He plunged a knife quickly into her breast twice, and she fell on her face, turning over on her side. Three men then ran forward and began to cut up the body of the girl; finally her head was cut off, and not a particle remained, each man taking his piece away down to the river to wash it. The most extraordinary thing was that the girl never uttered a sound, nor struggled, until she fell.

In his 1889 account of the expedition, Heroes of the Dark Continent, James William Buel presents the images above as copies of Jameson’s sketches.

Another of Stanley’s men claimed that Jameson had spoken freely of the incident at the time, and only realized “the seriousness” of his actions much later. “Life is very cheap in Central Africa,” he wrote. “Mr. Jameson forgot how differently this terrible thing would be regarded at home.”

The Giving Tree

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In the February 2003 issue of Word Ways, Dave Morice nominates PEPPERTREE as the “holy grail” of wordplay. PEPPERTREE is a “pyramid word” — it contains 1 T, 2 Rs, 3 Ps, and 4 Es:

peppertree - 1

But it contains two shorter pyramid words, PEPPER and PEP:

peppertree - 2

Also:

  • All the letters in PEPPERTREE can be typed on the top row of a typewriter.
  • PEPPERTREE’s vowels are drawn from the first half of the alphabet, its consonants from the second. The vowels occupy odd-numbered positions in the alphabet, the consonants even.
  • Written in capitals, all the letters in PEPPERTREE contain vertical lines. Half contain curves and half don’t; half contain closed spaces and half don’t.
  • In lowercase each letter has one line and one curve.
  • E appears 4 times and T once; if A = 1, B = 2, etc., then E + E + E + E = T.
  • The PEPPERTREE is an EVERGREEN, and each of these words contains the letter E, its only vowel, four times.

Altogether, Morice lists 26 ways in which PEPPERTREE is notable for its letters, pronunciation, and meaning, making it “an evergreen of the most alphabetic kind.” The whole list is here.

(Dave Morice, “Peppertree: The Logological Holy Grail,” Word Ways 36:1 [February 2003], 3-5.)

Podcast Episode 183: An Everest Mystery

https://commons.wikimedia.org/wiki/File:Mount_Everest_from_Kala_Patther.jpg
Image: Wikimedia Commons

In 1924 two British mountaineers set out to be the first to conquer Mount Everest. But they never returned to camp, and to this day no one knows whether they reached the top. In this week’s episode of the Futility Closet podcast we’ll review the case of George Mallory and Andrew Irvine, which has been called “one of the greatest unsolved adventure mysteries of the 20th century.”

We’ll also learn what to do if attacked by a bear and puzzle over the benefits of a water shortage.

See full show notes …

‘Tis the Season

Charles Trigg proposed this festive cryptarithm in the American Mathematical Monthly in 1956:

MERRY XMAS TO ALL

If each letter is a unique representation of a digit, and each word is a square integer, what are these four numbers?

Click for Answer

Recoupling

From reader Dave Lawrence: What is notable about these 14 sets of words?

accost commit launch deeded
adhere heckle silent versed
ampere arrive angers theses
chance ascent tester stored
chaste ascend tinder seeded
cohere heckle silent versed
debase mucked refile stress
demure riffle silent versed
endure shelve riling nested
forego recess gossip needed
herein advice resins stones
rebate locket career tested
recast costar pirate esters
remade astute surest rested
Click for Answer

Sound and Sense

https://commons.wikimedia.org/wiki/File:Der_Geigenspieler_c1900.jpg

In this passage from Tennyson’s Morte d’Arthur, the mail-clad Sir Bedivere carries his wounded king down to a lake by a narrow path along a cliff:

Dry clash’d his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang’d round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels —
And on a sudden, lo! the level lake,
And the long glories of the winter moon.

“This passage is particularly interesting in the sudden change from the harsh imitative sounds describing the trip itself to the peaceful passage, dominated by liquids and nasals, representing the arrival at the shore,” writes Calvin Brown in Music and Literature.

He gives two examples of poets attempting to imitate musical timbres. Detlev von Liliencron’s Die Musik kommt describes the progress of a military band through a little German village:

Klingling, tschingtsching und Paukenkrach,
Noch aus der Ferne tönt es schwach,
Ganz leise bumbumbumbum tsching,
Zog da ein bunter Schmetterling,
Tschingtsching, bum, um die Ecke?

And the first stanza of Paul Verlaine’s Chanson d’automne famously imitates a violin:

Les sanglots longs
Des violons
De l’automne
Blessent mon cœur
D’une langueur
Monotone.

In The Craft of Translation, John Biguenet writes, “English simply has no matching nasal sounds in words that would convey the meaning, unless we turn to trombones, and then we have changed instruments.”

Plea

https://pixabay.com/en/earth-planet-world-globe-sun-1990298/

One sticks a finger into the ground to smell what country one is in. I stick my finger into the world — it has no smell. Where am I? What does it mean to say: the world? What is the meaning of that word? Who tricked me into this whole thing and leaves me standing here? Who am I? How did I get into the world? Why was I not asked about it, why was I not informed of the rules and regulations but just thrust into the ranks as if I had been bought from a peddling shanghaier of human beings? How did I get involved in this big enterprise called actuality? Why should I be involved? Isn’t it a matter of choice? And if I am compelled to be involved, where is the manager — I have something to say about this. Is there no manager? To whom shall I make my complaint?

— Kierkegaard, Repetition, 1843

Overdue

https://commons.wikimedia.org/wiki/File:Harry_Houdini.png

Harry Houdini worked out a code with his wife, Bess, so that they could communicate during his performances:

Pray = 1 = A
Answer = 2 = B
Say = 3 = C
Now = 4 = D
Tell = 5 = E
Please = 6 = F
Speak = 7 = G
Quickly = 8 = H
Look = 9 = I
Be quick = 10 or 0 = J

Each of the first 10 letters of the alphabet is represented by both a word and a number, so BAD, for example, could be represented by “Answer, Pray, Now.” Letters beyond the 10th would be represented with two digits; for example, S, the 19th letter, could be indicated by 1 and 9, “Pray-Look.”

After Houdini died in 1926, Bess waited for a message in this code, according to an agreement between them. In 1929, psychic Arthur Ford claimed to have received it:

Rosabelle, answer, tell, pray-answer, look, tell, answer-answer, tell.

“Rosabelle” is a song that Bess used to sing. The rest, decoded, spells out BELIEVE. At first Bess took this as a genuine message from her husband, but skeptics pointed out that by this time she had revealed the code to Harold Kellock, who had published it in a biography that had appeared the previous year. So Ford could simply have learned the code and prepared the message himself. Bess repudiated Ford’s claim and in 1936 stopped attending séances. She said, “Ten years is long enough to wait for any man.”

“Houdini never said he could come back,” observed Henry Muller, curator of the Houdini Magical Hall of Fame. “He just thought that if anybody could do it, it would be him.”

(From Craig Bauer, Unsolved!, 2017.)