A Hand for All Seasons

Signatures of Charles Dickens from 1825 to 1870, gathered by J. Holt Schooling for a feature in the Strand, January 1894:

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

https://archive.org/details/sim_strand-magazine_january-june-1894_7/page/80/mode/2up?view=theater

At the height of his fame he seems to have been everything to everyone. In her 2011 biography, Claire Tomalin notes that contemporary observers described his eyes as dark brown, dark glittering black, clear blue, “not blue,” distinct clear hazel, “large effeminate eyes,” clear grey, green-grey, dark slaty blue, “and even, by a cautious observer, as ‘nondescript.'”