In the Pink

It is not every maiden, in these prosaic days, who can summon the ‘tell-tale blood’ to her cheeks at will, or silently reveal by an opportune roseate flush, those inward feelings to which many young ladies experience such difficulty in giving verbal expression. But as the value of the blush, as a highly effective weapon in the feminine armory, is still universally recognized by the sex, although it would appear to have somewhat fallen into desuetude, French ingenuity has been at the pains of devising a mechanical appliance for the instantaneous production of a fine natural glow upon the cheek of beauty, no matter how constitutionally lymphatic or philosophically unemotional its proprietress may be. This thoughtful contrivance is called ‘The Ladies’ Blushing Bonnet,’ to the side ribbons of which — those usually tied under the fair wearer’s chin — are attached two tiny but powerful steel springs, ending in round pads, which are brought to bear upon the temporal arteries by the action of bowing the head, one exquisitely appropriate to modest embarrassment, and by artificially forcing blood into the cheeks cause them to be suffused with ‘the crimson hue of shame’ at a moment’s notice. Should these ingenious head coverings become the fashion among girls of the period, it will behoove ‘young men about to marry’ to take a sly peep behind the bonnet-strings of their blushing charmers immediately after proposing, in order to satisfy themselves that the heightened color, by them interpreted as an involuntary admission of reciprocated affection, is not due to the agency of a carefully adjusted ‘blushing bonnet.’

London Telegraph, via Robinson [Ill.] Constitution, Dec. 1, 1880