“Courting in Church”

A young gentleman happened to sit at church in a pew adjoining one in which sat a young lady for whom he conceived a sudden and violent passion, and was desirous of entering into a courtship on the spot; but the place not favoring a formal declaration, the exigency of the case suggested the following plan: he politely handed his fair neighbor a Bible opened, with a pin stuck in the following text:

‘And now I beseech thee, lady, not as though I wrote a new commandment unto thee, but that which we had from the beginning, that we love one another.’

She returned it, pointing to the verse in Ruth:

‘Then she fell on her face, and bowed herself to the ground, and said unto him, Why have I found grace in thine eyes, seeing I am a stranger?’

He returned the book, pointing to the following:

‘Having many things to write unto you, I would not with paper and ink: but I trust to come unto you, and speak face to face, that our joy may be full.’

A marriage soon after resulted from this Biblical interview.

Harper’s New Monthly Magazine, February 1867

Never Mind

“It has been asserted (by C.S. Lewis, for instance) that no determinist rationally can believe in determinism, for if determinism is true, his beliefs were caused, including his belief in determinism. The idea seems to be that the causes of belief, perhaps chemical happenings in the brain, might be unconnected with any reasons for thinking determinism true. They might be, but they need not be. The causes might ‘go through’ reasons and be effective only to the extent that they are good reasons.”

— Robert Nozick, “Reflections on Newcomb’s Paradox,” 1974

“If … [determinism] is true, then the intellectual or cognitive operations of its upholders, including their choice or decision to maintain the thesis, … are themselves only the effects of inexorable forces. But if this is so, why should the thesis … be accepted as valid or true?”

— Alan Gewirth, Reason and Morality, 1978

In for a Penny …

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Prosper Mérimée is best known as the author of Carmen, the novella that inspired Bizet’s opera. But he began his career as an unknown writer in Paris in the 1820s, where a passing fad for Spanish literature led him to commit a modest hoax — he published Le Théâtre de Clara Gazul, a collection of plays supposedly written by a Spanish actress.

The effort worked: The plays were well received and launched Mérimée’s career. But some admirers wondered — if Clara Gazul doesn’t really exist, who is the fetching Spanish lady in the book’s frontispiece?

It’s Mérimée in drag.

Undefined

smullyan undefined chess puzzle

Another retrograde chess puzzle by Raymond Smullyan. The pawn on g3 is of unknown color. During the game no piece has moved from a light square to a dark one or vice versa. Is the unknown pawn black or white?

Click for Answer

The Great Bottle Hoax

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In January 1749, the Duke of Portland bet the Earl of Chesterfield that “let a man advertise the most impossible thing in the world, he will find fools enough in London to fill a play house and pay handsomely for the privilege of being there.” The earl agreed, and shortly afterward the London newspapers announced a wonderful new performer:

He presents you with a common Wine Bottle, which any of the spectators may first examine; this Bottle is placed on a Table in the middle of the Stage, and he (without any equivocation) goes into it, in the sight of all the Spectators, and sings in it; during his stay in the bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle.

A crowd packed the theater on the appointed night and, when the performer failed to appear, they rioted, gutting the building. It was jokingly said afterward that perhaps the man had been corked during rehearsals.

The Cheltenham Journal actually topped this in 1825 with an advertisement for five Arabian conjurors:

[T]hey will take each a lighted torch in either hand, when lo! incredible to relate! Suckee, with the burning torches, will jump clean down Mustapha‘s throat, who in an instant, with equal dexterity, will pass down the throat of Abdallah, then Abdalluh will jump down that of Benassar, and Benassar down his brother Muley‘s; who, lastly, notwithstanding he is encumbered with his four brothers and their four torches, will throw a flip-flap-somerset down his own throat, and leave the audience in total darkness!–Probatum est.

Here again the room was crammed, but five minutes before showtime “the conjuror decamped with the money and was no more heard of,” reports William Hone. “Probably he jumped down his own throat.”

A Poor Review

In 1936, John Steinbeck’s puppy made confetti of half the manuscript of Of Mice and Men. “I was pretty mad but the poor little fellow may have been acting critically,” he wrote to a friend. “I didn’t want to ruin a good dog for a manuscript I’m not sure is good at all.”

He redid two months’ work and decided the puppy had been right. “I’m not sure Toby didn’t know what he was doing when he ate the first draft,” he wrote. “I have promoted Toby-dog to be lieutenant-colonel in charge of literature.”

The Uninvited Guest

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A conundrum by John F. Collins, from the August 1968 issue of Word Ways:

Just then, someone came up from behind and put his hands over the Hatter’s eyes.

‘Guess who!’ said the newcomer in a thin, flat voice.

The Hatter froze for a moment and declared, rather coldly, ‘I have no use for practical jokers.’

‘Ha! Neither have I,’ retorted the stranger, still keeping his hands over the Hatter’s eyes.

At that, the Hatter seemed to accept the challenge of the game and started asking a series of questions in a manner that mingled hope with care.

Question: ‘Ahem. Would you, by chance, be in a black suit this evening?’

Answer: ‘I would, but not by chance, by design.’

Q. ‘I presume you’re a member of all the posh clubs?’

A. ‘Afraid not. Never even been invited.’

Q. ‘Surely you’re better than average?’

A. ‘Yes, indeed!’

Q. ‘Not spotted, I hope?’

A. ‘Knock wood.’

Q. ‘Married?’

A. ‘No, happy.’

Who is behind the Mad Hatter?

Click for Answer

The Poison Pen

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Voltaire was stirring up trouble even after he died. According to a tradition in the 18th and 19th centuries, it was fatal to publish his complete works:

  • Beaumarchais, the first editor to produce such a collection, lost a million francs in stock speculations and died suddenly in 1798.
  • Desser published a 10-volume octavo edition and died shortly afterward of phthisis, and his friend who financed the project died in poverty of the same disease.
  • Cérioux and his wife published a 60-volume edition and were ruined financially by it.
  • Dalibon and René, editors of two separate editions, were forced to take jobs as workmen in printing plants.
  • Touquet died suddenly at Ostend in 1831, and his partner, Garnery, was ruined and died.
  • Deterville, who began as a wealthy publisher, went blind (!).
  • Daubrée accused a woman of stealing a book; she assassinated him.

Over the course of 70 years, it is said, at least eight publishers went bankrupt publishing complete editions of Voltaire’s writings.

See Curse of the Ninth.