Panorama

Diagnosed with autism at 3, Stephen Wiltshire quickly became fascinated with drawing London buildings, and by age 8 he was sketching Salisbury Cathedral for former Prime Minister Edward Heath. Known as “the living camera,” he can draw an accurate, detailed picture of a subject after seeing it once — including subjects as complex as major cities. He’s completed enormous canvases of Tokyo, Rome, Hong Kong, Frankfurt, Madrid, Dubai, Jerusalem, and London, drawing each from memory after a helicopter ride.

Below is the full time-lapse of his portrait of Singapore, drawn from memory over five days in 2014. “That he has a gift makes no sense at all to Stephen,” his sister Annette told the New York Times. “He knows that he draws very well, but he picks that up from other people — he sees the warmth on their faces, they tell him how much they like his work, and that makes him very happy. He loves the attention.”

A Weighty Burden

https://pixabay.com/en/landscape-scenic-petrified-forest-1591043/

Visitors to Arizona’s Petrified Forest National Park sometimes can’t resist making off with a souvenir or two. Those who do sometimes return the stolen pieces with a “conscience letter” describing the misfortunes that have befallen them. Trinity Christian College art professor Ryan Thompson went through the 1200 pages in the park’s archives and collected the best of them for a 2014 book, Bad Luck, Hot Rocks. Some examples:

“Here are your rocks. Nothing but bad trouble.”

“Please put this back so my husband can get well. I tried to keep him from taking it.”

“Found this in my room. You can have it back. It’s bad luck. I got busted the other night.”

“I am sorry I took this. I am only 5 years old and made a bad mistake.”

And simply “You were right!”

There’s more at the website. Strangely, the same thing happens at Hawaii Volcanoes National Park, where an actual fire goddess will punish you for stealing lava rocks. And see The Conscience Fund.

Forward!

http://publicdomainreview.org/collections/the-difficulty-of-ruling-over-a-diverse-nation-1578/

“The difficulty of ruling over a diverse nation,” a 1578 engraving by Antwerp-based artist Pieter van der Borcht the Elder.

James A. Garfield wrote, “All free governments are managed by the combined wisdom and folly of the people.”

From the Public Domain Review.

Fence Work

https://commons.wikimedia.org/wiki/File:Wood_fence.jpg
Image: Wikimedia Commons

In 1951, Arthur B. Brown of Queens College noted that the number 3 can be expressed as the sum of one or more positive integers in four ways (taking the order of terms into account):

3
1 + 2
2 + 1
1 + 1 + 1

As it turns out, any positive integer n can be so expressed in 2n – 1 ways. Brown asked, how can this be proved?

William Moser of the University of Toronto offered this insightful solution:

Imagine the digit 1 written n times in a row. For example, if n = 4:

1 1 1 1

This is a picket fence, with n pickets and n – 1 spaces between them. At each space we can choose either to insert a plus sign or leave it blank. So that gives us n – 1 tasks to perform (i.e., making this choice for each space) and two options for each choice. Thus the total number of expressions for n as a sum is 2n – 1, or, in the case of n = 4, eight:

1 1 1 1 = 4
1 + 1 1 1 = 1 + 3
1 1 + 1 1 = 2 + 2
1 1 1 + 1 = 3 + 1
1 + 1 + 1 1 = 1 + 1 + 2
1 + 1 1 + 1 = 1 + 2 + 1
1 1 + 1 + 1 = 2 + 1 + 1
1 + 1 + 1 + 1 = 1 + 1 + 1 + 1

(Pi Mu Epsilon Journal 1:5 [November 1951], 186.)

Light Exercise

Artist Akinori Goto created this 3D-printed zoetrope, a rotating design that produces an animation when illuminated with a slice of light.

It won both the Runner-up Grand Prix and the Audience Award at the 2016 Spiral Independent Creators Festival in Tokyo.

He followed it up with “Ballet”:

Podcast Episode 132: The Mad Gasser of Mattoon

https://commons.wikimedia.org/wiki/File:Peeping_Tom_.jpg
Image: Wikimedia Commons

In 1944, a bizarre criminal assaulted the small town of Mattoon, Illinois. Victims reported smelling a sickly sweet odor in their bedrooms before being overcome with nausea and a feeling of paralysis. In this week’s episode of the Futility Closet podcast we’ll pursue the mad gasser of Mattoon, who vanished as quickly as he had struck, leaving residents to wonder whether he had ever existed at all.

We’ll also ponder the concept of identical cousins and puzzle over a midnight stabbing.

See full show notes …

Still Life

john fulton

After each of his victories as a matador, John Fulton would paint a portrait of the bull he had slain using its own blood, after the manner of the hunter-painters who had decorated the cave walls of Altamira.

Fulton grew up in a Philadelphia rowhouse but became captivated by the bullring after seeing the 1941 Tyrone Power film Blood and Sand. “The movie so stirred his sense of gallantry and romance that he decided on the spot to become a bullfighter,” reported the New York Times. “If a Rita Hayworth was the reward, he told friends years later, it was worth the effort and the risk.”

He spent a year at the Philadelphia Museum College of Art, won a scholarship to a Mexican art school, and began to study bullfighting. In 1956 he went to Spain, where he became the first American to qualify as a matador and spent 40 years fighting professionally in the ring.

The paintings were decidedly a sideline, as he regarded bullfighting itself as an art. “It is the most difficult art form in the world,” he once said. “You are required to create a work of art spontaneously with a semi-unknown medium, which can kill you, in front of one of the most critical audiences around. And it all leaves only a memory.”

The Squire’s Puzzle

dudeney squire puzzle

Another conundrum from Henry Dudeney’s The Canterbury Puzzles:

A squire has drawn a portrait of King Edward III with a single continuous stroke of his pen. “‘Tis a riddle to find where the stroke doth begin and where it doth also end. To him who shall first show it unto me will I give the portraiture.” What is the answer?

Click for Answer

The Lycurgus Cup

Roman craftsmen made a remarkable coup around 300 A.D. — they produced a cup that is red when lit from behind and green when lit from the front. The effect occurs because the glass contains tiny proportions of gold and silver nanoparticles that reflect light of certain wavelengths. The workers themselves may have discovered the technique by accident, and may not have understood it fully; only a few pieces of 4th-century Roman glass display this “dichroic” property. Art historian Donald Harden called it “the most spectacular glass of the period, fittingly decorated, which we know to have existed.” It now resides in the British Museum.