Christopher Nolan’s 2000 film Memento, about a man who has lost his memory, tells a coherent story in a disjointed order (click to enlarge). Scenes from the first half of the story, shot in black and white, are presented in chronological order. Scenes from the second half, shot in color, are presented in reverse chronology. The film alternates between these two timelines, beginning at the start/end and arriving at the middle — which acknowledges the advent of color with the development of a Polaroid photograph.