
Because he had to earn a living painting portraits, Thomas Gainsborough could not spend as much time sketching outdoors as he would have liked. So he arranged pieces of moss, rock, vegetables, and mirror into tabletop “landscapes” that he could paint at night by candlelight.
Joshua Reynolds recalled him collecting “broken stones, dried herbs, and pieces of looking glass, which he magnified and improved into rocks, trees, and water.” Another visitor wrote, “I … have more than once sat by him of an evening and seen him make models … for landscape scenery on a little old-fashioned folding oak table. … He would place cork or coal for his foregrounds; make middle grounds of sand and clay, bushes of moss and lichens, and set up distant woods of broccoli.”

