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Prosper Mérimée is best known as the author of Carmen, the novella that inspired Bizet’s opera. But he began his career as an unknown writer in Paris in the 1820s, where a passing fad for Spanish literature led him to commit a modest hoax — he published Le Théâtre de Clara Gazul, a collection of plays supposedly written by a Spanish actress.
The effort worked: The plays were well received and launched Mérimée’s career. But some admirers wondered — if Clara Gazul doesn’t really exist, who is the fetching Spanish lady in the book’s frontispiece?
It’s Mérimée in drag.