William … asks me to set down the story of Barbara Wilkinson’s Turtle Dove. Barbara is an old maid. She had 2 turtle Doves. One of them died the first year I think. The other bird continued to live alone in its cage for 9 years, but for one whole year it had a companion and daily visitor, a little mouse that used to come and feed with it, and the Dove would caress it, and cower over it with its wings, and make a loving noise to it. The mouse though it did not testify equal delight in the Dove’s company yet it was at perfect ease. The poor mouse disappeared and the Dove was left solitary till its death. It died of a short sickness and was buried under a tree with funeral ceremony by Barbara and her maiden, and one or two others.
— Dorothy Wordsworth, Grasmere Journals, Jan. 30, 1802
This Katzensymphonie, by Moritz von Schwind (1804-71), resides in the Staatliche Kunsthalle Karlsruhe in Germany. Dick Higgins, in Pattern Poetry, writes, “This piece, drawn in pencil and ink on music paper (but not orchestrated) has charm but does not appear to have been intended for performance at all. It may be a satire or lampoon on the famous violinist Joseph Joachim (1831-1904), to whom it is dedicated.”
Perhaps it might be played on the Katzenklavier, a (thankfully) imaginary instrument described by Jean-Baptiste Weckerlin in his Musiciana, extraits d’ouvrages rare ou bizarre of 1877:
[A] chariot … carried the most singular music that can be imagined. It held a bear that played the organ; instead of pipes, there were sixteen cat heads each with its body confined; the tails were sticking out and were held to be played as the strings on a piano, if a key was pressed on the keyboard, the corresponding tail would be pulled hard, and it would produce each time a lamentable meow. The historian Juan Christoval Calvete, noted the cats were arranged properly to produce a succession of notes from the octave … (chromatically, I think).
In 1890 the Glasgow University magazine published this anonymous assessment of the musicianship of botanist and amateur violoncellist Frederick Orpen Bower:
There was a professor of flowers
The ‘cello he’d torture for hours
When the strings gave a growl
The cats gave a howl
And eclipsed all his musical powers.
In March 1928, the British steamer City of Eastbourne picked up an SOS from the tanker British Hussar in the Pacific but could not locate her position. Japanese authorities reported that several of their own ships and stations had picked up the SOS but could not understand the geographical information given. In comparing the reports, they estimated that the British Hussar was about 400 miles southwest of Hawaii when she ran into trouble. Two Navy destroyers searched the area for five days but found no trace of her.
When they cabled the bad news to the tanker’s owners, they received a puzzling reply. The British Hussar was safely moored off a landing stage at Adaban in the Persian Gulf. She had been nowhere near the Pacific when the messages were sent. But the SOS signals were undeniable.
The British consul at Yokohama found that four ships had been near Hawaii when the signal was received: the City of Eastbourne, the Niagara, the Ventura, and the Asiatic Prince — and, strangely, the Asiatic Prince was also missing.
Now there were two mysteries: An SOS had been received in the Pacific, seemingly sent from a perfectly sound ship 6,000 miles away; and a second ship, equipped with the latest wireless equipment and lifeboats, had vanished in the same region — which had reportedly been lashed by hurricane-force winds at the time.
The explanation that emerged is that the British Hussar‘s SOS must have been sent by the Asiatic Prince as it foundered in the storm. The SOS had contained the call sign of the British Hussar, GJVR. The call sign of the Asiatic Prince was GJVP. In Morse code, P is ·- -· and R is ·-· Apparently the central dash had been sent twice.
If this is so, the Asiatic Prince must have gone down with astonishing swiftness — the 10,000-ton steamer had a new hull, new engines, and new equipment, yet sank so quickly that she could manage only one brief message.
In 1848, railroad construction foreman Phineas Gage was blasting rock near Cavendish, Vt., when an explosion sent a 13-pound tamping iron through his cheek and out the top of his head. Remarkably, he survived: Doctor Edward H. Williams found him sitting in a chair outside his lodgings 30 minutes later, saying, “Doctor, here is business enough for you.” It appears that the rod had destroyed much of his left frontal lobe but left the rest of his brain intact — he lived for another 12 years and has survived ever after in psychology textbooks.
In 1978, Russian physicist Anatoli Bugorski suffered a high-tech version of the same accident — he was checking a piece of equipment when the safety mechanisms failed and he put his head in the path of a proton beam, which burned through his face and brain, passing out the back of his head. Doctors expected him to die, but he recovered and even completed his doctorate. The left half of his face was paralyzed and he lost hearing in his left ear, but he’s still alive today.
In 1870, John Chippendall Montesquieu Bellew offered a sort of lip-synched Hamlet, in which he read the text at the front of the stage while performers dressed in character acted it out in dumbshow. “The dummies, with the exception of Hamlet, acted but indifferently,” wrote one reviewer. “The gentleman who doubled the characters of Polonius and the First Gravedigger disdained to open his mouth at all, whilst the representative of the King was evidently under the impression that his lips were in the region of his eyebrows, as he moved the latter up and down with great vigour. At present the performance has the attraction of novelty, but we doubt whether it will have a lasting success.”
And in 1809 one Jack Matthews offered a “dog Hamlet,” in which “the Prince of Denmark in every scene was attended by a large black dog, and in the last, the sagacious animal took upon himself the office of executioner by springing upon the king and putting an end to his wicked career in the usual orthodox fashion.”
Punch noted, “Yet surely the play has seldom been acted without the assistance of a great Dane.”
In November 1869 Missouri farmer Charles Burden sued his neighbor, Leonidas Hornsby, for shooting his dog Drum. Hornsby denied it, but neighbors had heard the shot and the dog’s cries of pain on the night in question, and Drum had been found dead of a gunshot the following morning. Furious, Burden sued Hornsby for $50, the maximum amount allowed by law. The two battled back and forth in the courts for a year. Finally, at end of the fourth trial, Burden’s attorney George Graham Vest rose to make this closing argument:
Gentlemen of the jury. The best friend a man has in the world may turn against him and become his enemy. His son or daughter whom he has reared with loving care may prove ungrateful. Those who are nearest and dearest to us, those whom we trust with our happiness and our good name, may become traitors to their faith. The money that a man has he may lose. It flies away from him perhaps when he needs it most. A man’s reputation may be sacrificed in a moment of ill-considered action. The people who are prone to fall on their knees to do us honor when success is with us may be the first to throw the stone of malice when failure settles its cloud upon our heads. The one absolutely unselfish friend that a man can have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is the dog.
Gentlemen of the jury, a man’s dog stands by him in prosperity and in poverty, in health and in sickness. He will sleep on the cold ground when the wintry winds blow and the snow drives fiercely, if only he can be near his master’s side. He will kiss the hand that has no food to offer, he will lick the wounds and sores that come in encounters with the roughness of the world. He guards the sleep of his pauper master as if he were a prince.
When all other friends desert, he remains. When riches take wings and reputation falls to pieces, he is as constant in his love as the sun in its journey through the heavens. If fortune drives the master forth an outcast in the world, friendless and homeless, the faithful dog asks no higher privilege than that of accompanying him, to guard him against danger, to fight against his enemies. And when the last scene of all comes, and death takes the master in its embrace and his body is laid in the cold ground, no matter if all other friends pursue their way, there by his graveside will the noble dog be found, his head between his paws and his eyes sad but open, in alert watchfulness, faithful and true, even to death.
Burden won, getting $50 and justice for his dog. Hornsby appealed to the state supreme court but lost.
Vest, the attorney, had said he would “win the case or apologize to every dog in Missouri.”
All climbers stop short of the peak of Kangchenjunga, the world’s third highest mountain. Joe Brown and George Band, who in 1955 became the first to climb the 28,169-foot Himalayan peak, stopped short of the summit to honor a promise given to the Maharaja of Sikkim that the top would remain inviolate. Every subsequent expedition has followed this tradition.
At 7,247 feet, Mount Townsend, below, is the second-highest peak in Australia, 63 feet shorter than nearby Mount Kosciuszko. By tradition each person who climbs it carries a rock to leave at the top, so that eventually it might surpass its neighbor.
In 2006 workers discovered a piano near the summit of Britain’s highest mountain, 4,409-foot Ben Nevis in the Scottish Highlands. “Our guys couldn’t believe their eyes,” conservation trust director Nigel Hawkins told The Guardian. “At first they thought it was just the wooden casing but then they saw the whole cast iron frame complete with strings.” Scots woodcutter Kenny Campbell came forward to acknowledge that he’d carried it up the mountain 35 years ago to support a charity. “When I got there,” he said, “I played ‘Scotland the Brave.'”
In the last 50 years, scores of dogs have jumped to their deaths from the bridge approaching Scotland’s Overtoun House. All the dogs have jumped between the final two parapets on the right-hand side, and nearly all have jumped on clear, sunny days. The dogs tend to be long-nosed breeds, labradors, collies, and retrievers.
It’s unlikely that the dogs are seeing something, because from their perspective little is visible. Acoustic experts have detected no unusual sounds. But mice and mink live under the bridge, and animal habitat expert David Sands found that the dogs he tested were strongly drawn to mink scents. Mink were introduced to Scotland in the 1920s and would have produced a significant population by the 1950s, when the jumps started occurring. The scents left by their anal glands would be strongest in dry conditions and most accessible to keen-nosed dogs with long snouts.
“When you get down to a dog’s level, the solid granite of the bridge’s 18-inch thick walls obscures their vision and blocks out all sound,” Sands told the Daily Mail. “As a result, the one sense not obscured, that of smell, goes into overdrive.”
This is the official White House photograph of Bill Clinton. It was taken on Jan. 1, 1993. But Clinton wasn’t inaugurated until Jan. 20. Can this be said, then, to be a photo of President Bill Clinton?
To get an answer to this cosmic question, a reporter called the chairman of the New York University philosophy department, Roy Sorensen. Sorensen said yes.
“Think of it this way,” he said. “A photograph of Clinton does not need to be a photograph of the full spatial extent of his body. Just a representative part of his body will do. The same applies for temporal parts; a photograph of one stage of Clinton is a photograph of Clinton. Even a baby picture of Clinton is a picture of President Clinton.”
(From Sorensen’s A Brief History of the Paradox, 2005.)
A puzzle from University of Michigan philosopher Kendall Walton:
“Charles is watching a horror movie about a terrible green slime. He cringes in his seat as the slime oozes slowly but relentlessly over the earth, destroying everything in its path. Soon a greasy head emerges from the undulating mas, and two beady eyes fix on the camera. The slime, picking up speed, oozes on a new course straight toward the viewers. Charles emits a shriek and clutches desperately at his chair. Afterwards, still shaken, he confesses that he was ‘terrified’ of the slime.”
Was he? Walton says no. Charles may have felt intense fear, even shrieking as the slime approached the camera. But he knew that he was not literally in danger. This was not a half-belief or a “gut” feeling — he never considered leaving the theater or calling the police, for instance. Charles wasn’t motivated to avoid the slime physically. Yet he says that what he felt was fear of the slime.
What are we to make of this? “This issue is of fundamental importance,” Walton writes. “It is crucially related to the basic question of why and how fiction is important, why we find it valuable, why we do not dismiss novels, films, and plays as ‘mere fiction’ and hence unworthy of serious attention.” What is the answer?
(Kendall Walton, “Fearing Fictions,” Journal of Philosophy, January 1978.)
A time-travel paradox from Robin Le Poidevin’s Travels in Four Dimensions, 2003:
Tim is spending the summer holiday at his grandfather’s house in rural Sussex. Bored one day, he wanders into his grandfather’s library. On one of the more remote shelves, Tim discovers a dusty book with no title on its spine. Opening it, he sees it is a diary, written in a familiar hand. With a growing sense of wonder he realizes that one of the entries provides detailed instructions on how to build a time machine. Over the next few years, following the instructions to the last detail, Tim builds such a machine. It is finally completed, and he steps on board, and throws the switch. Instantly, he is transported back fifty years. Unfortunately, both the machine and book are destroyed in the process. Tim writes down everything he can remember in a diary. He cannot rebuild the machine, however, because it requires technology that is not yet available. Reconciled to getting back to the twenty-first century by the traditional method of doing nothing and letting time carry one back, he marries and has a daughter. The family move to a rambling mansion in rural Sussex. The diary is left to gather dust in the library. Years later, Tim’s grandson, spending his summer holidays with his grandfather, discovers the diary.
“The identity of Tim will be obvious,” writes Le Poidevin, “and this in itself is rather strange. But the question we are concerned with is this: where did the inforation on how to build a time machine come from? From the diary, of course, which itself was written by Tim. But where did he get the information from? From the very same diary! So the information has appeared from nowhere. At no stage has someone worked out for themselves how to build a time machine and passed on the information. The existence of this information is therefore utterly mysterious.”
The widespread sail of a ship, rendered concave by a gentle breeze, is also a good collector of sound. It happened once on board a ship sailing along the coast of Brazil, far out of sight of land, that the persons walking on deck, when passing a particular spot, always heard very distinctly the sound of bells, varying as in human rejoicings. All on board came to listen, and were convinced, but the phenomenon was most mysterious. Months afterwards it was ascertained, that at the time of observation the bells of the city of St. Salvador, on the Brazilian coast, had been ringing on the occasion of a festival — their sound, therefore, favoured by a gentle wind, had travelled over perhaps 100 miles of smooth water, and had been brought to a focus by the sail in the particular situation on the deck where it was listened to.
— Neil Arnott, Elements of Physics, 1829
Description of the facts underlying an 1828 action against John Ramage, a Liverpool man accused of “omitting to take proper care of a cow”:
The circumstances of the case were of a somewhat singular nature. It appeared, from the evidence, that, about six o’clock in the evening of the 8th of July last, a cow was found wandering in Tithebarn-street in a very disorderly manner, to the terror of the lieges, several of whom it had thrown down, and, for this conduct, it had been seized and dragged to the pound kept by the defendant. Here the restive animal determined on making her escape, and, ascending a flight of six stone steps, she proceeded along a passage, and, breaking open a door, found herself in a room where Mrs. Ramage and her family were taking tea. The company ran screaming from the room, leaving her to the uninterrupted enjoyment of the bohea, and buttered toast. The cow immediately commenced operations on the good things before her, but from natural awkwardness, overthrew table and tea-service, and, after doing some other mischief, bolted through a door opposite the one at which she had entered the room, and down five steps into a yard, where egress was stopped; and, before she could retrace her steps, Mr. Ramage and his assistants took her into custody, and conveyed her to her original place of durance.
The next morning, Mr. Ramage, on visiting the yard, found that his prisoner had again escaped, and he immediately made a search for her. She had climbed a heap of stones, lying in one corner of the yard, to a wall about twelve feet from the ground, along which she had walked (though the wall was but one brick and a half thick) a distance of sixteen feet, and climbed somewhat higher to the top of a shed; this she had walked over, and again elevated herself by gaining the top of a building used as a filecutter’s shop. Not being sufficiently acquainted with that part, she at once pushed one of her feet through the sky-light, to the inexpressible horror of Mr. Rockett, the file-cutter, who was at work below. Having extricated her foot, she again ascended, and walked along the roof of a warehouse, the height of an ordinary three-story house. This roof proved to be too weak to support the weight of the animal, and she fell through upon a pile of bags of cotton, and rolled to the floor, where her journeyings ended, for she was found in this room, lying on her side, very materially injured. … After some deliberation, the jury returned a verdict for the plaintiff, damages 2l. 2s., subject to a point reserved for decision as to the jurisdiction of the court to try the cause.
— Liverpool Courier, reprinted in Annual Register, October 1828
In 1943, seeking to use psychological warfare to prevail in its efforts against the Japanese, the U.S. Office of Strategic Services hit on a strange plan. Noting that Shintoists might view the image of an illuminated fox as a harbinger of bad times, the agency’s experts suggested that “under extremely trying conditions” the Japanese “would be adversely affected by what they might consider an evil omen” and succumb to “fear, terror, and despair.”
How does one make a glowing fox? Planners started by experimenting with fox-shaped balloons covered in luminous paint and dangled by fishing line, but by the end of 1944 they’d shelved that idea and begun spraying live foxes with luminous paint, hoping to release them across the “entire field of combat,” calling this America’s “most potent” psychological tool against the Japanese.
The operation would begin by distributing pamphlets warning of impending evil and patterned after those of Japanese soothsayers. These would be airdropped and also spread by field operatives who would blow special reed whistles to simulate a fox-like “cry of the damned” and use powders and pastes to spread “fox odors.” The OSS also enlisted Japanese collaborators to “simulate persons possessed of the Fox spirit.”
To test the plan, the agency actually released 30 foxes in Central Park that “were painted with a radiant chemical which glowed in the dark.” As a result, according to one report, “Horrified citizens, shocked by the sudden sight of the leaping ghostlike animals, fled from the dark recesses of the park with the ‘screaming jeemies.'”
Heartened at this result, the planners set about procuring as many foxes as possible from China and Australia in anticipation of an Allied invasion of Japan. Only the war’s sudden conclusion, with the dropping of the atomic bomb, stopped the operation from going forward.
“Still, the development of their idea demonstrates how Americans during the war perceived the psychology of their Asian foe in a far different way than they saw their enemies in Europe,” writes Robert Kodosky in Psychological Operations American Style (2007). “Based on their notions of Japan’s primitive state, Americans produced plans like ‘Operation Fantasia’ for use against Japanese that stood as much more absurd than any European campaign they proved willing to consider.”
The mayor of Talkeetna, Alaska, is a cat named Stubbs.
Local merchant Lauri Stec discovered him in her parking lot in 1997 and dubbed him Stubbs because he lacked a tail; he was named honorary mayor of the 900-resident town shortly afterward, and Stec’s general store is now his mayoral office.
“All throughout the day I have to take care of the mayor,” Stec’s employee Skye Farrar told CNN. “He’s very demanding. He meowed and meowed and meowed and demanded to be picked up and put on the counter. And he demanded to be taken away from the tourists. Then he had his long afternoon nap.”
He may require special treatment, but his constituents have been largely pleased with his 17-year reign. “He doesn’t raise our taxes,” Stec said. “We have no sales tax. He doesn’t interfere with business. He’s honest.”
The Barossa Reservoir dam in South Australia is a “whispering wall” — sound hugs the arc of the dam, so two people at opposite ends of the 140-meter span can have a conversation that’s inaudible to those in the middle.
There’s a whispering arch outside the Oyster Bar in Grand Central Station — a feature that has some creative uses:
Editors have troubles like less distinguished folk. One of these, who presides over the destinies of a western newspaper, is mourning the loss of two subscribers. One wrote asking how to raise his twins safely, while the other wanted to know how he might rid his orchard of grasshoppers. The answers went forward by mail, but by accident he put them into the wrong envelopes, so that the man with twins received this answer: ‘Cover them carefully with straw and set fire to it, and the little pests, after jumping in the flames a few minutes will be speedily settled.’ And the man with the grasshoppers was told to ‘give them castor oil and rub their gums with a bone.’
— The Typographical Journal, Aug. 15, 1900
When Wilhelm Kieft tried to outlaw smoking in New Amsterdam in the 1630s, he brought on a unique protest. Washington Irving writes:
A mob of factious citizens had … the hardihood to assemble before the governor’s house, where, setting themselves resolutely down, like a besieging army before a fortress, they one and all fell to smoking with a determined perseverance, that seemed as though it were their intention to smoke him into terms. The testy William issued out of his mansion like a wrathful spider, and demanded to know the cause of this seditious assemblage, and this lawless fumigation; to which these sturdy rioters made no other reply, than to loll back phlegmatically in their seats, and puff away with redoubled fury; whereby they raised such a murky cloud, that the governor was fain to take refuge in the interior of his castle.
Wilhelm finally gave in — people could smoke, he said, but they had to give up long pipes. “Thus ended this alarming insurrection, which was long known by the name of the pipe plot, and which, it has been somewhat quaintly observed, did end, like most other plots, seditions, and conspiracies, in mere smoke.”
In 2008 L.A. Innes of Jamestown, Saint Helena, auctioned a collection of images taken during the Boer War. This one shows a prisoner standing next to a tortoise on the island. The tortoise was mature at the time of the photograph, which was taken in 1900, and investigators were surprised to find that he’s still alive — “Jonathan” lives on the grounds of the governor’s residence, blind in one eye but still active and mating with other tortoises.
If he was 70 at the time Innes’ photograph was taken, then he’s 184 today — the oldest living reptile on earth.
In 1966 University of Kentucky social psychologist Melvin Lerner asked 72 undergraduate women to observe a peer working on a learning task. When the learner made an error she appeared to receive a painful electric shock. In describing her suffering, the observers tended to reject and devalue her when they thought they would continue to see her suffer in a later session.
Lerner suggested that we come to terms with the suffering we see around us by deciding that the world is just — that those who are unfortunate somehow deserve their fate, and thus that we can avoid such a fate ourselves. This is reflected in figures of speech such as “You reap what you sow” and “He got what was coming to him.”
“If people did not believe that they could get what they want and avoid what they abhor by performing certain appropriate acts, they would be virtually incapacitated,” Lerner wrote. “If this is true, then the person who sees suffering or misfortune will be motivated to believe that the unfortunate victim in some sense merited his fate.”
(Melvin J. Lerner and Carolyn H. Simmons, “Observer’s reaction to the ‘innocent victim': Compassion or rejection?”, Journal of Personality and Social Psychology 4(2) [August 1966], 203-210.)
An odd feature from the Baltimore Sun of Oct. 5, 1902: Alfred Hermann of Bakersfield, Calif., pledged to circle the world in a year and a half wearing a pair of steel handcuffs, and to earn a livelihood while doing so. If he succeeded, his friend Al Armstrong agreed to finance a medical education for him.
At the time of the interview, Hermann had reached the East Coast six months after setting out from California on March 22, having visited Los Angeles, San Francisco, Seattle, Salt Lake City, Denver, Kansas City, St. Louis, Chicago, Philadelphia, and New York. “From here I ship to London, and from there go to Paris. After leaving Paris I intend to visit Berlin. At St. Petersburg I will connect with the Trans-Siberian railway and reach the west coast of China,” whence he planned to continue to Japan and embark for San Francisco. His only means of earning money along the way was to sell pictures of himself and give “exhibitions of the different exercises that it is possible for a man to take with his hands steel-braceletted.”
Under the terms of the agreement, Hermann could remove the manacles at night, “for health’s sake.” “At each stopping place the cuffs are unlocked, when he retires, by some responsible person, preferably the landlord of the hotel where he stays. Upon departing the landlord locks the cuffs, seals a bit of paper over the key opening, writes his name thereon and also writes his name in a book that Hermann carries, with the name of place, date, etc., affixed in regular postmark form. The key is then placed in Hermann’s pocket.”
I don’t know whether he made it. “The boy’s got grit in him,” Armstrong said. “I like his pluck; but, of course, he doesn’t stand much chance of winning. His enthusiasm will be likely to give out when he’s up against it in China or Russia or some other outlandish place where nobody understands the American lingo and will lock him up for a lunatic or a jailbird. However, I’ll make good if he will.”
In 1964 British meteorologist Allan Crawford visited tiny, freezing Bouvet Island in the South Atlantic, the most remote island in the world, to investigate the possibility of establishing a weather station there. When his helicopter touched down near a shallow lagoon in the island’s interior he found a surprise:
There was an abandoned whaleboat in quite good condition, though lying at the bottom of the lagoon, gunwales awash. What drama, we wondered, was attached to this strange discovery? There were no markings to identify its origin or nationality. On the rocks a hundred yards away was a forty-four gallon drum and a pair of oars, with pieces of wood and a copper flotation or buoyancy tank opened out flat for some purpose.
Thinking that castaways might have landed on the uninhabited island, Crawford’s party made a brief search but found no human remains. The boat’s presence has never been explained.
(From Crawford’s book Tristan da Cunha and the Roaring Forties, 1982.)
In August 1883 James Wallis, the chief of police on the small island of Rodrigues in the western Indian Ocean, added this note to his official report for the month:
On Sunday the 26th the weather was stormy, with heavy rain and squalls; the wind was from SE, blowing with a force of 7 to 10, Beaufort scale. Several times during the night (26th-27th) reports were heard coming from the eastward, like the distant roar of heavy guns. These reports continued at intervals of between three and four hours, until 3 pm on the 27th, and the last two were heard in the direction of Oyster Bay and Port Mathurie.
It wasn’t gunfire. It was the “death cry” of Krakatoa, 3,000 miles away in Indonesia — the loudest sound in recorded history.
The lyrebird of Australia is an astonishingly gifted mimic, and its talents extend beyond the natural world: Above, a lyrebird imitates the human technology it has encountered; below, a captive bird mimics construction at the Adelaide Zoo.
In 1969, park ranger Sydney Curtis heard a lyrebird producing flute sounds in New England National Park on the coast of New South Wales. After some sleuthing, Curtis discovered that a neighboring farmer had played the flute for a pet lyrebird in the 1930s. When ornithologist Norman Robinson studied the call, he discovered that the bird was singing two popular songs of the 1930s — “The Keel Row” and “Mosquito’s Dance.”
“It is now seventy years since a lyrebird learned these fragments,” wrote David Rothenberg in 2006, “and today the flute song has been heard a hundred kilometers from the original source. A human tune is spreading through the lyrebird world, as they’ve decided through generations to prefer just two shards of our particular music.”