Niels Bohr liked westerns but found them exasperating. After one feature he told his friends, “I did not like that picture, it was too improbable. That the scoundrel runs off with the beautiful girl is logical, it always happens. That the bridge collapses under their carriage is unlikely but I am willing to accept it. That the heroine remains suspended in midair over a precipice is even more unlikely, but again I accept it. I am even willing to accept that at that very moment Tom Mix is coming by on his horse. But that at that very moment there should be a fellow with a motion picture camera to film the whole business — that is more than I am willing to believe.”
He did approve of movie gunfights, where the villain always draws first and yet the hero always wins. Bohr reasoned that the man who draws first in a gunfight is using conscious volition, where his opponent is relying on reflex, a much faster response. Hence the second man should win.
“We disagreed with this theory,” wrote George Gamow, “and the next day I went to a toy store and bought two guns in Western holders. We shot it out with Bohr, he playing the hero, and he ‘killed’ all his students.”